SKU: CA.925000
ISBN M-007-24902-1. Key: E flat major. Language: French. Text: Baudelaire, Charles.
The harmonic turns and piano configurations in La vie anterieure - the former life - seem almost exuberantly lyrical. At the beginning, the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry C'est la que j'ai vecu! [I have lived there] which expresses the fervent yearning to return to a past life, the collective desperately reinforces the longing for the past. Once more, the women's choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude, creating a moment that is completely in the present.
SKU: CA.3102105
ISBN 9790007103002. Key: C dorian / c major. Language: German/English.
The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score available separately - see item CA.3102100.
SKU: CA.3102107
ISBN 9790007058258. Key: C dorian / c major. Language: German/English.
SKU: CA.3102119
ISBN 9790007136000. Key: C dorian / c major. Language: German/English.
The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score and parts available separately - see item CA.3102100.
SKU: CA.5032104
ISBN 9790007244613. Key: C minor. Language: Latin.
Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.
SKU: HL.49019897
ISBN 9790001192637. UPC: 841886021143. 7.5x11.0x0.063 inches. Spanish.
Die spanisch-deutsche Komponistin Raquel Cristobal, die bereits mit Ihrem Gewinnerstuck beim Kompositionswettbewerb des Chorverband NRW 'An den Mond' (C 55497) fur Aufsehen sorgte, schenkt uns zur Weihnachtszeit neue Bearbeitungen popularer Weihnachtslieder aus ihrer spanischen Heimat in verschiedene Besetzungen.Die fur jede Chorgattung neu zusammengestellte Auswahl der Stucke ist eine exquisite Bereicherung des internationalen weihnachtlichen Repertoires. So bieten die hierzulande noch eher unbekannten Melodien eine perfekte Alternative zu den vielen schon oft gehorten Weihnachtsliedern und werden sicher schnell zu Lieblingsstucken fur ihr nachstes Weihnachtskonzert!
SKU: GI.G-9001
UPC: 785147900108. English. Text Source: Based on Zephaniah 3:14, Isaiah 40:3-4. Text by Suzanne Toolan.
From the composer of the timeless “I Am the Bread of Life,†comes this re-released classic for SATB voices. Featuring a rhythmic, two-part a cappella refrain for soprano and alto, this Advent song can be used several places within worship, or even as a call to worship. The verses may be sung with a soloist or in parts, accompanied or a cappella. Try this one with your choir—you’ll be glad you did! The keyboard accompaniment is optional.
SKU: GI.G-10063
English, Spanish, Latin. Text Source: Estrofas: Salmo 144:2-3, 4-5, 6-7, 10-11, 17-18, La Biblia: Libro del Pueblo de Dios, Verses: Psalm 145:2-3, 4-5, 6-7, 10-11, 17-18, The Abbey Psalms and Canticles, Estribillo por/Refrain by Carlos Zapién. Scripture: Psalm 145:2–3, 4–5, 6–7, 10–11, 17–18.
SKU: GI.G-10297
UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición
A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice†is a term used to reference Christ with respect to his second coming, as found in the ancient “O†antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like†in nature—joyful and filled with hope. ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodÃas para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodÃa de soprano, y las lÃneas de alto y tenor comparten esencialmente una sola armonÃa en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodÃa más completa. Los discante y divisi opcionales amplÃan aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antÃfonas O antiguas. Este tÃtulo aparece en el Leccionario entre las opciones de Aleluya para el común de la SantÃsima Virgen MarÃa y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.
SKU: CF.CM8684
ISBN 9780825843082. UPC: 798408043087. 6.875 X 10.5 inches.
SKU: BA.BA09188-90
ISBN 9790006565108. 27 x 19 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger.
Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards.- The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound.- TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
SKU: GI.G-5647
Text Source: ICEL, excerpts.
Flute or oboe. Percussion is for suspended cymbal. Instruments are optional. 13-17 handbells.
SKU: GI.G-8785
UPC: 785147878506. English, Latin. Text Source: Veni, veni, Emmanuel, Latin, 9th c., tr. John M. Neale, 1818–1866, alt., Es ist ein' Ros' entsprungen, Speyer Gesangbuch, 1599, tr. Theodore Baker, 1851–1934, alt., Creator alme siderum, Latin, 9th c., tr. John M. Neale, 1818–186.
There are many ways to present this multifaceted piece. A combination of texts and tunes from some of the most revered music for Advent, this contrapuntal work incorporates the tunes CONDITOR ALME SIDERUM in the tenor, STUTTGART in the C instrument part, and ES IST EIN’ ROS’ ENTSPRUNGEN in the alto and bass parts. The sopranos sing an original tune using the text of Veni, veni Emmanuel. Each part can be sung individually, together as a whole, or any combination in between. Contents: melodies of ES IST EIN' ROS' ENTSPRUNGER, CONDITOR ALME SIDERUM, STUTTGART and an original tune for O Come, O Come, Emmanuel..
SKU: HL.14021021
ISBN 9780711975187. UPC: 884088440541. 9x12 inches.
A work for SATB soli, SATB chorus and orchestra, using a variety of texts, selected by Alistair Grant, who commissioned the work to commemorate the 250th anniversary of the Jacobite rising (1745-6). It was first performed in October 1997 in Glasgow by Lisa Tyrrell (soprano), Margaret McDonald (mezzo soprano), Neil Mackie (tenor) and David Wilson-Johnson (baritone), the Scottish Chamber Orchestra Chorus (chorus master Ben Parry) and the Scottish Chamber Orchestra, conducted by the composer. Vocal score with piano reduction of the instrumental score. Duration c. 40mins.
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