SKU: CA.5032104
ISBN 9790007244613. Key: C minor. Language: Latin.
Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.
SKU: CA.4062005
ISBN 9790007073916. Key: C minor. Language: Latin.
The Mass in C minor, K. 427, Mozart's Great Mass remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, Osanna, and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio Davide penitente. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. Score available separately - see item CA.4062000.
SKU: BA.BA09188-90
ISBN 9790006565108. 27 x 19 cm inches. Key: C minor. Text Language: Latin. Preface: Ulrich Leisinger.
Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards.- The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound.- TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
SKU: GI.G-10297
UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición
A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice†is a term used to reference Christ with respect to his second coming, as found in the ancient “O†antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like†in nature—joyful and filled with hope. ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodÃas para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodÃa de soprano, y las lÃneas de alto y tenor comparten esencialmente una sola armonÃa en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodÃa más completa. Los discante y divisi opcionales amplÃan aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antÃfonas O antiguas. Este tÃtulo aparece en el Leccionario entre las opciones de Aleluya para el común de la SantÃsima Virgen MarÃa y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.
SKU: BT.DHP-1115071-050
9x12 inches. English-German-French-Dutch.
Le Lion de Belfort was composed for the official inauguration of the sculpture Le Lion de Belfort: an enormous red sandstone lion that dominates the landscape of the French city of Belfort. This 22 metre long and 11 metre high lion symbolises the heroic French resistance during the Prussian siege of Belfort in 1870-1871. The composer added a narrator and three-part choir to the concert band instrumentation, who utilise texts written specially for the occasion by Jean Ehret.The workâ??s première took place at the inauguration of Le Lion de Belfort on 28 November 2010, 130 years after sculptor Frédéric Auguste Bartholdi (1834-1904) completed the statue.Dit werk is geschreven voor de officiële inwijding van het beeldhouwwerk Le Lion de Belfort: een enorme uit rodezandsteen gebeeldhouwde leeuw die het gezicht van de Franse stad Belfort bepaalt. De 22 meter lange en 11 meterhoge leeuwsymboliseert het heldhaftige Franse verzet tijdens het beleg van Belfort door de Pruisen in 1870-1871. De componist voegde aan het harmonieorkest een verteller en driestemmig koor toe, waarbij hij gebruikmaakte van despeciaalvoor deze gelegenheid geschreven teksten van Jean Ehret.De première van de compositie vond - ter gelegenheid van die inwijding - plaats op 28 november 2010, maar liefst 130jaar nadat het standbeeld door de Franse beeldhouwer FrédéricAuguste Bartholdi (1834-1904) werd voltooid.Le Lion de Belfort (Der Löwe von Belfort) wurde fu?r die offizielle Einweihung der gleichnamigen Skulptur geschrieben: Diese ist ein riesiger Löwe aus Sandstein, der das Bild der französischen Stadt Belfort prägt. Der 22 Meter lange und 11 Meter hohe Löwe symbolisiert den heldenhaften Widerstand der Franzosen während der preuÃ?ischen Belagerung Belforts 1870-1871. Der Komponist ergänzte die Blasorchesterbesetzung um einen Erzähler und einen dreistimmigen Chor, die speziell fu?r diesen Anlass von Jean Ehret verfasste Texte vortragen.Die Premiere dieses Werke fand bei der Einweihung des Lion de Belfort am 28. November 2010 statt - 130 Jahre nachdem derBildhauer Frédéric Auguste Bartholdi (1834-1904) die Statue vollendet hatte. an de Haan a composé ce morceau pour lâ??inauguration officielle du Lion de Belfort, une sculpture monumentale en grès rose dominant la ville de Belfort (France). 22 m de long et 11 m de haut, ce lion symbolise la résistance héro que de la ville, assiégée par lâ??armée prussienne pendant la guerre de 1870-1871. Cette pièce est interpréter avec un Choeur mixte trois voix et un Récitant (Textes écrits spécialement par Jean Ehret).La première mondiale de lâ??oeuvre a eu lieu le 28 novembre 2010, dans le cadre de la cérémonie officielle inaugurant le Lion, cent trente ans après sa livraison par le sculpteur français, Frédéric Auguste Bartholdi (1834-1904).Le Lion de Belfort è un brano commissionato dallâ??Orchestra di Fiati della citt di Belfort in Francia. Jan de Haan ha composto questo brano per lâ??inaugurazione ufficiale del Leone di Belfort, una scultura monumentale in ceramica rosa che domina la citt . Questo brano può essere eseguito con coro misto a tre voci e una voce recitante (testi scritti da Jean Ehret).
SKU: PE.EP11268
ISBN 9790014110338. German.
Mass No.6 in Eb Major D950 - SATTB Soli, SATB Chorus, Orchestra (full score) - This mass was written in 1828 in the final months of Schubert's life. Like many of his late works, such as the C Major Symphony or Die Winterreise, Schubert never heard the Mass himself. The premiere, given by his brother Ferdinand in October 1829, met with great acclaim from the audience, and further performances soon followed. One contemporary reviewer called Schubert's final Mass surely one of his most profound and perfect creations. Our new urtext edition is based on the autograph score.on the autograph score.
SKU: CA.3501209
ISBN 9790007213022. Text language: Latin.
