| Oxford Book Of Flexible Anthems
Choral SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction Composed by John Rutter
A Prayer Of St Richard Of Chichester Composed by L. J. White
Alleluia Composed by William Boyce
Author Of Life Divine Composed by Cecilia Mcdowall
Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard
Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard
Brightest And Best Composed by Malcolm Archer
Christ Is The World's True Light Composed by W. K. Stanton
Christ The Lord Is Risen Again Composed by Richard Shephard
Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach
Come Down, O Love Divine Composed by Hilary Tadman-robins
Plainsong: Creator Of The Stars Arranged by John Scott
Drop, Drop Slow Tears Composed by Kerry Andrew
Evening Service In C Composed by Frank Henry Shera
Fairest Lord Jesus Composed by Martin How
Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard
Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard
God Be In My Head Composed by Armstrong Gibbs
God In Mine Eternity Composed by Alan Bullard
God So Loved The World Composed by Alan Bullard
God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne
Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt
Hark, The Glad Sound Composed by David Thorne
Harvest Carol Composed by Ian Ray
He Is Risen Composed by Cecil Cope
Hide Not Thy Face Composed by Richard Farrant
see all...
Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard
Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith
Hosanna To The Son Of David Composed by Georg Philipp Telemann
Irish Blessing Composed by Bob Chilcott
Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar
Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard
Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart
Lamb Of God (Agnus Dei) Composed by Samuel Webbe
Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury
Like The Murmur Of The Dove's Song Composed by Alan Smith
Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn
Magnificat And Nunc Dimittis In C Composed by F. H. Shera
Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard
Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard
O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard
O For A Closer Walk With God Composed by Charles Villiers Stanford
O God Of Mercy Composed by Simon Lole
O God, Your Goodness Composed by Ludwig Van Beethoven
O Praise God In His Holiness Composed by John Weldon
Panis Angelicus Composed by Cesar Auguste Franck
Peace Between Nations Composed by Christopher Wiggins
Pie Jesu Composed by Gabriel Faure
Praise To The Trinity Composed by Hildegard Of Bingen
Psalm 150 Composed by Bob Chilcott
Rejoice In The Lord Always Composed by Christopher Wiggins
Shout For Joy Composed by African Traditional; Arranged by Alan Bullard
Star Of Wonder Composed by Alan Bullard
The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley
The Heavens Sing Praises To God Composed by Ludwig Van Beethoven
The Lord Ascendeth Composed by Michael Praetorius
The Lord Bless You And Keep You Composed by John Rutter
The Lord's My Shepherd Composed by Bob Chilcott
The Peace Of God Composed by Alan Bullard
The True And Living Bread Composed by David Blackwell
There Is No Rose Composed by Andrew Smith
Thou Visitest The Earth Composed by Maurice Greene
To Be A Pilgrim Composed by Nick Burt
Were You There? Composed by American Spiritual; Arranged by Peter Hunt
Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard
Wondrous Cross Composed by Philip Wilby
The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press
(2)$28.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jesus Is the Friend Who's Always There Choral SATB SATB, Piano Shawnee Press
By Don Besig. Words by Don Besig and Nancy Price. For SATB Choir. Sheet Music. P...(+)
By Don Besig. Words by Don Besig and Nancy Price. For SATB Choir. Sheet Music. Published by GlorySound.
$2.50 $2.375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Instant Worship Choir Collection - Bulk CD (10-pak) Choral SATB Word Music
SATB choir SKU: WD.080689757723 Arranged by Camp Kirkland, Dave Williamso...(+)
SATB choir SKU: WD.080689757723 Arranged by Camp Kirkland, Dave Williamson, Lari Goss, Robert Sterling, Russel Mauldin, and and More. Choral, cantatas. Sacred. Bulk CD (10-pak). Word Music #080689757723. Published by Word Music (WD.080689757723). UPC: 080689757723. Every choir leader knows that Sunday comes once a week, and there's always a need for sing-able arrangements that can be ready in an instant. The Instant Worship Choir Collection is packed with 20 dynamic arrangements that meet the need right when you need it! Perfect for small and large choirs alike (depending upon the circumstance: slim Sundays, summer choir, special event choir, snow choir, during busy seasonal rehearsal times) or whenever you want an easily-prepared song your choir is guaranteed to enjoy presenting.
