SATB Full Score Choral; Optional Percussion (FULL SCORE)

SKU: HL.268960

Full Score. Composed by Ron Kean. Pavane Secular. Spiritual. Softcover. 112 pages. Pavane Publishing #P8002. Published by Pavane Publishing (HL.268960).

UPC: 888680737153. 8.5x11.0x0.271 inches.

This 5-movement, multi-media choral drama honors one of the great heroes of the emancipation era. The journey of those who sacrificed becomes a story we can relive and honor. Dr. Kean's goal was to compose and arrange original music and traditional spirituals in a style that is evocative of the enslaved Africans' frame of mind. The spirituals are accompanied with kalimba (thumb piano) to honor the sub-Saharan African musical tradition of connecting with ancestors and with the marimba to sound like the west African balafon. This is a work that will move an audience to tears. Medium to difficult. The Journey of Harriet Tubman has generated a much needed discussion of African American enslavement and and cultural appropriation. The composer has dedicated half of his royalties from this work to â??The Equal Justice Initiative,â? a private, 501(c)(3) nonprofit organization that is committed to ending mass incarceration and excessive punishment in the United States, to challenging racial and economic injustice, and to protecting basic human rights for the most vulnerable people in American society. Please visit https://eji.org/about for more info.

Pavane. Composed by Ron Kean. Pavane Secular. Concert. Octavo. 68 pages. Pavane Publishing #P8001. Published by Pavane Publishing

Der Gang Zum Liebchen. By Johannes Brahms. For SATB, Piano. Opus 31, Number 3. Published by Thorpe.

Choral (SATB divisi)

SKU: HL.49044574

SATB divisi a cappella. Composed by Robert Lucas Pearsall. Arranged by Tobias Brommann. This edition: Folding. Sheet music. Choral. Classical, Contemporary. Octavo. 9 pages. Schott Music #C 56238. Published by Schott Music (HL.49044574).

ISBN 9790001198547. Latin.

Der 1795 geborene Robert Lucas de Pearsall gilt als einer der Wegbereiter des Cacilianismus, einer kirchenmusikalischen Restaurationsbewegung mit Ruckbesinnung auf den aus Renaissance und Barock uberlieferten A-cappella-Stil. Auch bei seiner weltlichen Motette Lay a garland fur achtstimmigen Chor a cappella (SSAATTBB) lasst sich der Hang des Komponisten zum Kathedralklang nicht leugnen. Umso dankenswerter ist es, dass sich Tobias Bromann, seines Zeichens Kantor am Berliner Dom, dieses exquisiten Chorsatzes angenommen und ihn in seiner Umformung zu einem Kyrie nun auch kirchenmusikalischen Zwecken zuganglich gemacht hat. Dabei fugt sich der Kyrie-Text wie selbstverstandlich in die flachige Polyphonie und die schwebenden Harmonien dieser geradezu meditativen Vokalkomposition ein. Ein wunderbares Stuck Chorliteratur, das ganz auf renaissancehafte Klanglichkeit ausgerichtet ist.

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116105

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Choral Score. Composed 1716. BWV 161. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.161/05. Published by Carus Verlag (CA.3116105).

ISBN 9790007113070. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score available separately - see item CA.3116100.

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116119

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Komm, du susse Todesstunde. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 161. Duration 19 minutes. Carus Verlag #CV 31.161/19. Published by Carus Verlag (CA.3116119).

ISBN 9790007136871. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and parts available separately - see item CA.3116100.

By Sacred Harp Tunes. Arranged by Abbie Betinis. For SATB Choir (div.)/Tenor Duet. Choral. Level: Difficult. Choral octavo. Published by Santa Barbara Music Publishing. (SBMP 702)

(Feeling of Love). Arranged by TOH Ban Sheng. For SATB choir divisi, a cappella. Malay Folk Song. Indonesia, Malaysia, Singapore. Octavo. Text Language: Malay. Published by Earthsongs

They Crucified Him. By Boniface Mganga. Text: Traditional. For SATB Chorus and Percussion. (SATB). Anton Armstrong Choral Series. Sacred. Octavo. Published by Earthsongs.