By Paul Gerhardt, Ralph Manuel. (SATB). Brookfield Easter Choral. Sacred. Size 6.75x10.5 inches. 12 pages. Published by Brookfield Press.

By Londonderry Air. Arranged by R. Paul Thompson. Text: Frederick E. Wetherby. For Keyboard accompaniment. (SATB). Folk, Secular. Level: Medium Adult. 8 pages. Duration 3 min, 8 sec. Published by Hinshaw Music Inc.

SATB Chorus & Organ

SKU: SU.80401300

For SATB Chorus & Organ. Composed by Stephen Paulus. Vocal/Choral, Sacred Choral. Accompanied by organ. Choral Octavo. Subito Music Corporation #80401300. Published by Subito Music Corporation (SU.80401300).

SATB Chorus & Organ Duration: 6' Composed: 1999 Published by: Paulus Publications (SP147) Minimum order quantity: 8 copies. To order quantities fewer than 8.

SATB chorus and piano - Medium

SKU: JK.01218

Composed by B. Cecil Gates and R. Paul Thompson. Arranged by David Len Allen. Choral SATB, Difficulty Medium, Piano Choir, Charity, Temple and Family History. Christian, Inspirational. Duration 2:20. Jackman Music Corporation #01218. Published by Jackman Music Corporation (JK.01218).

Isaiah 61:1-2, Doctrine and Covenants 138:11-19, 50-51.

Arranged for mixed chorus (SATB) and piano, on temple work and redeeming the dead. Based on LDS Hymn #126 How Long, O Lord Most Holy and True and LDS Hymn #290 Rejoice, Ye Saints of Latter Days, reimagined by David Len Allen.
Composer: B. Cecil Gates and R. Paul Thompson
Arranger: David Len Allen
Lyricist: John A. Widstoe and Mabel Jones Gabbott
Difficulty: Medium
Performance time: 2:20
Reference: Isaiah 61:1-2, Doctrine and Covenants 138:11-19, 50-51.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018607

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut und Wunden. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Study score. Composed 1830. MWV. Duration 12 minutes. Carus Verlag #CV 40.186/07. Published by Carus Verlag (CA.4018607).

ISBN 9790007092573. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score available separately - see item CA.4018600.

Orchestra bass voice solo, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, 2 violas, 2 cellos, contrabass - Grade 3

SKU: CA.4018609

Chorale cantata. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. 1x 40.186/21 flute 1, 1x 40.186/22 flute 2, 1x 40.186/23 oboe 1, 1x 40.186/24 oboe 2, 1x 40.186/25 clarinet 1, 1x 40.186/26 clarinet 2, 1x 40.186/27 bassoon 1, 1x 40.186/28 bassoon 2, 1x 40.186/31 horn 1, 1x 40.186/32 horn 2. Stuttgart Urtext Edition: Mendelssohn. German title: O Haupt voll Blut 10. Innovative practice aids, Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Eucharist, Communion. Set of Orchestra Parts. Composed 1830. MWV. 32 pages. Duration 12 minutes. Carus Verlag #CV 40.186/09. Published by Carus Verlag (CA.4018609).

ISBN 9790007064365. Language: German/English. Text: Gerhardt, Paul. Text: Paul Gerhardt.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018600.

SATB choir - Level 3

SKU: CA.305980

Aus: Matthauspassion. Composed by Hans Leo Hassler and Johann Sebastian Bach. Separate edition with choral collection. Sacred vocal music, Hymn settings, Lent and Passiontide, Holy Week. Full score. Composed 1729. BWV 244, No. 54. Duration 2 minutes. Carus Verlag #CV 03.059/80. Published by Carus Verlag (CA.305980).

ISBN 9790007148676. Key: D major. Language: German. Text: Gerhardt, Paul. Text: Paul Gerhardt.