Mention the key words Johann Sebastian and Magnificat, and one thinks involuntarily of his well-known Magnificat in D major BWV 243 or in E flat major BWV 243a. However, during the time of his tenure as St. Thomas Kantor, several times Bach also referred back to older settings of the Magnificat text and arranged these for his own purposes. Thus, for the first time it can be documented that in its original version the double choir Magnificat in C major BWV Anh. 30 contained in Bach's music library, which was originally handed down anonymously, was composed by Pietro Torri. Torri was the Music Director at the Court of the Bavarian House of Wittelsbach. For performance purposes in Leipzig in ca. 1742 Bach retained the substance of the work but composed additional parts for a 3rd trumpet and timpani. For the first time ever this splendid work appears at Carus in a printed edition. Score and parts available separately - see item CA.3501200.
SKU: CA.9124005
ISBN 9790007114930. Key: C minor. Language: Latin.
Louis Spohr's only Mass is among the most important works of post-classical church music. In this a cappella Mass Spohr brought together harmoniously and with great skill the then current interest in baroque constructional techniques and the quest for an individual, contemporary style of composition. The result is a work which sometimes suggests Mendelssohn, and which offers an accomplished choir impressive music both for church services and for concerts. Score available separately - see item CA.9124000.
SKU: BA.BA08854
ISBN 9790006527915. 33.7 x 25.8 cm inches. Text Language: French. Preface: Bouissou, Sylvie / Davy-Rigaux, Cécile / Herlin, Denis. Text: Leclerc de La Bruère, Charles-Antoine.
The first version of “Dardanusâ€, which was performed at the end of 1739, was composed apparently in only six months and marks a particularly productive phase in Rameau’s career. In a period of only six years five of his major works were performed at the Acadmie Royale de Musique in Paris.The theme is taken from Greek mythology: The opera describes the war between Teucer (the future founder of Troy), his Phrygian people and the army of Dardanus.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3914309
ISBN 9790007216320. Language: Latin.
Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church works setting Latin texts. In addition to works for smaller ensembles there is presently only one larger psalm setting, Deus judicium tuum, that is available in a new edition. This is now joined by the first ever scholarly, critical edition of his Magnificat in C major. Telemann probably composed this impressive work for the dedication of the organ in the Leipzig Neukirche in 1704. Like Bach's well-known Magnificat, it is scored for three trumpets and timpani. For ambitious church choirs, the work is really worthwhile, and is also a most effective piece for audiences to enjoy. Score and parts available separately - see item CA.3914300.
SKU: CA.925000
ISBN M-007-24902-1. Key: E flat major. Language: French. Text: Baudelaire, Charles.
The harmonic turns and piano configurations in La vie anterieure - the former life - seem almost exuberantly lyrical. At the beginning, the archaic sounds and words of the male choir conjure up a dream world that is soon flooded with the power of the waves and the rich polyphonic harmony of the choir and the piano. With the outcry C'est la que j'ai vecu! [I have lived there] which expresses the fervent yearning to return to a past life, the collective desperately reinforces the longing for the past. Once more, the women's choir conjures up this lost paradise in an undulating soft sound before the desolate sadness is pierced by the power of the music of the piano postlude, creating a moment that is completely in the present.
SKU: SU.26180040
Cædmon's Hymn is the oldest English of known authorship. It was written in the seventh century by the poet Cædmon, supposedly from divine inspiration. My setting, for SATB chorus and organ, begins with four members of the chorus speaking the opening line of the poem in Old English, the intention being to evoke the atmosphere of the time and place of the hymn’s creation. The work was commissioned by and is dedicated to the South Bend (Indiana) Chamber Singers, Nancy Menk, Music Director, and David Eicher, organist, and was premiered in 2018.SATB Chorus, a cappella Duration: 9' Composed: 2018 Published by: WMC Music (BMI) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: CA.4061804
ISBN 9790007187330. Key: C major. Language: Latin.
Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score available separately - see item CA.4061800.
SKU: MN.56-0017
UPC: 688670220180. English, German.
Setting both English and German texts, Sure of the Sky, Sure of the Sun ââ¬â Des Himmels sicher, der Sonne sicher is a haunting and moving reflection on the futility of war.àThe 5-minute piece for SATB choir and brass was premiered at one of the UKââ¬â¢s three main World War I centenary commemoration events on August 4, 2014. It was launched by the London Symphony Chorus, Schleswig-Holstein Festival Chor and Coldstream Guards, at a twilight event attended by the Duke and Duchess of Cambridge, Prince Harry, and a number of world leaders, all gathered together in the tiny woodland cemetery of St Symphorien near Mons, Belgium ââ¬â the resting place for the first and last British, and the last Commonwealth, soldiers to die on the Western Front.The texts are ââ¬ÅMay, 1915ââ¬Â by Charlotte Mew (1869-1928) and ââ¬ÅTo a Missing Friendââ¬Â by Goldfeld, a German Jewish soldier killed in action, the poem was discovered by Jewish military historian, Peter C Appelbaum. Duration: 5:00Instrumental Parts include: B-flat Cornet, B-flat Flugelhorn, E-flat Tenor Horn/French Horn in F, Euphonium, Tubaà.
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