SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780119

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. SV 206. Duration 90 minutes. Carus Verlag #CV 27.801/19. Published by Carus Verlag (CA.2780119).

ISBN 9790007142056. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and parts available separately - see item CA.2780100.

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780109

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. 1x 27.801/21 flute 1, 1x 27.801/22 flute 2, 2x 27.801/23 fifara, 1x 27.801/31 cornett 1, 1x 27.801/32 cornett 2, 1x 27.801/33 cornett 3, 1x 27.801/34 trombone 1, 1x 27.801/35 trombone 2, 1x 27.801/36 bass trombone. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Set of Orchestra Parts. SV 206. Duration 90 minutes. Carus Verlag #CV 27.801/09. Published by Carus Verlag (CA.2780109).

ISBN 9790007202682. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and parts available separately - see item CA.2780100.

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780111

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. SV 206. 24 pages. Duration 90 minutes. Carus Verlag #CV 27.801/11. Published by Carus Verlag (CA.2780111).

ISBN 9790007202699. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780112

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. SV 206. 24 pages. Duration 90 minutes. Carus Verlag #CV 27.801/12. Published by Carus Verlag (CA.2780112).

ISBN 9790007202705. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SSATTBB vocal soli, SATB/SATB choir, 2 flute, 2 fifari, 3 horn, 3 trombone, 2 violin, 3 viola, cello, violin, basso continuo

SKU: CA.2780113

Vespers 1610. Composed by Claudio Monteverdi. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Marienvesper. Innovative practice aids, Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 3. SV 206. 16 pages. Duration 90 minutes. Carus Verlag #CV 27.801/13. Published by Carus Verlag (CA.2780113).

ISBN 9790007202712. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

Composed by Mary McDonald. Palm Sunday, Sacred. Octavo. 12 pages. Hope Publishing Company #C 6075. Published by Hope Publishing Company (HP.C6075).

SS vocal soli, SATB choir, 2 violins, cello/contrabass, organ - Level 2

SKU: CA.4060149

Composed by Franz Joseph Haydn. Edited by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Missa Brevis In F Xxii:1. Innovative practice aids, Sacred vocal music, Missa brevis in Latin. Single Part, Organ. Composed 1749-50 (?). Hob. XXII:1. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.601/49. Published by Carus Verlag (CA.4060149).

ISBN 9790007219321. Key: F major. Text language: Latin.

Despite all of its folk-line simplicity of melody, Haydn's first mass contains a pious note that, just like its youthful verve, still was to hold fascination for him in his late years when, in 1805, he re-orchestrated his first work. The first version of the mass is considered to have been composed in 1749 or 1750. It was around the same time that Pope Benedict XIV treated questions concerning church music in his encyclical Annus qui in which he condemned the frequently operatic style of church music and demanded liturgical music that revealed an awareness of its religious purpose and that sought to fulfill it with simple means of musical expression. In its liturgical attitude Haydn's first mass is anchorded in this point of view (that to a great extent corresponded to the general standpoint of the churches of the eighteenth century). Score and part available separately - see item CA.4060100.