Composed by Richard J. Clark. Text: The Roman Missal. Our most popular Mass setting! Liturgy. Published by CanticaNOVA Publications (C5.3136-2).

Orchestra ST vocal soli, SATB choir, flute, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.7004009

Kyrie fur eine Messe in d. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. 1x 70.040/21 flute, 1x 70.040/22 oboe 1, 1x 70.040/23 oboe 2, 1x 70.040/24 bassoon 1, 1x 70.040/25 bassoon 2, 1x 70.040/31 clarinet 1, 1x 70.040/32 clarinet 2, 1x 70.040/41 timpani. Stuttgart Urtext Edition: Schubert. Harmony parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. Composed 1812. D 31. 16 pages. Duration 4 minutes. Carus Verlag #CV 70.040/09. Published by Carus Verlag (CA.7004009).

ISBN 9790007227548. Key: D minor. Language: Latin.

In 1812 Schubert probably composed one of his earliest settings of the Mass, although only this Kyrie for a Mass in D minor was written down. A fragment of a Credo from 1811 has also survived. Score and parts available separately - see item CA.7004000.

Composed by William Averitt. Christmas, Sacred, 21st Century. Duration 3 minutes, 50 seconds. Galaxy Music Corporation #1.3482. Published by Galaxy Music Corporation

Composed by Leo Nestor. For soprano voice solo, SATB choir, organ. Easter, General, 21st Century. Moderately Difficult. Octavo. Duration 3 minutes, 20 seconds. Published by E.C. Schirmer Publishing

SATB choir, 2 oboes, 2 bassoons, 2 clarino/trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.5132311

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. Stuttgart Urtext Edition: Mozart. Kyrie In C (Erganzung Stadler). Sacred vocal music, Mass sections. Single Part, Violin 1. Composed 1790 (terminus post quem). KV 323. 4 pages. Duration 3 minutes. Carus Verlag #CV 51.323/11. Published by Carus Verlag (CA.5132311).

ISBN 9790007224882. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.

SATB choir, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.5132209

Fragment, completed by Maximilian Stadler. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Abbe Maximilian Stadler. This edition: urtext. 1x 51.322/21 oboe 1, 1x 51.322/22 oboe 2, 2x 51.322/23 2 bassoons, 2x 51.322/31 2 horns, 2x 51.322/32 2 trumpets, 2x 51.322/32 2 trumpets, 2x 51.322/32 2 trumpets, 2x 51.322/32 2 trumpets, 1x 51.322/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Kyrie In Es (Erganzung Stadler). Sacred vocal music, Mass sections. Set of Orchestra Parts. Composed 1778/79. KV 322. 18 pages. Duration 4 minutes. Carus Verlag #CV 51.322/09. Published by Carus Verlag (CA.5132209).

ISBN 9790007224813. Language: Latin.

Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. Score and parts available separately - see item CA.5132200.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118811

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, End of the church year, Trinity. Single Part, Violin 1. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/11. Published by Carus Verlag (CA.3118811).

ISBN 9790007210038. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.5506309

Composed by George Frideric Handel. Edited by Felix Loy. 1x 55.063/21 flute 1, 1x 55.063/22 flute 2, 2x 55.063/23 recorders 1 and 2, 1x 55.063/24 oboe 1, 1x 55.063/25 oboe 2, 2x 55.063/26 Bassoon 1 and 2, 2x 55.063/31 horns 1 and 2, 4x 55.063/32 Trumpets 1-3 and timpani. Stuttgart Urtext Edition: Handel. Harmony parts. Sacred vocal music, Oratorios. Set of Orchestra Parts. Duration 160 minutes. Carus Verlag #CV 55.063/09. Published by Carus Verlag (CA.5506309).

ISBN 9790007242060. Language: English/German. Text: Eschenburg, J. J. / Loy, Felix.

First critical edition. The oratorio Judas Maccabaeus is one of George Frideric Handel's most popular choral works. It was performed over fifty times during the composer's lifetime and was one of his first works to be performed in Germany (1772). The frequent performances given by Handel himself resulted in a particularly large number of reworkings, reflecting local conditions. This new edition therefore offers the work in two performable versions: firstly, the version of the first performance in 1747, and the one from the last oratorio season during Handel's lifetime (1758/59). This makes available all the choruses and arias which Handel ever wrote for Judas Maccabaeus. Reflecting the latest Handel research, the edition is based for the first time throughout on Handel's conductor's score, thereby eradicating not only long-perpetuated mistakes, but also providing clarity about which pieces were actually performed by Handel. By contrast with the Chrysander edition obligatory until now, the aria Father of heav'n which introduces Part III is included here in its original, longer version. Score and parts available separately - see item CA.5506300.

SATB choir, organ accompaniment, violin 1, violin 2, viola, cello, bass, horn in f, trumpet in B-flat, flugelhorn, timpani, glockenspiel - Early intermediate

SKU: GI.G-8653

Composed by Leo Nestor. Eastertide, Easter Sunday. Choral. Tune Name: Great Falls. Sacred. Octavo. 8 pages. GIA Publications #8653. Published by GIA Publications (GI.G-8653).

UPC: 785147865308. English. Text Source: Ode III: Deute poma piomen kainon, tr. John Mason Neale, 1818–1866, alt.; Translation: John Mason Neale.

This venerable hymn text receives a warm, inviting treatment from an original tune by one of today’s masters. An organ or instrumental introduction, modulations, meter changes, and frequent registration changes supply even more interest. In addition, the composer’s orchestration for string orchestra, horn in F, trumpet in B-flat, flugelhorn, timpani, and glockenspiel is available from the publisher.