20 song value collection, re-voiced to be able to be rehearsed and ready in 30 minutes. At $9.95, that is less than 50 cents per anthem! Practice Trax available. $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Instant Worship Choir Collection - Practice Trax Choral SATB Word Music
SATB choir SKU: WD.080689677021 Arranged by Camp Kirkland, Dave Williamso...(+)
SATB choir SKU: WD.080689677021 Arranged by Camp Kirkland, Dave Williamson, Lari Goss, Robert Sterling, Russel Mauldin, and and More. Choral, cantatas. Sacred. Practice trax. Word Music #080689677021. Published by Word Music (WD.080689677021). UPC: 080689677021. Every choir leader knows that Sunday comes once a week, and there's always a need for sing-able arrangements that can be ready in an instant. The Instant Worship Choir Collection is packed with 20 dynamic arrangements that meet the need right when you need it! Perfect for small and large choirs alike (depending upon the circumstance: slim Sundays, summer choir, special event choir, snow choir, during busy seasonal rehearsal times) or whenever you want an easily-prepared song your choir is guaranteed to enjoy presenting.
20 song value collection, re-voiced to be able to be rehearsed and ready in 30 minutes. At $9.95, that is less than 50 cents per anthem! Practice Trax available. $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Barber Shop Songs
Choral SATB SATB A Cappella [Sheet music] Music Sales
For SATB voices (with optional guitar chords). Format: SATB songbook. With chora...(+)
For SATB voices (with optional guitar chords). Format: SATB songbook. With choral notation, lyrics, chord names and guitar chord diagrams. Americana, traditional pop and pop vocal. Series: Everybody's Favorite Series #67. 127 pages. 9x12 inches. Published by Music Sales.
(9)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Canone ed Ostinato and Corale con Canto Choral SATB Boosey and Hawkes
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen basiliense. Composed by Benjamin Britten. Boosey & Hawkes Sacred Choral. Classical. Octavo. 16 pages. Boosey & Hawkes #M051482474. Published by Boosey & Hawkes (HL.48021234). ISBN 9781458423542. UPC: 884088642037. 6.75x10.5 inches. Text: in Latin compiled from the charter of the University, and from older orations in praise of Basle by Bernhard Wyss.
Publisher: Boosey & Hawkes
Difficulty level: 4 (for chorus)
Britten's genius lifts this work above being just a worthy celebration of the 500th anniversary of the foundation of Basle University. It is tongue-in-cheek and mockingly non-academic while referring all the time to academic musical forms and formulae. It is written in two parts (everything is in the statutory Latin including the titles of the parts - Pars I and Pars II). The titles of the movements show Britten's intention to show off a wide variety of techniques. Here are some examples: Chorale/Alla Rovescio (the theme is given and responded to with the same melody upside down)/Recitativo/Tema seriale con fuga/Canone ed ostinato. There is a good deal of humour here.
There are seven movements in Pars I and six in Pars II. The tenor soloist is given three florid recitatives, accompanied only by a piano, which act as bridges between other orchestrally accompanied movements. Of these the most noteworthy are the Arioso con canto popolare for soprano solo with tenors and basses who hum a student song; another terrific Britten scherzo; and a wonderfully raucous final pair of movements (Canon ed ostinato and Corale con canto) where Britten seems to be aping the Vivat Regina! cries in Parry's I was glad or encouraging the kind of noisy 'I'm from the best university' kind of student touchline shout. This has outrageously high notes for the tenors (top B) which further endorse this feeling. There are real echoes of the Spring Symphony (see separate entry) final movement here which are further underlined by the last section of the Cantata which brings in the bells, piano, huge percussion and the inevitable chorale in which the choir sings 'that a free academy may thrive in a free community, for ever the ornament and treasure of illustrious Basle'.
This may not be Britten at his most soul-searching but, as always, there is plenty here to enjoy, especially if the work is not taken too seriously. It is a celebratory, occasional piece and it could be well taken up by other academic establishments celebrating big anniversaries. The chorus parts are not very difficult, though they do present challenges for the choir - not least in having tenors capable of those very high notes at the end. The Tema seriale con fuga is sinewy and needs careful tuning. It also has the subject regularly given upside down after its initial sounding by the basses. All good fun.
