SKU: WD.080689444777
UPC: 080689444777.
Themes are an important part of our lives. They give us connectivity and consistency. They provide focus. They offer common ground with like-minded people. Good themes are recurring themes...especially in regard to redeeming love!
SKU: KJ.8847
SATB Soprano Solo A cappella (optional piano accompaniment) Soprano and baritone soloists will shine along with the choir as they sing out their heart's cry to see Jesus after serving in the army of the Lord. This stand out arrangement will be remembered long after the performance is over.
SKU: BA.BA02967
ISBN 9790006428182. 27.7 x 19.9 cm inches.
26 Kompositionen. Urtext der Lechner-Gesamtausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: GI.G-5126
UPC: 785147512608. Text Source: Psalm 126. Text by Martin J. Willett. Scripture: Psalm 126.
Steven Foster's 1855 tune is paired by this arranger with his own paraphrase of Psalm 126. The arrangement utilized various voicings, though predominantly SATB. Varied accompaniments lead to the third stanza that begins, “Lord, you flow as a river through dry and barren lands,†with a characteristically rippling piano part. Though the assembly can join in the refrain, this makes a solid stand-alone choir piece.Â
SKU: BT.MUSMF272
ISBN 9788774840954.
Anthology for mixed choir. Suitable for use colleges, high schools etc.
SKU: BT.HU-4349-250
9x12 inches. German.
The poetry on which this composition is based is the Ballad of External Life (the Ballade des äußeren Lebens) from the pen of Viennese author Hugo von Hofmansthal (1874-1929). He is known for, amongst other things, his libretti for the works of Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) and as founder of the Salzburg Festival. Von Hofmansthal was one of the last of the German Symbolists. Central to this literary movement was the unification of the internal and external worlds. The search for meaning was a cornerstone of this fin-de-siècle movement.In the Ballade des äußeren Lebens (Ballad of External Life), the meaninglessness ofexistence is expressed in restricting, oppressive metaphors—an ambience that is reflected in the music. Ultimately, man is capable of establishing order from seeming chaos. The poet expresses this powerfully in a non-rhyming line of poetry: ‘And yet, he who says “evening” says much, A word, from which profundity and sorrow flow’.This composition follows the overall structure of the ballad, which is written in terza rima—interlocking three-line rhymes.The choral work can be performed by a chamber choir, but also by a much larger ensemble. The parts are mainly in four voices (SATB), although there are also six parts (SAATBB). One chord is arranged for eight voices.The composer conducted this work at its première, to open the 2013 International Choir Biennial in Aachen. The choir was comprised of four chamber choirs: Aachen Youth Choir, Carmina Mundi, Aachen Chamber Choir and Aachen Madrigal Choir. Het dichtwerk waarop deze compositie is gebaseerd, de Ballade des äußeren Lebens (Ballade van het uiterlijke leven), is geschreven door de in Wenen geboren schrijver Hugo von Hoffmansthal (1874-1929), die onder meer bekend is als librettist van Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) en medeoprichter was van de Salzburger Festspiele. Von Hoffmansthal behoorde tot de laatste vertegenwoordigers van het Duitse symbolisme. Deze stroming stelde zich ten doel de innerlijke en uiterlijke wereld met elkaar te verenigen. Zingeving vormde een van de hoofdthematieken binnen deze fin de siècle-cultuur.In de Ballade des äußeren Lebens wordt dezinloosheid van het bestaan verwoord in beklemmende metaforen - een atmosfeer die in de muziek wordt weerspiegeld. Uiteindelijk blijkt de mens toch in staat te zijn orde te scheppen in de schijnbare willekeur. De dichter benadrukt dit in zijn enige versregel zonder rijm: Und dennoch sagt der viel, der “Abend” sagt. De compositie volgt in hoofdlijnen de structuur van de ballade, die in terzinen is opgebouwd.Het werk kan worden uitgevoerd door kamerkoor, maar ook door een veel grotere bezetting. De zetting is voornamelijk vierstemmig (SATB), maar er zijn tevens zesstemmige delen (SAATBB). Een enkel akkoord is zelfs achtstemmig.Het werk ging onder leiding van de componist tijdens de Internationale Chorbiennale Aachen 2013 als openingswerk in première. Het koor was samengesteld uit vier kamerkoren: Der Junge Chor Aachen, Carmina