| Without Love...We Have Nothing SATB Choral SATB SATB Shawnee Press
Without Love We Have Nothing by James Michael Stevens and Joseph M. Martin. Arra...(+)
Without Love We Have Nothing by James Michael Stevens and Joseph M. Martin. Arranged by Brant Adams. For SATB Choir (SATB). Glory Sound. Choral. 12 pages. Shawnee Press #A8007. Published by Shawnee Press
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| Without Form and Void Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION by Franz Joseph Haydn. Composed by Dan Welcher. Sws. Premiered at the Northwest Hills United Methodist Church, Austin, TX. Choral. Performance Score. With Standard notation. Composed July 5 2014. 16 pages. Duration 5:15. Theodore Presser Company #362-03423. Published by Theodore Presser Company (PR.362034230). ISBN 9781598069556. UPC: 680160624225. Letter inches. English. When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental. When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear. $3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Popular Voiceworks Choral SATB [Sheet music + CD] Oxford University Press
By Beale And Milloy. For Choral Method (Spiralbound Book and CD). Play along. Pu...(+)
By Beale And Milloy. For Choral Method (Spiralbound Book and CD). Play along. Published by Oxford University Press.
$75.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O Love That Will Not Let Me Go (Choral Score) Choral SATB MorningStar Music Publishers
Composed by Terre Johnson. MorningStar Music Publishers #50-6192. Published by...(+)
Composed by Terre Johnson.
MorningStar Music Publishers
#50-6192. Published by
MorningStar Music Publishers
$2.85 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| New Hymns for Choir & Home Choral SATB Jackman Music Corporation
SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral...(+)
SATB chorus and piano SKU: JK.19990 Composed by Janice Kapp Perry. Choral General Conference, Choral SATB, Difficulty Medium, Piano Choir, Special Events Home and Family, Hope, Jesus Christ - Savior. Christian, Inspirational. Jackman Music Corporation #19990. Published by Jackman Music Corporation (JK.19990). Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you! 46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017). Collection includes: All Ye Who Watch the Master's Sheep Are the Heavens Truly Open? Are We Not All Beggars? As an Ensign to the Nations A Sinless, Pure and Holy Man Be Clean, Oh House of Israel Be Not Afraid, But Be Believing Bless Me to Be a Little More Like Thee Do You Love Me? Christ Can Heal the Broken Hearted ever We'll Remember For God Loves Us With All His Heart For God So Loved the World God Has Raised Up Noble Daughters God will Never Leave the Weary He Will Bring Rest to Your Soul His More Excellent Way Holy Father, King of Heaven How Fair Upon the Mountain I Am a Child of Destiny I Bear My Witness of the Lord In Heaven There Is a Law Inviting All to Come to Christ I Testify I Would Be Thy True Disciple let Not Your Heart Be Troubled Let Thy Word Be In Our Hearts Lord, Accept My Humble Offering Lord, I Believe Lord, I'll Strive to Live Worthy of Thy Love Lord, We Pray For All the Children May We Have the Tongues of Angels My Life is Not My Own None Were With Him Oh Come Ye Heavy Laden Come Our Faith Unites Us With One Heart The Keys of the Kingdom The Love of God Is Without End The Mother of All Living The Words of God Will Never Cease The Worth of Souls Is Great Indeed Through a Thousand Generations To the Rising Generation Who Will Now Speak For the Widow? Wilt Thou, Lord, In Me Abide You Can Always Come Back Home Composer: Janice Kapp Perry Lyricist: David B. Larsen Reference: Hebrews 9:28, John 14:6 *** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you! $6.98 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Soiree en mer Choral SSATB SSATB, Piano Carus Verlag
SSATB Choir, Piano SKU: CA.926400 Composed by Camille Saint-Saens. Arrang...(+)
SSATB Choir, Piano SKU: CA.926400 Composed by Camille Saint-Saens. Arranged by Denis Rouger, Denis Rouger. Carus digital: Extra digital products. Full Score. Composed 1862. Op. 13, No. 1. Duration 5 minutes. Published by Carus Verlag (CA.926400). ISBN 9790007261870. French. Text: Victor Hugo. In his poem Soiree en mer, Victor Hugo describes how the sea can be perceived very differently by two lovers at the same time in the same place. While the man perceives the deepening shadows on the dancing waves, the woman marvels at the stars shining ever brighter in the firmament. In nature, as in the words of the poem, the painful ambiguity that represents life at its core can be experienced. Like no other poet, Hugo captures this almost unbearable simultaneity of living and dying, of love and suffering. Saint-Saens translates this into music - probably the most ephemeral and contemporary of all art forms. His balanced musical form leaves plenty of room for the poetry and his subtle variations in timbre, which also inspired Denis Rouger to his choral arrangement, create a seething motion under the surface of the sea.
This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD ...wo die Ztronen bluhn (Carus 83.514). $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I will lay me down Choral SATB Stainer and Bell
SATB choir & Piano SKU: ST.CN14P Composed by Edmund Jolliffe. ChoralNow. ...(+)
SATB choir & Piano SKU: ST.CN14P Composed by Edmund Jolliffe. ChoralNow. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN14P. Published by Stainer & Bell Ltd. (ST.CN14P). ISBN 9790220224713. For parish choirs Edmund Jolliffe offers a fine post-communion anthem in a much-loved idiom of Anglican liturgical music. The resources are straightforward: SATB choir without divisions, and piano. The effects however are subtle. The music builds steadily through broadly phrased paragraphs that balance individual lines within the choral ensemble, in a landscape of gently shifting yet unexpected harmonic effects. Immediately appealing, this music will reach out to a range of listeners, both regular worshippers and those for whom occasional church attendance is an opportunity for quiet reflection in words and music. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| O Little Town of Bethlehem Choral SATB SATB, Piano - Easy GIA Publications
By Albert (Mike) Dempsey. For SATB Chorus, Solo, Piano accompaniment, and Flute....(+)
By Albert (Mike) Dempsey. For SATB Chorus, Solo, Piano accompaniment, and Flute. Christmas. Sacred. Level: easy. 12 pages. Published by GIA Publications.
$1.50 $1.425 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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