Duration: 21 minutes
Paul Spicer, Lichfield, 2011. $2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| He'll Be There Choral SATB SATB, Piano Lorenz Publishing Company
Composed by Laura Farnell. Arranged by Victor C Johnson. Choral. Sacred Anthe...(+)
Composed by Laura Farnell.
Arranged by Victor C
Johnson. Choral. Sacred
Anthem. Octavo. Lorenz
Publishing Company
#10/5195L. Published by
Lorenz Publishing Company
$2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| When We Sing Together Choral SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM9556 Composed by Vicki Tucker Court...(+)
Choral SATB Choir and Piano SKU: CF.CM9556 Composed by Vicki Tucker Courtney. Fold. Performance. With Standard notation. 12 pages. Carl Fischer Music #CM9556. Published by Carl Fischer Music (CF.CM9556). ISBN 9781491150887. UPC: 680160908387. 6.875 x 10.5 inches. When we sing together unified wholeheartedly, there is love...with music, there is always unity in diversity. Courtney and Parker's collaboration on this gospel style original choral is encouraging, uplifting, and a lot of fun to sing. Appropriate for developing mixed choirs and above, it is a a great closer for any concert. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New Hymns for Choir & Home Choral SATB Jackman Music Corporation
SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral...(+)
SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral General Conference, Choral SATB, Difficulty Medium, Piano Choir, Special Events Home and Family, Hope, Jesus Christ - Savior. Christian, Inspirational. Jackman Music Corporation #19990. Published by Jackman Music Corporation (JK.19990). Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you! 46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017). Collection includes: All Ye Who Watch the Master's Sheep Are the Heavens Truly Open? Are We Not All Beggars? As an Ensign to the Nations A Sinless, Pure and Holy Man Be Clean, Oh House of Israel Be Not Afraid, But Be Believing Bless Me to Be a Little More Like Thee Do You Love Me? Christ Can Heal the Broken Hearted ever We'll Remember For God Loves Us With All His Heart For God So Loved the World God Has Raised Up Noble Daughters God will Never Leave the Weary He Will Bring Rest to Your Soul His More Excellent Way Holy Father, King of Heaven How Fair Upon the Mountain I Am a Child of Destiny I Bear My Witness of the Lord In Heaven There Is a Law Inviting All to Come to Christ I Testify I Would Be Thy True Disciple let Not Your Heart Be Troubled Let Thy Word Be In Our Hearts Lord, Accept My Humble Offering Lord, I Believe Lord, I'll Strive to Live Worthy of Thy Love Lord, We Pray For All the Children May We Have the Tongues of Angels My Life is Not My Own None Were With Him Oh Come Ye Heavy Laden Come Our Faith Unites Us With One Heart The Keys of the Kingdom The Love of God Is Without End The Mother of All Living The Words of God Will Never Cease The Worth of Souls Is Great Indeed Through a Thousand Generations To the Rising Generation Who Will Now Speak For the Widow? Wilt Thou, Lord, In Me Abide You Can Always Come Back Home Composer: Janice Kapp Perry Lyricist: David B. Larsen Reference: Hebrews 9:28, John 14:6 *** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you! $6.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Musik ist stets bei Dir (The Music's Always There With You) Choral SATB SATB, Piano Oxford University Press
Choir, Piano Accompaniment, Voice, 4-Part, SATB The Music's Always The...(+)
Choir, Piano Accompaniment,
Voice, 4-Part, SATB
The Music's Always There With
You. Composed by John Rutter.
Vocal score. 12 pages.
Duration 3.5'. Oxford
University Press
#9780193565999. Published by
Oxford University Press
$3.65 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Music's Always There With You Choral SATB [Vocal Score] Oxford University Press
Composed by John Rutter (1945-). Mixed Voices. Vocal score. 12 pages. Duration 3...(+)
Composed by John Rutter (1945-). Mixed Voices. Vocal score. 12 pages. Duration 3.5'. Published by Oxford University Press (OU.9780193416314).
$3.65 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Irving Berlin's America (Medley) Choral SATB SATB Hal Leonard
By Irving Berlin. Arranged by Roger Emerson. (SATB). Choral. Size 6.7x10.5 inch...(+)
By Irving Berlin. Arranged by Roger Emerson. (SATB). Choral. Size 6.7x10.5 inches. 32 pages. Published by Hal Leonard.
