SKU: HL.303828
UPC: 888680969042. 6.75x10.5x0.062 inches.
The 2019, Tony Award-winning jukebox musical Ain't Too Proud: The Life and Times of The Temptations is making waves on Broadway by infectiously telling the origin story of the chart-topping, R&B hitmakers from Detroit's famed Motown Records label. Told from the perspective of founder and frontman Otis Williams, this dazzling medley features the hits you love, including: Ain't Too Proud to Beg, Get Ready, Just My Imagination (Running Away with Me), My Girl and Papa Was a Rollin' Stone.
SKU: LP.765762013339
ISBN 7-65762-01333-9. UPC: 765762013339.
This Christmas, give your congregation a gift that's bursting with joy and celebration! My Heart Longs for Christmas is a moving new musical created by multiple Dove Award winner Tony Wood, along with notable songwriters Allie Lapointe and Nick Robertson, and arranged and orchestrated by the well-loved David T. Clydesdale. This beautiful combination of traditional carols and remarkable songs - and the title song in particular - remind us that while all of the trimmings of Christmas are good, the deepest longing of our hearts is really for Jesus. With an Accompaniment DVD and many digital companion products, you'll feel like you've been given a gift this Christmas, too, straight from Lillenas and the Clydesdale Music Group.
SKU: PR.342402020
ISBN 9781598064995. UPC: 680160616084. 8.5 x 11 inches. English. Text: William Shakespeare; Aurelius Prudentius Clemens; Aeschylus. Aurelius Clemens, William Shakespeare, Aeschylus. Texts from Aurelius Prudentius Clemens, Aeschylus, and William Shakespeare.
When Tim Sharp, Executive Director of the ACDA, offered Stucky the Brock Memorial Commission, it was decided that the text would commemorate the 50th anniversary of the assassination of John F. Kennedy, since the annual convention would take place in Dallas of that year. To that end, Stucky chose four different but pertinent texts to honor the occasion, although never referencing JFK by name. Take Him, Earth was premiered at the ACDA convention in March, 2013. Originally scored for chorus and chamber ensemble of nine instruments (available on a rental basis), Take Him, Earth is presented here in piano reduction. For advanced choirs. Duration: 13'.When Tim Sharp, Executive Director of the American Choral Directors Association, very kindlyoffered me the Raymond W. Brock Memorial Commission for 2013, he suggested that because thepremiere would take place at the national conference in Dallas in the 50th year since the assassinationof John F. Kennedy in that city, the text might refer in some way to that grim anniversary. Hesuggested, too, that I consider using a chamber ensemble or chamber orchestra to accompany thechorus.I took these suggestions to heart, but at the same time I wanted to write something universal enoughto be appropriate on other occasions, in other settings. Thus the score is dedicated to PresidentKennedy’s memory, but otherwise he is never referred to by name. Instead, I assembled a group oftexts that are associated with him in some way, but that also stand alone as a more general eulogy.As a refrain, there are a few lines from the early Christian burial hymn that begins “Take him,Earth, for cherishing†— lines that were earlier set to music by Herbert Howells in his classic motetcommissioned for Kennedy’s memorial service in 1963. The lines of Aeschylus “Drop, drop — inour sleep, upon the heart sorrow falls†from Agamemnon were quoted by Robert F. Kennedy uponthe death of Martin Luther King in April 1968. The celebrated “When he shall die, cut him out inlittle stars†from Act III of Shakespeare’s Romeo and Juliet was cited by RFK a few months after hisbrother’s murder.
SKU: HL.1312746
UPC: 196288212010. 6.75x10.5 inches.
Central Park is an animated musical sitcom on Apple TV , telling the story of the Tillerman-Hunter family who live in the famed NY park. Daughter Molly, who likes to draw comic books about herself as a superhero, sings this upbeat and multi-layered song, complete with themes about the pressures of living up to high expectations and the journey of self-discovery.
SKU: BT.MUSMF272
ISBN 9788774840954.
Anthology for mixed choir. Suitable for use colleges, high schools etc.
SKU: OU.9780193413450
ISBN 9780193413450. 10 x 7 inches.
for SATB double choir unaccompanied A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the warm richness of the closing pages, where the choir divides into eight parts. This work is part of the New Horizons series and a piano reduction is included for rehearsal purposes.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: WD.080689062278
UPC: 080689062278.
With the weekly demands of providing music for corporate worship, choirs need an easy solution for quality worship music. Music ministries need arrangements that provide options for performance, conserve rehearsal time, and are consistent with the same style and integrity of the selections already at use in their program. Simply...the Best is that solution: an easy-to-sing booklet with three proven anthems re-arranged to maximize rehearsal efficiency. The songs are familiar and the parts are easy enough to learn in as little as one rehearsal. Simply...the Best arrangements are even crafted to work when there are no men available to sing, creating flexibility and the option for a women's-only choir.An exclusive benefit of the Simply...the Best series is the Virtual Accompanist trax (included on the CD accompaniment trax.) The Virtual Accompanist trax includes the women's parts being sung and played on the left channel and men's voice parts being sung and played on the right. By panning the trax to either side, you can let each section hear its parts separately. Whether you sing all three songs together or on separate occasions, with live accompaniment or with the split track accompaniment CD, this series is a simple solution to encourage choirs to lift their voices in praise. No choir is too small or too large to benefit from the practical arrangements and the new trax features of Simply...the Best.
