SKU: CA.9126605
ISBN 9790007095598. Language: Latin.
Johann Ernst Eberlin composed over 40 masses. From Salzburg they were widely disseminated in southern Germany, Austria, and Bohemia. Eberlin's Mass in B flat was skillfully arranged for every day use at the monastery in Seitensteeen; thus this a work which, due to its brevity and musical qualities, is ideally suited for the celebration of the Mass. A beautifully sounding continuo mass in a free, concertante style, marked by the joy of baroque music making. Score available separately - see item CA.9126600.
SKU: BA.BA06862
ISBN 9790260105300. 34.2 x 27.3 cm inches. Text Language: Church Slavic.
The Glagolitic Mass, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.The recently published scholarly-critical edition presents two different versions of the work in two separate volumes: the “September 1927†version (BA 6863) which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928 (BA 6862). This second version was then revised further and published after Janácek’s death by Universal Edition Wien in 1930. Known as the “final authorised versionâ€, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janácek’s regular copyist Václav Sedlácek. The “final authorised version†is the significant version and most suited to performance purposes. The instrumentation is richer, it is more straightforward to rehearse and several important passages are more coherent than in the earlier version. It is the later version that is presented in the vocal score. The Old Church Slavonic text has been prepared by the slavicist Radoslav Vecerka.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: GI.G-6266
UPC: 785147626602. English. Text Source: Lord, we believe for us you lived and died. Text by Fred Pratt Green.
This triumphant setting of a text by Fred Pratt Green, “Lord, We Believe for Us You Lived and Diedâ€, is a rousing anthem perfect for any Sunday during Eastertide. This edition may be performed as a suite of four: God of Grace and God of Laughter, A Mountain Psalm, Come O, Come and Easter Days. Children's Choir Part is Optional Trumpet in C is interlined in the octavo Includes hymn version
SKU: GI.G-3137S
Recorded in 1988 and still considered one of the most beautiful mass settings ever written, Michael Joncas's No Greater Love offers cathedral-style music that invites congregational participation. Multiple arrangements allow for flexibility in format and variety of instrumentation. Perfectly suited for Lenten liturgies, No Greater Love uses the Eucharistic Prayer for Reconciliation II, which has as its theme the mystery of reconciliation. The setting includes the beloved song No Greater Love, which has become a popular classic and is used regularly at Catholic Masses year after year. .
SKU: AP.48817
UPC: 038081561417. English.
Ruth Morris Gray's ability to use voices to elevate and enhance the meaning of a text is masterful. Based on the poetry of Edgar Allan Poe, this beautiful choral work features an elegant melody supported by a hauntingly expressive piano accompaniment. Equally well-suited for concert or contest programs, this stunning piece encourages top-tier musicality. Now available for S.A.T.B.
SKU: GI.G-6262
UPC: 785147626206. English. Text Source: Psalm 100:3–5. Scripture: Psalm 100:3–5.
This little-known tune provides great material for a hymn anthem. It's a sending forth text, scored with the men always echoing the text of the women at one measure. First, in canon, then in counterpoint. Mixed meters are introduced in the third and fourth stanzas, and the final stanza expands the score to SAT over echoing bass. Lots of excitement here. This edition may be performed as a suite of three: Lord, Enthron'd in Heav'nly Spendor, Look unto Abraham, and Know That the Lord Is God. The trumpet in C part is interlined in the score.
SKU: GI.G-8961
UPC: 785147896104. English. Text Source: Based on John 14-17, alt. Michel Guimont. Scripture: John 14–17.
Michel Guimont supplies four different refrains to pair with intimate verses adapted from Jesus’ Farewell Discourse at the Last Supper (John 14—17). Originally written for the ordination of a bishop, the expanded piece for SATB choir, cantor, and assembly is especially well suited for the Easter Season. The accompaniment is compatible for both organ and piano.
SKU: GI.G-6272
UPC: 785147627203. English. Text Source: Anonymous, The Brethren's Tune and Hymn Book, 1879.
This edition may be performed as a suite of five pieces: In All My Vast Concerns with Thee, Ye Followers of the Prince of Peace, Bright Morning Stars, The Promised Land, and Now Brethren, though We Part. .
SKU: GI.G-7223
UPC: 785147722304. English. Text Source: Vv.: based on Psalm 116, ref.: 1 Corinthians 10:16, Lectionary for Mass Text by Ian Callanan. Scripture: Psalm 116:12–13, 15–16bc, 17–18, 1 Corinthians 10:16.
While most suited for the psalm on Holy Thursday, this plaintive setting is appropriate as a responsorial psalm and Communion song for various Sundays of the liturgical year. Smaller choirs and ensembles will enjoy the harmonized refrain as well as the approachable descant on the third verse. For cantor or soloist.
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