SKU: HL.14005013
SKU: HL.14002693
SKU: GI.G-9263
UPC: 785147926306. English. Text Source: 1. Wenn so lind dein Auge mir, 2. Verzicht, o Herz, auf Rettung, 3. O die Frauen, 4. Nein, Geliebter, setze dich, 5. Vom Gebirge Well' auf Well', 6. Nun, ihr Musen, genug (Zum Schluß); Translation: Vance George. Text by Georg Friedrich Daumer.
This edition is for four-hands piano. Contents: When You Fondly Glance at Me • O Broken Heart • Oh, the Ladies • My Beloved, Not So Close • Crashing Waters from on High • In Conclusion.
SKU: GI.G-9264
UPC: 785147926405. English. Text Source: 1. Rote Rosenknospen, 2. He, Zegeuner, greife in die Saiten ein, 3. Himmel strahlt so helle; Translation: Vance George. Text by Hugo Conrat.
Contents: Roses Red Are Blooming • Hey There, Gypsy • Heaven's Light Streams Bright.
SKU: LO.AM1010
SKU: HL.50499576
ISBN 9781480371286. UPC: 884088988012. 6.75x10.5 inches.
Arranged simply for mixed voices, clarinet and piano four-hands, the lovely Brahms cradle song becomes a work for reflection, healing and introspection, especially appropriate as a quiet encore or choral benediction. Optional 1 piano, 4 hands included with octavo.
SKU: HL.49045961
For many choirs, 'Classic meets Jazz' is a welcome theme, especially if a choir wants to learn and rehearse a stylistically wide-ranging repertoire. These arrangements which are based on works by Schubert (serenade 'Leise flehen meine Lieder'), Brahms (Intermezzo Op. 118/6) and Chopin (Nocturne Op. 9/2) use several jazz styles such as swing, bossa nova and jazz waltz. Content text: Serenade (F. Schubert: Leise flehen meine Lieder) I'm free (J. Brahms: Intermezzo op. 118/6) Amelie's Lullaby (F. Chopin, Nocturne op. 9/2).
SKU: LO.15-3274H
ISBN 9780787717636.
Gerald Custer presents one of the most well-known Brahms love songs in this sensitive scoring that retains the harmonic richness of the original. The strophic setting takes voice leading into careful consideration and highlights men and women separately and together.
SKU: BT.SCHEE642
German.
Brahms' Opus 52 of Love Song Waltzes, available here for solo and mixed voices (SATB) with Piano accompaniment.
SKU: LO.10-5657L
ISBN 9780787776336.
Based upon a piano arrangement from Larry's recent piano book, Folk Hymns for Four Hands, this choral piece is a winner! Featuring two folk melodies, TRYGGARE KAN INGEN VARA and BRED DINA VIDA VINGAR, this piece is sure to provide a meaningful worship moment for your congregation. Lush choral textures abound, and the exquisitely written piano part is reminiscent of Brahms. Perfect for general use or special services of encouragement and comfort!
SKU: HL.49045960
'Classic meets Jazz' is a welcome theme for many choirs, especially if the choir wants to rehearse a varied repertoire representing many styles. In these arrangements based on works by Bach (Minuet), Brahms (Wiegenlied), Schumann (Traumerei) and Susato (Rondo), different jazz styles such as Medium Swing, Ballad or Latin are used.
SKU: CA.926600
ISBN 9790007295554. German.
Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about O Ewigkeit:We step on the stage of life, pull the curtains wide open and venture a glance at the eternal course of the stars. A powerful choral tutti sounds, the key note of C held on in the basses emphasizes the steadfastness of eternity, and above this is chromatic movement in the upper voices which produces friction. In the following softer central section, female and male voices sing separately. They sing in characteristic Gregorian style in vivid images of the immeasurable sand in the ocean, of tears and trickles, of the great beginning and the end of the cosmos. The verses from 1625 convey an image of astonishment, of seeking and not least also of comfort. The text functions as a framework, as it is repeated in a shortened form in the last number of Sonne, Mond und Sterne. It encapsulates the many life situations which are sketched and sung about in the staged cantata in metaphysical questions.
SKU: HL.48018187
UPC: 073999181876. 9.25x12.0x0.131 inches.
SKU: HL.48018364
UPC: 073999844993.
For SATB and Piano.
SKU: CA.926760
ISBN 9790007294663. Key: D major. German.
Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background- cross-over between jazz, chanson, and chamber music.
SKU: CA.926620
ISBN 9790007295592. German.
Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Gedanken uber die Zeit:Paul Fleming was one of the most important lyric poets in German Baroque literature. He wrote his poem Gedanken uber die Zeit in his early twenties; it was first published in 1634 as an epitaph. All the nuances of the concept of time are artistically contrasted, and the motif Zeit (time) is explored and played with in a dialectical manner.The male voices begin in unison at an andante maestoso tempo, followed by a leisurely progress in homophonic writing in a slightly freer rhythm. A lively middle section follows which leads into the opening motif again in the last section. The third section contains a fugue, and the end is unison once again. And so the words are like a manifesto by the poet.
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