SKU: SU.96010062
Instrumentation: SATB Chorus, & Piano Duration: 4' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.
SKU: GI.G-527
Text by Noel Goemanne.
Conversational Solfege is a dynamic and captivating first-through-eighth grade general music program that enables students to become independent musical thinkers with the help of a rich variety of folk and classical music. It is organized around increasingly complex rhythmic and melodic content. Each new rhythmic or melodic element is discovered first in patterns and then reinforced with folk songs, rhymes, and classical examples. Central to the Conversational Solfege program is the use of music harvested from our rich and diverse American musical history. This variety of music serves as a common thread that spans and bonds generations. Each book contains varied song material so the teacher can select appropriate music for the lower grades or older beginners. This 12-step teaching method carefully brings students from readiness to, ultimately, creating music through inner hearing and then transferring their musical thoughts into notation—in other words, to compose music! This CD provides 14 classical selections referenced in Conversational Solfege Level 2. These examples provide reinforcement for emerging literacy skills, and they also enable students to listen to wonderful classical examples with greater attention. Listening to classical music can be challenging for elementary students. With nothing to hang onto, the many notes can be too much to comprehend and attention soon wanes. But with minimal literacy skills, students will have enough musical information to discover that classical music can be accessible and appealing. In the included booklet, timings are given for each selection and the portions of the music that are readable by the students are reproduced. Whether using this CD with Conversational Solfege instructional materials or simply as a resource of classical music with simple to read rhythmic and melodic material, both teachers and students will delight in discovering this wonderful music through literacy. This series is a complete, innovative approach to teaching music that will stay fresh year after year. CONTENTS Conversational Solfege Unit 5: 1. Antonin Dvorak • New World Theme Conversational Solfege Unit 6: 2. Franz Joseph Haydn • Theme from  the Surprise Symphony, 3. Camille Saint-Sans • Turtles from Carnival of the Animals, 4. Ludwig van Beethoven • Symphony No. 7, 2nd Movement, 5. Josef Strauss • Feuerfest (Fireproof) Polka, Op. 269 Conversational Solfege Unit 7: 6. Jacques Offenbach • Can-Can, 7. Dmitry Kabalevsky • Pantomime from the Comedians, 8. Edvard Grieg • In the Hall of the Mountain King Conversational Solfege Unit 9 and Unit 11: 9. Jacques Offenbach • Barcarolle Conversational Solfege Unit 10: 10. Edvard Grieg • Morning Conversational Solfege Unit 11: 11. Ottorino Respighi • Ground in G Conversational Solfege Unit 12: 12. Johann Sebastian Bach • Jesu, Joy of Men's Desiring, 13. Jean Sibelius • Finlandia Conversational Solfege Unit 13: 14. Ludwig Van Beethoven • Symphony No. 6, Movement 5 John M. Feierabend is Professor Emeritus and former Director of Music Education at The Hartt School of Music, University of Hartford, Connecticut.
SKU: HL.1197761
UPC: 196288134930. 6.75x10.5x0.019 inches.
The Out from the Shadows Choral Series brings you “Summer Is Gone,†a new setting of British poet Christina Rosetti's 1862 poem “Bitter for Sweet.†The composer, Samuel Coleridge Taylor, displays superb control of text painting and dynamics, creating vocal lines as natural as speech. In perfect harmony with Rosetti's text, falling chromatic figures tossed back and forth among voice parts create an inescapable sense of decay and sorrow. Taylor's harmonic rhythm conveys the latent impression of time stretching and constricting. A truly masterful work, this piece makes for a great festival or competition performance. A fun challenge for an accomplished chamber or larger choir, and a memorable addition to any concert. Samuel Coleridge-Taylor (1875-1912) was an English-born composer and conductor who hailed from an English and African musical family. After discovering his inherent musical ability, Coleridge-Taylor's family arranged for him to study at the Royal College of Music under composition professor Charles Villiers Stanford. After completing his degree, Coleridge-Taylor was appointed a professor at the Crystal Palace School of Music and became the conductor of the Croydon Conservatoire Orchestra. With his compositions, Samuel Coleridge-Taylor sought to draw from traditional African music and integrate it into the classical tradition, in a similar fashion to Brahms and Dvorak with Hungarian and Bohemian music. He was a prolific composer and a well-respected conductor in England and America, even touring in America and being received at the White House by President Theodore Roosevelt. His most celebrated work was his cantata Hiawatha's Wedding Feast. On his death, close friend and poet Alfred Noyes said, “Too young to die: his great simplicity, his happy courage in an alien world, his gentleness, made all that knew him love him.â€.
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