Mundi, Aachener Kammerchor en Der Madrigalchor Aachen. Die Dichtung, auf welcher diese Komposition basiert, ist die Ballade des äußeren Lebens aus der Feder des gebürtigen Wiener Schriftstellers Hugo von Hoffmansthal (1874-1929), der unter anderem als Librettist von Richard Strauss (Der Rosenkavalier, Ariadne auf Naxos, Elektra) und Mitbegründer der Salzburger Festspiele bekannt ist. Von Hoffmansthal gehörte zu den letzten Vertretern des Deutschen Symbolismus. Diese literarische Richtung machte sich zur Aufgabe, die innere und die äußere Welt miteinander zu vereinen. Sinngebung bildete eine der Hauptthematiken innerhalb dieser Fin-de-Siècle-Strömung.In der Ballade des äußeren Lebens wird die Sinnlosigkeitdes Daseins in beklemmenden Metaphern formuliert - eine Atmosphäre, die sich in der Musik widerspiegelt. Letztendlich scheint der Mensch doch imstande zu sein, Ordnung in der scheinbaren Willkür zu schaffen. Der Dichter betont dies nachdrücklich in der einzigen Verszeile ohne Reim: Und dennoch sagt der viel, der Abend“ sagt. Die Komposition folgt in ihren Hauptzügen der Struktur der Ballade, die in Terzinen geschrieben ist.Das Chorwerk kann von einem Kammerchor, aber auch von einem viel größeren Ensemble aufgeführt werden. Der Satz ist hauptsächlich vierstimmig (SATB), aber es gibt auch sechsstimmige Teile (SAATBB). Ein einzelner Akkord ist gar achtstimmig.Das Werk ging unter der Leitung des Komponisten während der Internationalen Chorbiennale Aachen 2013 als Eröffnungswerk in Premiere. Der Chor setzte sich aus vier Kammerchören zusammen: Der Junge Chor Aachen, Carmina Mundi, der Aachener Kammerchor und der Madrigalchor Aachen.
SKU: WD.080689673023
UPC: 080689673023.
Song of the Lamb extends an invitation to join a journey; it's a journey from despair to hope and from death to life, and it all begins with a Lamb. Veteran arranger Marty Parks has woven classic hymns, modern worship songs and inspirational favorites into a 39-minute work of timeless beauty. Featuring accessible vocal and piano parts and two solos, this offering from Simply Word is ideal for groups with limited rehearsal time. Churches may choose between a poignant, Scripture-based narration or an optional dramatic script, making Song of the Lamb flexible enough to meet a wide variety of performance and worship needs for the Easter season and beyond. The invitation still stands: Come join the journey, and help deliver eternity's message to your church and congregation this Easter. Accessible vocal and piano parts for churches with limited rehearsal time. Conceived for the small to mid-size church. Includes narration AND an optional dramatic script. Veteran arranger Marty Parks.
SKU: WD.080689751721
UPC: 080689751721.
SKU: LP.765762150126
UPC: 765762150126. Words by George Duffield & Eugene M. Bartlett.
A lively and energetic medley of two traditional and much-loved hymns of the church Stand Up for Jesus and Victory in Jesus. Choirs of all sizes and experience levels will enjoy singing this as will church congregations with worship styles from the traditional to more contemporary.
SKU: LP.765762199002
UPC: 765762199002. Words by George Duffield & Eugene M. Bartlett; Orchestrated by Chris McDonald.
SKU: HL.2050271
UPC: 797242157493. 6.75x10.5x0.342 inches.
Greatly influenced by the John Fischer book of the same title,On a Hill Too Far Awayis a clarion call to His church to bring the cross back to the center of our faith. Now with all new drama and a full length DVD that brings the Cross front and center in poignant images.It is the story of Calvary. While it may seem that all of this occurred on a hill too far away, too far removed from our life to speak to us, we cannot stand in the distance and expect to experience the magnitude of the cross. We must draw near. We must face what we can never understand. We must confront the ravaged spotless Lamb to gain just a glimpse of our stain of sin. The cross cannot be explained away. The cross cannot be ignored. The cross cannot be stripped of its cruelty and shame. The cross cannot and will not be denied. The invitation stands- come to the place of mercy and grace. It is the way of the cross that leads us home.Let us fix our eyes on Jesus, the author and perfecter of our faith, who for the joy set before Him endured the cross, scorning its shame, and sat down at the right hand of the throne of God. (Hebrews 12:2 NIV).
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