(Mixed Choir)

SKU: HL.14065300

Composed by Easthope Martin. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC60758. Published by Music Sales (HL.14065300).

AT(S) vocal soli, SATB choir, congregation (unison choir) oboe (viola), violin, organ - Level 3

SKU: CA.5040319

Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: O Haupt voll Blut und Wunden. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week. Set of Orchestra Parts. Composed 1904. Op. WoO V/4 Nr. 3. Duration 18 minutes. Carus Verlag #CV 50.403/19. Published by Carus Verlag (CA.5040319).

ISBN 9790007138356. Key: A minor. Language: German/English.

Reger's cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas - Reger's independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger's choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger's choral works in the anglo-saxon countries, a singable English translation has been added. Score and parts available separately - see item CA.5040300.

SSA vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.4097019

Vesperpsalm. Composed by Johann Adolf Hasse. Edited by Wolfgang Hochstein. Arranged by Wolfgang Hochstein. Laudate Pueri (Gem. Chor) (Psalm 112). Sacred vocal music, Cantatas, Psalms, Daily hours. Set of Orchestra Parts. Composed circa 1737-1756. Duration 25 minutes. Carus Verlag #CV 40.970/19. Published by Carus Verlag (CA.4097019).

ISBN 9790007221683. Key: A major. Language: Latin.

Venezian version The Laudate pueri was composed between 1735 and 1749 for the Ospedale degl'Incurabili in Venice. Since the Ospedale was an institution for the musical training of gifted girls and young women, the vocal parts are scored for female voices. As Director of Music at the Saxon-Polish Court of Dresden, Hasse was also responsible for church music, and therefore he arranged works which were originally written for the Ospedale.. Now that the Dresden version has already been published in the Hasse-Werk-Ausgabe, the original composition is printed here for the first time. Score and parts available separately - see item CA.4097000.

112 Stucke fur gemischten Chor a cappella. Composed by Andreas Gopfert. Edited by Matthias Gopfert. The Mitteldeutsches Chorbuch, the official choirbook of the Deutsches Chorfest [German Choral Festival] 2020 in Leipzig, was compiled by Prof. Andreas Gopfert on commission of the Deutscher Chorverband [German Choral Society]. Breitkopf and Haertel #CHB 5365-00. Published by Breitkopf and Haertel

SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2719705

Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Praise and thanks. Choral Score. ZWV 146. 28 pages. Duration 28 minutes. Carus Verlag #CV 27.197/05. Published by Carus Verlag (CA.2719705).

ISBN 9790007164867. Text language: Latin.

Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score available separately - see item CA.2719700.

SSAATTB vocal soli, SATB choir, 2 horns, 2 flutes, 2 oboes, strings, basso continuo

SKU: CA.9700405

Requiem in Es. Composed by Johann Adolf Hasse. Edited by Wolfram Hader. Sacred vocal music, Requiem, Mourning, death. Choral Score. Composed 1763/64. Duration 42 minutes. Carus Verlag #CV 97.004/05. Published by Carus Verlag (CA.9700405).

ISBN 9790007111489. Key: E flat major. Language: Latin.

Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. Score available separately - see item CA.9700400.

SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2719749

Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred vocal music, Praise and thanks. Single Part, Organ. ZWV 146. 20 pages. Duration 28 minutes. Carus Verlag #CV 27.197/49. Published by Carus Verlag (CA.2719749).

ISBN 9790007164874. Language: Latin.

Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and part available separately - see item CA.2719700.

SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2719709

Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. 1x 27.197/21 flute 1, 1x 27.197/22 flute 2, 1x 27.197/23 oboe 1, 1x 27.197/24 oboe 2, 5x 27.197/31 trumpet 1-4 and timpani. Stuttgart Urtext Edition. Harmony parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. ZWV 146. Duration 28 minutes. Carus Verlag #CV 27.197/09. Published by Carus Verlag (CA.2719709).

ISBN 9790007200930. Language: Latin.

Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and parts available separately - see item CA.2719700.

SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2719700

Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Praise and thanks. Full score. ZWV 146. Duration 28 minutes. Carus Verlag #CV 27.197/00. Published by Carus Verlag (CA.2719700).

ISBN 9790007164133. Language: Latin.

Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony.

SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2719719

Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Complete orchestral parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. ZWV 146. Duration 28 minutes. Carus Verlag #CV 27.197/19. Published by Carus Verlag (CA.2719719).

ISBN 9790007164478. Language: Latin.

Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and parts available separately - see item CA.2719700.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119414

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1724. BWV 194. 24 pages. Duration 39 minutes. Carus Verlag #CV 31.194/14. Published by Carus Verlag (CA.3119414).

ISBN 9790007210342. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119413

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1724. BWV 194. 8 pages. Duration 39 minutes. Carus Verlag #CV 31.194/13. Published by Carus Verlag (CA.3119413).

ISBN 9790007210335. Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

STB vocal soli, SATB choir, 3 oboes, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119423

Cantata for Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Oboe 3. Sacred vocal music, Cantatas, Trinity. Single Part, Oboe 3. Composed 1724. BWV 194. 4 pages. Duration 39 minutes. Carus Verlag #CV 31.194/23. Published by Carus Verlag (CA.3119423).

Text language: German/English.

The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.

SSAATTB vocal soli, SATB choir, 2 horns, 2 flutes, 2 oboes, strings, basso continuo

SKU: CA.9700412

Requiem in Es. Composed by Johann Adolf Hasse. Edited by Wolfram Hader. Violin 2. Sacred vocal music, Requiem, Mourning, death. Single Part, Violin 2. Composed 1763/64. 24 pages. Duration 42 minutes. Carus Verlag #CV 97.004/12. Published by Carus Verlag (CA.9700412).

ISBN 9790007238827. Key: E flat major. Language: Latin.

Two complete settings of the Requiem by Johann Adolf Hasse are extant. Hasse composed the Requiem in C major on the death of the Elector Friedrich August 11 of Saxony. Only a few weeks later his son the elector Friedrich Christian also died. Presumably for this reason Hasse wrote the Requiem in D flat, and because of the shortage of time he used the Sanctus and Agnus of a Requiem in B flat which he had composed earlier. The principal sections Introitus/Kyrie and Dies irae probably date from 1763 and 1764. Score and part available separately - see item CA.9700400.