$3.50 $3.325 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Isthmus Choral SATB [Score] University Of York Music Press
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Compos...(+)
SATB Choir SKU: BT.MUSM570368679 For choir and fixed media. Composed by Evis Sammoutis. Score Only. Composed 2019. 14 pages. University of York Music Press #MUSM570368679. Published by University of York Music Press (BT.MUSM570368679). Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Like, Totally '80s (Choral Medley) Choral SATB SATB, Piano Hal Leonard
Arranged by Mark A. Brymer. Pop Choral Series. Eighties, Medley, Pop, Pop/Rock...(+)
Arranged by Mark A. Brymer.
Pop Choral Series. Eighties,
Medley, Pop, Pop/Rock, Show
Choir. Octavo. 36 pages.
Published by Hal Leonard
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| He Came All So Still Choral SATB Gentry Publications
Composed by Nathaniel Adams. Gentry Publications. Concert. Octavo. 12 pages....(+)
Composed by Nathaniel Adams.
Gentry Publications. Concert.
Octavo. 12 pages. Gentry
Publications #JG2538.
Published by Gentry
Publications
$2.45 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| I hjartat finns musiken kvar Choral SATB Gehrmans Musikforlag
SATB choir divisi, piano SKU: GH.CG-6946 The music's always there with...(+)
SATB choir divisi, piano SKU: GH.CG-6946 The music's always there with you. Composed by John Rutter. With Language: Swedish. Gehrmans Musikforlag #CG 6946. Published by Gehrmans Musikforlag (GH.CG-6946). ISBN 9790070004091. 185 x 262 mm inches. Text: Jorgen Ralphsson. For blandad kor och piano. $8.11 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| King of heaven, be most welcome (Himmelskonig, sei willkommen) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo...(+)
ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo SKU: CA.3118255 First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Himmelskonig, Sei Willkommen G-Dur. Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. BWV 182. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.182/55. Published by Carus Verlag (CA.3118255). ISBN 9790007209865. Key: G major. Text language: German/English. Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Choral SATB [Score and Parts] - Intermediate Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3 SKU: CA.3118219 Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/19. Published by Carus Verlag (CA.3118219). ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck. Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200. $84.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Choral SATB - Intermediate Carus Verlag
Soli ATB, SATB Choir, Blfl f1, 2 Vl, 2 Va, Vc, Bc - Level 3 SKU: CA.3118249(+)
Soli ATB, SATB Choir, Blfl f1, 2 Vl, 2 Va, Vc, Bc - Level 3 SKU: CA.3118249 Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1714. BWV 182. 28 pages. Duration 30 minutes. Carus Verlag #CV 31.182/49. Published by Carus Verlag (CA.3118249). Key: A major. Language: German/English. Text: Franck, Salomo. Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| King of heaven, be most welcome (Himmelskonig, sei willkommen) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo...(+)
ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo SKU: CA.3118257 First Leipzig version. Cantata for Palm Sunday and the feast of the Annunciation Cantata for Palm Sunday and the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Himmelskonig, Sei Willkommen G-Dur. Sacred vocal music, Cantatas, Lent and Passiontide. Study score. BWV 182. 60 pages. Duration 30 minutes. Carus Verlag #CV 31.182/57. Published by Carus Verlag (CA.3118257). ISBN 9790007142872. Key: G major. Text language: German/English. Version in G major (A major = Carus 31.182/00) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Choral SATB - Intermediate Carus Verlag
Orchestra Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, B...(+)
Orchestra Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, Basso Continuo - Level 3 SKU: CA.3118207 Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: paperbound. BWV 182. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Composed 1714. BWV 182. Duration 30 minutes. Carus Verlag #CV 31.182/07. Published by Carus Verlag (CA.3118207). ISBN 9790007050276. Key: A major. Language: German/English. Text: Franck, Salomo. Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score available separately - see item CA.3118200. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Choral SATB - Intermediate Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3 SKU: CA.3118213 Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 2. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/13. Published by Carus Verlag (CA.3118213). ISBN 9790007050306. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck. Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Know That He Is There Choral SATB Beckenhorst Press
