Choral (SATB)

SKU: HL.1413916

Composed by James Ward. Arranged by Sean Paul. Shawnee Sacred. Christmas. Octavo. Duration 200 seconds. Published by Shawnee Press (HL.1413916).

ISBN 9798350120042. UPC: 196288196815. 6.75x10.5 inches. Matthew 2:9-10.

This hopeful anthem will be a welcome addition to your winter repertoire. Brimming with joy, the writing is instantly appealing, with lively rhythms and luscious harmonies. The message is timeless, encouraging seekers to follow the light of grace as they walk the journey of faith.

By Tim Hayden And Patrice Villines. Arranged by Jay Althouse. For Choir. (SATB). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.

(A Christmas Musical Journey (SATB Choral Score)). Composed by Mary Mcdonald. Choir Sacred. SATB choir. This edition: SATB Choral Score. Choral (Sacred); Choral Worship Cantata; Larger Works; Score; Worship Resources. Christmas; Sacred; Winter. 88 pages. Published by Alfred Music

(The Journey from Darkness to Light). By Lloyd Larson; Mary McDonald. For SATB choir, performance CD. Advent, Sacred. Cantata

By Joseph M. Martin. For SATB Choir. Choral. Audio CD. Published by Shawnee Press.

SATB/SATB choir

SKU: CA.982000

Composed by Benedict Goebel. This edition: Paperbound. Singfonie Ohne Worte. Modern a cappella. Full score. Composed 2012. Duration 16 minutes. Carus Verlag #CV 09.820/00. Published by Carus Verlag (CA.982000).

ISBN 9790007141318. Language: Syllables/Sound. Text: Goebel, Benedict. Text: Benedict Goebel.

Singfonie is more than a hodgepodge of scat syllables, motives, patterns and riffs in a largedesigned form. rather it attempts to unite traditional forms with modern styles. The achievements of past circle song and improvisational techniques are blended with the pure feeling for rhythms and joy in the pursuit of motivic development in the four movements, which are primarily for double choir. Thus, some rhythmic and motivic germ cells are to be rediscovered in various movements, including the pulsing and unfolding tone repetitions of the first and last movements. a new journey of discovery through the world of pop-choral singing.

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

Cello Accompaniment; Choral; Piano Accompaniment (SATB with Piano)

SKU: HL.48025343

SATB and Piano or Cello. Composed by Ed Newton-Rex. BH Secular Choral. Choral, Classical. Octavo. Duration 210 seconds. Boosey & Hawkes #M060141164. Published by Boosey & Hawkes (HL.48025343).

UPC: 196288176411.

Of all the souls was written for and performed at the wedding of its composer and lyricist (Ed and Alice Newton-Rex) in 2016. The profound and vow-like text encapsulates the essence of a fulfilled search and a shared journey ahead and is presented vividly through a largely homophonic texture with the composer's characteristic close and exquisite harmonic language. Whether for sacred or secular marriage ceremonies, receptions, or concerts themed around love and unity, Of all the souls is certain to stir deep emotions within singers and captivate the hearts of listeners.

SATB choir (with soprano semi-choir), piano, & optional percussion (bass drum, tam-tam/gong, & 3 tom-toms) (SATB) - Moderately Difficult

SKU: OU.9780193379633

Composed by Kerry Andrew. Secular Choral - Mixed Voices. New Horizons. Secular, Choral Leaflet. Vocal score. 16 pages. Duration 5'. Oxford University Press #9780193379633. Published by Oxford University Press (OU.9780193379633).

ISBN 9780193379633. 11 x 9 inches.

For SATB (with soprano semi-chorus), piano, & optional percussion The earth hath voice is a colourful and dramatic celebration of nature and its powerful and hypnotizing sounds, taking the listener on a captivating journey through the natural world with an array of different sounds. This piece will appeal to choirs looking for a new challenge.

Choral (SATB)

SKU: HL.1265643

Composed by Heather Sorenson. Daybreak Choral Series. Octavo. Duration 245 seconds. Published by Daybreak Music (HL.1265643).

UPC: 196288159100. 6.75x10.5x0.029 inches. Exodus 13:21-22, Exodus 6:1-4, Nehemiah 9:19-21.

A classic text meets innovative new music in this fresh anthem chronicling the journey of faith. A sturdy new setting brings fresh insight to the text and offers both traditional and contemporary ensembles something to appreciate. Call-and-response techniques make this a quick learn, but with regal results. A monument to God's guidance and protection, this powerful anthem is appropriate at any time, but especially during the Lenten season.

By Joseph M. Martin. For Choral (SATB). Harold Flammer. Choral. 16 pages. Shawnee Press #A8568. Published by Shawnee Press

SATB/opt. Violin Choral; Violin (SATB/VIOLIN)

SKU: HL.357343

Composed by Heather Sorenson. Brookfield Choral Series. Easter, General Worship, Lent. Octavo. Duration 255 seconds. Published by Brookfield Press (HL.357343).

UPC: 840126943252. 6.75x10.5x0.029 inches. Proverbs 16:9, Psalm 33:9-11, Romans 8:28.

The journey of faith is beautifully presented in this classic hymn text, reimagined with expressive new music. Hopeful and filled with teachable moments, this anthem is well-suited for Lent's 40 days of purpose or at any time spiritual and physical wellness are a part of your church's sacred dialogue.

Chorus SATB chorus a cappella

SKU: XC.SATB2408A

Arranged by Jamey Ray. Maestro Grade 4.0 +. Octavo. Excelcia Music Publishing #SATB2408A. Published by Excelcia Music Publishing (XC.SATB2408A).

10.5 x 6.75 inches.

Be Thou My Vision for SATB choir transforms the classic hymn into a breathtaking choral experience. The familiar spiritual journey is enhanced with innovative harmonies, breathing new life into the arrangement, creating a sublime fusion of a traditional hymn and modern harmonies.