Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB choir, SATB voices, 2 flutes, 2 oboes (oboe d'amore, basso continuo), 2 violins, viola, viola da gamba, basso continuo

SKU: CA.3124594

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Paperback. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Johannespassion Bwv 245 Tradition.Fassung. Innovative practice aids, Sacred vocal music, Passions, Lent and Passiontide. Vocal score. Composed 1739/1749. BWV 245. 152 pages. Duration 120 minutes. Carus Verlag #CV 31.245/94. Published by Carus Verlag (CA.3124594).

ISBN 9790007181307. Language: German/English. John 1:18-19.

Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

Soli T (Evangelist), B (Jesus), SATB, SATB Choir, 2 Fl, 2 Ob (Obda, Obca), 2 Vl, Va, Vg, Bc

SKU: CA.3124588

Traditional version (1739/1749). Composed by Johann Sebastian Bach. Arranged by Paul Horn. Carus Choir Coach. Johannespassion.Ccc. Sacred vocal music, Passions, Holy Week. Compact Disc. Composed 1739/1749. BWV 245. Duration 120 minutes. Carus Verlag #CV 31.245/88. Published by Carus Verlag (CA.3124588).

Language: German/English.

Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach's lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. Please use full score and performance material of our edition Carus 31.245/00. This edition includes also the traditional version. This work is now available in carus music, the choir app! Score available separately - see item CA.3124500.

By Johann Sebastian Bach (1685-1750). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir, [5 Instruments, Basso continuo]. BWV 227. Full score available separately - see item CA.3122700. Sacred, Chamber Choir - Recommended by Frieder Bernius; Motets; Stuttgart Urtext editions. Level 4. Choral score. Language: German/English. Composed 1723 (?). 32 pages

(aus: Israelsbrunnlein. Geistliche Madrigale). By Johann Hermann Schein (1586-1630). Edited by Graulich, Gunter. Arranged by Paul Horn. For SSATB Choir. No. 12. Madrigals, Psalms, German; Occasions: Psalms. Level 3. Score. Language: German/English. Composed 1623. 8 pages. Duration 5 min

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500911

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 1. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/11. Published by Carus Verlag (CA.3500911).

ISBN M-007-25279-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500913

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Viola 1. Sacred vocal music, Masses, Latin. Single Part, Viola 1. Duration 12 minutes. Carus Verlag #CV 35.009/13. Published by Carus Verlag (CA.3500913).

ISBN M-007-25281-6. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500912

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Violin 2. Sacred vocal music, Masses, Latin. Part. Duration 12 minutes. Carus Verlag #CV 35.009/12. Published by Carus Verlag (CA.3500912).

ISBN M-007-25280-9. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500900

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Sacred vocal music, Masses, Latin. Full Score. Duration 12 minutes. Carus Verlag #CV 35.009/00. Published by Carus Verlag (CA.3500900).

ISBN M-007-24548-1. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

SATB Choir, 2 Violins, 2 Violas, Basso continuo

SKU: CA.3500914

Composed by Johann Hugo von Wilderer. Edited by Frieder Rempp. Arranged by Paul Horn. Viola 2. Sacred vocal music, Masses, Latin. Single Part, Viola 2. Duration 12 minutes. Carus Verlag #CV 35.009/14. Published by Carus Verlag (CA.3500914).

ISBN M-007-25282-3. Latin.

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer; his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in the form of the Adagio introduction of the Kyrie I in both works.

(Chorale cantata). Composed by Johann Cruger / Felix Mendelssohn Bartholdy. Edited by Gunter Graulich. Arranged by Paul Horn. For SATB choir, 2 violins, viola, cello/double bass, [oboe, bassoon] (arr: organ). This edition: Paperbound. Stuttgart Urtext Edition. German title: Jesu, meine Freude. Cantatas, Praise and thanks. Level 4. Full score. Language: German/English. Composed 1828. 24 pages. Duration 9 minutes. Published by Carus Verlag

SATB choir, SSAA choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2 - Beginning

SKU: GI.G-3675

Concertato on GAUDEAMUS PARITER. Composed by Johann Horn. Arranged by Kenneth T. Kosche. Eastertide, Easter Sunday. Choral. Tune Name: Gaudeamus Pariter. Sacred. Octavo. 16 pages. GIA Publications #3675. Published by GIA Publications (GI.G-3675).

Text Source: John of Damascus, ca. 696–754.

SATB, optional SSAA.

(Quattro pezzi sacri (I)). Composed by Giuseppe Verdi (1813-1901). Edited by Gunter Graulich. Arranged by Johann Horn. For SATB choir, [organ]. C-Moll (C minor). German title: Ave Maria. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Level 4. Full score. Language: Italian. 4 pages. Duration 3 minutes. Published by Carus Verlag

Vier Zigeunerlieder, Op. 112. By Johannes Brahms. Arranged by Maynard Klein. (SATB). Boosey and Hawkes Large Choral. Size 6.8x10.5 inches. 24 pages. Published by Boosey & Hawkes.

SSAATTB vocal soli, SATB choir, 2 horns, 2 flutes, 2 oboes, strings, basso continuo

SKU: CA.9700409

Requiem in Es. Composed by Johann Adolf Hasse. Edited by Wolfram Hader. 1x 97.004/21 flute 1, 1x 97.004/22 flute 2, 1x 97.004/23 oboe 1, 1x 97.004/24 oboe 2, 1x 97.004/31 horn 1, 1x 97.004/32 horn 2. Harmony parts. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1763/64. 64 pages. Duration 42 minutes. Carus Verlag #CV 97.004/09. Published by Carus Verlag (CA.9700409).

ISBN 9790007238803. Key: E flat major. Language: Latin.

Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. Score and parts available separately - see item CA.9700400.