SKU: HL.303828
UPC: 888680969042. 6.75x10.5x0.062 inches.
The 2019, Tony Award-winning jukebox musical Ain't Too Proud: The Life and Times of The Temptations is making waves on Broadway by infectiously telling the origin story of the chart-topping, R&B hitmakers from Detroit's famed Motown Records label. Told from the perspective of founder and frontman Otis Williams, this dazzling medley features the hits you love, including: Ain't Too Proud to Beg, Get Ready, Just My Imagination (Running Away with Me), My Girl and Papa Was a Rollin' Stone.
SKU: HL.14018925
SKU: BT.WHKB4751
Duggens TÃ¥rer Smiler, Kp Satb.
SKU: VD.ED23019
ISBN 9790202010198. 10.63 x 7.48 inches.
SKU: GH.CG-4139
ISBN 9790070010177. 185 x 262 mm inches. Text: Nikolaj F.S. Grundtvig / R.T. Kihlberg.
SKU: PR.342402070
ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons.
To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless..This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.†It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his.
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: AP.48841
UPC: 038081561653. English.
Recorded by GRAMMY winner Bill Withers in the 70s, this optimistic song has become a beloved and respected favorite. Robert T. Gibson's groovin' arrangement stays true to the R&B style of the original while employing some gospel techniques designed to show off your SATB singers. Optional electric bass and drumset parts fill out the sound, or perform with the super-charged SoundTrax accompaniment.
SKU: BA.BA10560
ISBN 9790006553099. 33 x 26 cm inches. Language: German/English. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbel’s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbel’s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbel’s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbel’s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
SKU: GI.G-6238FS
English. Text Source: Vv. 1, 2: Anonymous, vs. 3: John T. McFarland, 1851–1913. Text by John T. McFarland.
SKU: GI.G-6238INST
SKU: BA.BA10555
ISBN 9790006553044. 33 x 26 cm inches. Text Language: Latin. Preface: Hirschmann, Wolfgang / Paech, Katharina Larissa / Röder, Thomas.
SKU: VD.ED94158
ISBN 9790202001585. 11.69 x 8.26 inches.
SKU: BT.WH31482
ISBN 9788759824412.
For blandet kor a cappellabaseret på Paulus’ Første Brev til KorintherneKapitel 13 om KærlighedenOm jeg så taler med menneskers og engles tunger s. 3Kærligheden er tålmodig s. 8Størst er kærligheden s. 11Når én mann kan forårsake så mye ondt tenk hvor mye kjærlighet vi kan skape sammen.Helle Gannestad, Oslo på Twitter den 23. juli 2011 For mixed chorus a cappella. Based on Paul's First Letter to the Corinthians, Chapter 13 on Charity. Though I speak with the tongues of men and of angels Love is patient The greatest is love.
SKU: M7.DOHR-17633
ISBN 9790202036334. Latin.
Lobt froh den Herrn, ihr jugendlichen Chöre! So lautet der Text eines einst gern gesungenen Liedes. Er könnte auch als freie Übersetzung des Anfangs dieser Psalmmotette gelten. Die Aufforderung des Psalmisten, Laudate pueri, ist ein Leitmotiv kirchlicher Chorarbeit mit Kindern und Jugendlichen. Diese Intention regte mich an, vorliegende Komposition zu schaffen. Während meiner beruflichen Tätigkeit als Kirchenmusiker boten sich immer wieder Gelegenheiten, mich auf dem Gebiet der Ausbildung junger Sänger weiterzubilden. Schließlich konnte ich die Aschaffenburger Stifts-Chorknaben ins Leben rufen. Den sehr engagierten jungen Sängern widmete ich diese Psalmvertonung für ihren regelmäßigen Dienst in Liturgie und Konzert. (Walter Gleißner).
SKU: GI.G-7508
UPC: 785147750802. English. Text Source: Inspired by a speech of Martin Luther King Jr., about the Montgomery march. Text by Shirley Erena Murray.
If this text, inspired by Martin Luther King's speech about the Montgomery march, doesn't sufficiently summon one's attention, then combining it with this musical setting will quite certainly accomplish that goal. “Truth pressed to the earth . . . Justice trampled down . . . Love nailed to a Cross . . . through these resurrections we have hope.†A piece with much gravitas. Brass quartet or quintet and timpani part is optional Tuba part is optional Horn in F can be substituted for Trombone I.
SKU: AP.50250
UPC: 038081574202. English.
Broadway veteran and comedian Ana Gasteyer's holiday album is filled with clever gems like this nifty novelty number. Can you think of a rhyme for the word Christmas? It's nearly impossible. After several failed attempts, grins, chuckles, and one-liners throughout the jazzy tune, the lyrics conclude that we don't need a rhyme for Christmas, only you!
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