SKU: GI.G-527
Text by Noel Goemanne.
Conversational Solfege is a dynamic and captivating first-through-eighth grade general music program that enables students to become independent musical thinkers with the help of a rich variety of folk and classical music. It is organized around increasingly complex rhythmic and melodic content. Each new rhythmic or melodic element is discovered first in patterns and then reinforced with folk songs, rhymes, and classical examples. Central to the Conversational Solfege program is the use of music harvested from our rich and diverse American musical history. This variety of music serves as a common thread that spans and bonds generations. Each book contains varied song material so the teacher can select appropriate music for the lower grades or older beginners. This 12-step teaching method carefully brings students from readiness to, ultimately, creating music through inner hearing and then transferring their musical thoughts into notation—in other words, to compose music! This CD provides 14 classical selections referenced in Conversational Solfege Level 2. These examples provide reinforcement for emerging literacy skills, and they also enable students to listen to wonderful classical examples with greater attention. Listening to classical music can be challenging for elementary students. With nothing to hang onto, the many notes can be too much to comprehend and attention soon wanes. But with minimal literacy skills, students will have enough musical information to discover that classical music can be accessible and appealing. In the included booklet, timings are given for each selection and the portions of the music that are readable by the students are reproduced. Whether using this CD with Conversational Solfege instructional materials or simply as a resource of classical music with simple to read rhythmic and melodic material, both teachers and students will delight in discovering this wonderful music through literacy. This series is a complete, innovative approach to teaching music that will stay fresh year after year. CONTENTS Conversational Solfege Unit 5: 1. Antonin Dvorak • New World Theme Conversational Solfege Unit 6: 2. Franz Joseph Haydn • Theme from  the Surprise Symphony, 3. Camille Saint-Sans • Turtles from Carnival of the Animals, 4. Ludwig van Beethoven • Symphony No. 7, 2nd Movement, 5. Josef Strauss • Feuerfest (Fireproof) Polka, Op. 269 Conversational Solfege Unit 7: 6. Jacques Offenbach • Can-Can, 7. Dmitry Kabalevsky • Pantomime from the Comedians, 8. Edvard Grieg • In the Hall of the Mountain King Conversational Solfege Unit 9 and Unit 11: 9. Jacques Offenbach • Barcarolle Conversational Solfege Unit 10: 10. Edvard Grieg • Morning Conversational Solfege Unit 11: 11. Ottorino Respighi • Ground in G Conversational Solfege Unit 12: 12. Johann Sebastian Bach • Jesu, Joy of Men's Desiring, 13. Jean Sibelius • Finlandia Conversational Solfege Unit 13: 14. Ludwig Van Beethoven • Symphony No. 6, Movement 5 John M. Feierabend is Professor Emeritus and former Director of Music Education at The Hartt School of Music, University of Hartford, Connecticut.
SKU: CA.926000
ISBN 9790007249229. Key: F major. Language: French. Text: Barbier, Jules.
The three verses of Aimons-nous, separated by piano interludes, are cheerful and amorous, an invitation to everlasting mutual love. The text portrays this almost as a law of nature: rivers and streams combine, the sun embraces the earth, and the birds snuggle close to each other in their nest. Light, rippling syncopations in the piano accompany Gounod's typical catchy melodic writing in the vocal parts. The writer Jules Barbier was Gounod's favored opera librettist (Faust, Romeo et Juliette), but many other 19th century opera composers also set his texts, including Camille Saint-Saens, Giacomo Meyerbeer, and Jacques Offenbach. This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing the any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD Kennst du das Land ... (Carus 83.495).
SKU: BT.ALHE31846
French.
Lyrics and music by Jacques Provins, harmonised by Raphae l Passaquet.
SKU: HL.50426970
6.75x10.5 inches.
SKU: BT.HU-1777-703
German.
SKU: BT.HU-1777-250
SKU: BT.HU-1777-701
SKU: FG.55011-858-4
Chant des Voyelles - Incantation of Vowels (2018) for mixed choir (SSAATTBB) was premiered by Volti on May 4, 2018 at Noe Vallay Ministry in San Francisco and on May 6, 2018 at BAMPFA, in Berkeley, California.Martinaitytė encountered at the Rockefeller estate Kykuit near New York City a work by the cubist sculptor Jacques Lipchitz called Chant des Voyelles . It was titled after an Egyptian prayer composed only of vowels that was designed to subdue the forces of nature. Further research showed that many ancient traditions (Egyptians, Greeks and Tibetans) ascribed sacred, mystical and healing powers and significance to vowels. The details might vary in different traditions, yet it is clear that something miraculous happens through the very act of prolonged repetition of certain vowels - whether in the form of a mantra or prayer or as a self-healing ritual.This work experiments with subtly shifting, sometimes barely audible clouds of overtones resulting from the sustaining of certain vowels in multiple voices in a magical way.Duration: 16-17'The works of New York -based Lithuanian composer Žibuoklė Martinaitytė (b. 1973) have been lauded as breathtaking and profoundly moving. Her stimulating music bristles with energy and tension and revolves often around the subject of beauty, which she calls both a guiding principle and an aesthetic measure for sonic quality.
SKU: GH.N04012
ISBN 9790070029810. A4 inches.
Text ur Sv.Ps. 58 (1937 ars Psalmbok).
SKU: HL.48188339
The Moon is dead is a piece for SATB containing the score for Mixed voices or Equal voices, on music by Georges Liferman. With lyrics by Jacques Mareuil, this lyrical piece is quite melancholy: ?Cry Pierrots, Poets and Black cats, the Moon is dead? being the main recurrent sentence. The chorus is sung by all voices, while the verses lyrics are only sung by the Tenor and the Bass accompanied by a melody of ?o? by the two other voices. Georges Liferman is a French composer and writer. His work includes French songs and French musicals mainly, with very famous interpretations in France by artists such as France Gall, Juliette Greco and Yves Montant..
SKU: BT.ALHE32427
La Lune Est Morte is a piece for SATB containing the score for Mixed voices or Equal voices, on music by Georges Liferman. With lyrics by Jacques Mareuil, this lyrical piece is quitemelancholy: “Cry Pierrots, Poets and Black cats, the Moon is dead” being the main recurrent sentence. The chorus is sung by all voices, while the verses lyrics are only sung by the Tenor and the Bassaccompanied by a melody of “o” by the two other voices. Georges Liferman is a French composer and writer. His work includes French songs and French musicals mainly, with very famousinterpretationsin France by artists such as France Gall, Juliette Gréco and Yves Montant.
SKU: GI.G-7023
UPC: 785147702306. Italian. Text by Giovanni Guidiccioni.
“Of course, in the Renaissance ‘dying’ also frequently referred to the ‘little death’ of sexual release.†—composer’s notes. An English translation provided.
SKU: GI.G-9085
UPC: 785147908500. English, French, German, Italian, Latin, Spanish. Text Source: Based on the Pentecost Sequence.
Cello or Bassoon.
SKU: MN.50-9086
UPC: 688670590863. Scripture: Psalms 51.
Popular 16th century Ave Maria setting given new text from Psalm 51. Homophonic textures, elegant timbre, comfortable ranges throughout. Proven choral classic.
SKU: CF.CM7561
ISBN 9781491149058. UPC: 680160906550. 6.875 x 10.5 inches. Key: F major. English, French. Gerald Knight.
SKU: BT.HU-1470-703
SKU: BT.HU-1470-701
SKU: BT.HU-1470-250
SKU: BT.ALHE32467
SKU: BT.ALHE32196
SKU: GH.N03740
ISBN 9790070028899. A4 inches. Text: David Eliasson (Swedish).
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