SATB choir - Level 1

SKU: CA.328160

Composed by Hans Leo Hassler and Johann Cruger. Separate edition with choral collection. Sacred vocal music, Hymn settings, Lent and Passiontide, Holy Week. Full score. Composed 1640. 1 pages. Duration 2 minutes. Carus Verlag #CV 03.281/60. Published by Carus Verlag (CA.328160).

ISBN 9790007169398. Key: C major. Language: German. Text: Gerhardt, Paul. Text by Paul Gerhardt.

AT(S) vocal soli, SATB choir, congregation (unison choir) oboe (viola), violin, organ - Level 3

SKU: CA.5040312

Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: O Haupt voll Blut und Wunden. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week. Single Part, Viola. Composed 1904. Op. WoO V/4 Nr. 3. 4 pages. Duration 18 minutes. Carus Verlag #CV 50.403/12. Published by Carus Verlag (CA.5040312).

ISBN 9790007081676. Key: A minor. Language: German/English.

Reger's cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas - Reger's independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger's choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger's choral works in the anglo-saxon countries, a singable English translation has been added. Score and part available separately - see item CA.5040300.

By Paul Sjolund. Arranged by Paul Sjolund. Text: Jean Tisserand. For SATB Choir. (Accompaniment: Keyboard). Paul Sjolund. Easter and Sacred. 8 pages. Duration 2 min, 1 sec. Published by Hinshaw Music Inc.
Level: Easy Adult.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3103419

Cantata for the 1st day of Pentecost. Composed by Johann Sebastian Bach. Edited by Paul Horn, Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O ewiges Feuer, o Ursprung der Liebe. Sacred vocal music, Cantatas, Whitsun, Wedding. Set of Orchestra Parts. Composed 1745. BWV 34. Duration 21 minutes. Carus Verlag #CV 31.034/19. Published by Carus Verlag (CA.3103419).

ISBN 9790007134006. Key: D major. Language: German/English.

The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's. Score and parts available separately - see item CA.3103400.

ATB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3106005

Kantate zum 24. Sonntag nach Trinitatis. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: O Ewigkeit, du Donnerwort. Sacred vocal music, Cantatas, End of the church year, Whitsun. Choral Score. Composed 1723. BWV 60. 2 pages. Duration 20 minutes. Carus Verlag #CV 31.060/05. Published by Carus Verlag (CA.3106005).

ISBN 9790007043391. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

SATB choir, assembly, keyboard accompaniment, guitar, C instrument - Beginning

SKU: GI.G-9135

Composed by Paul Tate. OT 14 A, Sacred Heart of Jesus A. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9135. Published by GIA Publications (GI.G-9135).

UPC: 785147913504. English. Text Source: Based on Matthew 11:28-30, alt. Text by Sylvia Dunstan. Scripture: Matthew 11:28–30.

Since it was authored, Sylvia Dunstan’s lovely text has been paired to standard hymn tunes and set to original compositions. Here is a brand new offering from Paul Tate, reminiscent of an Irish folk song, bringing comfort to those who hear it. The optional C instrument part enhances the tranquil melody and textured choral writing. Appropriate for funerals or other times when comfort is needed.

SATB choir, 2 oboes, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.5199303

Composed by Franz Joseph Haydn. Edited by Armin Kircher. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. O Jesu, Te Invocamus. Hymnus/Motetto. Sacred vocal music, Motets. Vocal score. Composed 1768. Hob. XXIVa:6/8b. 12 pages. Duration 7 minutes. Carus Verlag #CV 51.993/03. Published by Carus Verlag (CA.5199303).

ISBN 9790007094164. Language: Latin/German.

The motet O Jesu, te invocamus arose through an adaptation of the text of the final chorus of Joseph Haydn's Applausus, a festive cantata composed in 1768. For church music performances, the Latin text O Jesu, te invocamus was closely attached to the primary text and often only single words were replaced. The German alternative text Allmachtiger, Preis dir und Ehre, for which there was neither a biblical nor a liturgical basis, was added to the Latin text. Score available separately - see item CA.5199300.