SKU: CA.5180103
ISBN 9790007186180. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score available separately - see item CA.5180100.
SKU: CA.5180113
ISBN 9790007225360. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score and part available separately - see item CA.5180100.
SKU: CA.5180112
ISBN 9790007225353. Language: Latin.
SKU: CA.5180149
ISBN 9790007225384. Language: Latin.
SKU: CA.5180111
ISBN 9790007225346. Language: Latin.
SKU: CA.5180109
ISBN 9790007225339. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score and parts available separately - see item CA.5180100.
SKU: CA.5180119
ISBN 9790007225377. Language: Latin.
SKU: BT.SCHEEV169
SKU: WD.080689062278
UPC: 080689062278.
With the weekly demands of providing music for corporate worship, choirs need an easy solution for quality worship music. Music ministries need arrangements that provide options for performance, conserve rehearsal time, and are consistent with the same style and integrity of the selections already at use in their program. Simply...the Best is that solution: an easy-to-sing booklet with three proven anthems re-arranged to maximize rehearsal efficiency. The songs are familiar and the parts are easy enough to learn in as little as one rehearsal. Simply...the Best arrangements are even crafted to work when there are no men available to sing, creating flexibility and the option for a women's-only choir.An exclusive benefit of the Simply...the Best series is the Virtual Accompanist trax (included on the CD accompaniment trax.) The Virtual Accompanist trax includes the women's parts being sung and played on the left channel and men's voice parts being sung and played on the right. By panning the trax to either side, you can let each section hear its parts separately. Whether you sing all three songs together or on separate occasions, with live accompaniment or with the split track accompaniment CD, this series is a simple solution to encourage choirs to lift their voices in praise. No choir is too small or too large to benefit from the practical arrangements and the new trax features of Simply...the Best.
SKU: MN.CH-1240
Mi She-asa Nisim is part of the prayer section recited on the Sabbath that precedes the beginning of each Hebrew month. Nowakowsky seems to have been especially fond of this brief text and composed at least fifteen settings for it, many of which were extremely long and elaborate. One brief and much simpler exception in the attractive march-like melody published here. It is taken from two versions he composed at different times, which are similar.Duration 2:30.
SKU: HL.48018187
UPC: 073999181876. 9.25x12.0x0.131 inches.
SKU: HL.48018364
UPC: 073999844993.
For SATB and Piano.
SKU: HL.48024896
ISBN 9781540095800. UPC: 840126927818.
The title's Third Word of Creation refers to verses from Rilke's Book of Hours which indicate the fear of what other delicate experiments God might come up with after 'light' and 'man'. Schultz contradicts the text by combining it with the monolithic beginning of the First Book of Moses in the Old Testament, which is imbued with the rightness of God's actions, as well as with lines by the Persian poet Rumi in the translation by Friedrich Ruckert. The latter indicate the comforting certainty of rebirth as ahigher being up to the unfathomable spirit of God. The composer accomplishes the feat of weaving all three levels into a complex, ethereal structure in which the words nevertheless always remain clearly understandable.
SKU: HL.48024848
UPC: 840126909197. 8.0x11.0x0.137 inches.
This motet for mixed choir a cappella interweaves newly composed variations of Brahms' folksong In stiller Nacht with a musical setting of the Passion events from the New Testament, with the experience of the disciples staying at the garden of Gethsemane, to be precise. The musical action develops from homophonic, harmonic vocal setting and seemingly early church declamation of a chorale,with solo passages symbolizing Jesus lamenting in the presence of his sleeping disciples, to complex eight-part vocal texture. The character of a melancholy night watch remains decisive throughout.
SKU: BT.SCHEE2970-01
(Choral Score). Bizet, G.
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