SATB choir SKU: BP.1209 Composed by Jon Lokensgard. Arranged by Jeff Loke...(+)
SATB choir SKU: BP.1209 Composed by Jon Lokensgard. Arranged by Jeff Lokensgard. Sacred octavos. Sacred. Octavo. Beckenhorst Press #1209. Published by Beckenhorst Press (BP.1209). This SATB anthem features a gentle melodic line and a very comforting text reminding us we are always in the care of the Lord. Featuring optional children's or unison choir in addition to the SATB part-writing. $2.10 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| HMP CD Accompaniment Trak 20 Fall 08 SOS/New Horizons Choral SATB SATB [Accompaniment CD] Heritage Music Press | | |
| Rejoice, O Pilgrim Throng! Rejoice, Ye Pure in Heart (Choral Score) Choral SATB - Easy MorningStar Music Publishers
SATB choir (optional congregation) and organ, with optional soprano descant, bra...(+)
SATB choir (optional congregation) and organ, with optional soprano descant, brass quartet, and handbells (3 octaves) (Instrumental parts include: Trumpet I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Handbells (3 octaves)) - Early Intermediate SKU: MN.50-6194 Composed by Michael Burkhardt. Instrument parts. MorningStar Music Publishers #50-6194. Published by MorningStar Music Publishers (MN.50-6194). UPC: 688670561948. English. Burkhardt's settings always have a sense of fun and are certainly not boring for the organist! This version of the hymn tune MARION is no exception. Seven full stanzas, two choral stanzas, a verse for men's voices, a verse for women's voices. Final verse unison with descant. Effective with organ alone, there are optional brass and handbell parts. $2.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mary, Mary Had-A But One Child Choral SATB SATB [Octavo] Alfred Publishing
By Jay Althouse. For Choir. (SATB). Choral Octavo. Choral Designs. Gospel; Sacr...(+)
By Jay Althouse. For Choir. (SATB). Choral Octavo. Choral Designs. Gospel; Sacred; Secular; Spiritual. Choral Octavo. 12 pages. Published by Alfred Publishing.
$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dreamscape Choral SATB SATB, Piano [Score] Carus Verlag
SATB choir, piano SKU: CA.965600 Composed by Daniel Elder. Edited by Stef...(+)
SATB choir, piano SKU: CA.965600 Composed by Daniel Elder. Edited by Stefan Schuck. CARUS CONTEMPORARY. Full score. 20 pages. Carus Verlag #CV 09.656/00. Published by Carus Verlag (CA.965600). ISBN 9790007165062. Text language: English. In A Dream Within a Dream Edgar Allan Poe writes of a traumatic grief that shakes him to the core, affecting his perception of reality itself. Through this setting, his exploration continues into the musical realm. The piano textures here represent something that is not quite real, and fading mercilessly in and out between whimsical fantasy and crushing reality. This aids the tone of Poe's words and provides a backdrop for the voices to speak his emotions in a more solid context, albeit not always quite rationally. There is such a two-sided nature to the emotions at play that it is almost laughable to compare them musically, except when placing oneself into the mindset of a desperate mind. Poe needs no help in expressing his feelings - the power of his words carries an inherent statement without calling for musical aid. However, in Dreamscape we will attempt to explore them in the context of the modern psyche and hopefully one may see Poe's struggle arise within oneself in sensory ways not often accessible through poetry alone. (Daniel Elder). $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| School Rules Choral SATB SATB [Accompaniment CD] Hal Leonard
(Manners and Classroom Procedure Songs). By Brad Green. Performance/Accompanimen...(+)
(Manners and Classroom Procedure Songs). By Brad Green. Performance/Accompaniment CD. Expressive Art (Choral). CD only
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Spirit of Love Choral SATB Hope Publishing Company
Choral SATB choir with optional oboe & handbell (SATB choir) SKU: HP.C5154(+)
Choral SATB choir with optional oboe & handbell (SATB choir) SKU: HP.C5154 Composed by Allen Pote. Where there is devotional music, God is always at hand with His gracious presence. -J.S. Bach. General Worship, Holy Spirit, Humanity, Sacred. Octavo. Hope Publishing Company #C5154. Published by Hope Publishing Company (HP.C5154). UPC: 763628151546. Shirley Erena Murray. Romans 8:12-17. Original Anthem Shirley Erena Murray's text on the Holy Spirit as the weaver of our lives is appropriate for Pentecost of any time, and has been given an exquisite musical setting by Allen Pote utilizing a keyboard accompaniment with optional oboe and nine handbells. The oboe and reproducible handbell parts are included in the anthem. $3.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
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