SKU: CF.CMF1
ISBN 9780825857768. UPC: 798408057763. 6.75 X 10.5 inches. Text: Keith Hibbs; Claire Cloninger; Cherry Tadlock; Ron Harris. Claire Cloninger, Ron Harris, Cherry Tadlock, Keith Hibbs.
This collection offers both seasonal and general worship anthems from one of America’s premiere church writers. The anthems in this collection are perfectly suited for praise and worship and are sure to become an integral part of church choir programs. Seven anthems total, Hallquist has skillfully written these beautiful pieces with care and thoughtfulness; a style that has been one of his trademarks throughout the years. A must-have for every church choir! Faithful to the Vision (Anniversary/Dedication), I Often Dance (General Praise/Worship), In Times Like These (Encouragement/Easter Resurrection), Let Us Worship and Bow Down (Call to Worship), On a Hillside in Bethlehem (Christmas), They Could Not (Easter) and We Are His Love (Missions/Ministry).
SKU: FG.042-07701-6
ISBN 979-0-042-07701-6.
The Hathor Suite for soprano, baritone, mixed chorus and ensemble (cor anglais, flute, harp and percussion) is Bergman's most colourful works. The first movement is to the goddess' power and glory. In the second movement the glissandos and changing vowel-sounds of the chorus wind around a harp ostinato. The ecstatic third movement is based on an ostinato rhythm. In the fourth movement the vibraphone and female chorus have a chord which gradually expands to include all twelve chromatic notes. The fifth movement celebrates the goddess as 'a lady of the dance, mistress of the music'. Text: Siegfried Schott after ancient Egyptian texts (German), duration 18 minutes.
SKU: GI.G-10923
English.
SKU: BA.BA08860-90
ISBN 9790006558148. 27 x 19 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.
A unique edition - all readings at a glanceThis new edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of Anna Magdalena Bach. All variant readings from the four other sources are clearly laid out for performance. Cellists now have the possibility of rendering performances based on just one of the five sources as well as the option of combining the sources in a mixed version.This flyer takes you through our various editions of Bach's Cello Suites.
SKU: CA.738630
ISBN 9790007165444. Language: Latin.
The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).
SKU: CA.738631
Text language: Latin.
SKU: BA.BA25149
ISBN 9790006575152. 29.7 x 21 cm inches. Text Language: Latin.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerous gems such as the “Cantique de Jean Racine†or the “Messe basse†are published in performing editions based on the musical text of the “Gabriel Faur – Å’uvres complètesâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: GI.G-7223
UPC: 785147722304. English. Text Source: Vv.: based on Psalm 116, ref.: 1 Corinthians 10:16, Lectionary for Mass Text by Ian Callanan. Scripture: Psalm 116:12–13, 15–16bc, 17–18, 1 Corinthians 10:16.
While most suited for the psalm on Holy Thursday, this plaintive setting is appropriate as a responsorial psalm and Communion song for various Sundays of the liturgical year. Smaller choirs and ensembles will enjoy the harmonized refrain as well as the approachable descant on the third verse. For cantor or soloist.
SKU: GI.G-8595
UPC: 785147859505. English. Text by Adam M. L. Tice.
With a relaxed lilt, a 4-note motive makes up the first portion of the verses by cantor or unison voices. Verse 3 offers an altered echo for two soloists, with the same material repeated for the choir on the last verse. Additional instrumentation was originally conceived for soprano recorder or pennywhistle, but works well with flute, oboe, or other C instrument. The text of comfort is particularly suited to the Fourteenth Sunday in Ordinary Time, Year A.
SKU: BA.BA06862
ISBN 9790260105300. 34.2 x 27.3 cm inches. Text Language: Church Slavic.
The Glagolitic Mass, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.The recently published scholarly-critical edition presents two different versions of the work in two separate volumes: the “September 1927†version (BA 6863) which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928 (BA 6862). This second version was then revised further and published after Janácek’s death by Universal Edition Wien in 1930. Known as the “final authorised versionâ€, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janácek’s regular copyist Václav Sedlácek. The “final authorised version†is the significant version and most suited to performance purposes. The instrumentation is richer, it is more straightforward to rehearse and several important passages are more coherent than in the earlier version. It is the later version that is presented in the vocal score. The Old Church Slavonic text has been prepared by the slavicist Radoslav Vecerka.
SKU: GI.G-6261
UPC: 785147626107. English. Text Source: Isaiah 51:2–3, KJV Scripture: Isaiah 51:2–3.
This edition may be performed as a suite of three: Lord, Enthron'd in Heav'nly Spendor, Look unto Abraham, and Know That the Lord Is God.
SKU: GH.WC1600167
ISBN 9790070035439. Text: William Shakespeare.
From the suite O, Mistress mine. Arranged for soprano, tenor and mixed chorus a cappella.
SKU: GH.GE-11477
ISBN 979-0-070-11477-6. 185 x 262 mm inches.
Suite for soprano solo and mixed choir based on old English poems. Each song is also available in separate editions.
SKU: GI.G-6269
English. Text Source: Attr. Robinson, The Brethren's Tune and Hymn Book, 1897.
This edition may be performed as a suite of five pieces: In All My Vast Concerns with Thee, Ye Followers of the Prince of Peace, Bright Morning Stars, The Promised Land, and Now Brethren, though We Part. Keyboard or Dulcimer.
SKU: GI.G-8961
UPC: 785147896104. English. Text Source: Based on John 14-17, alt. Michel Guimont. Scripture: John 14–17.
Michel Guimont supplies four different refrains to pair with intimate verses adapted from Jesus’ Farewell Discourse at the Last Supper (John 14—17). Originally written for the ordination of a bishop, the expanded piece for SATB choir, cantor, and assembly is especially well suited for the Easter Season. The accompaniment is compatible for both organ and piano.
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