SKU: MN.50-1953

UPC: 688670519536. English.

The traditional French carol IL EST NÉ is set here in a simple but beautiful way. The beauty of the melody shines throughout this exquisite arrangement. From the larger work Holy Light.

SKU: CA.4018714

ISBN 9790007064501. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

SKU: GI.G-8228INST

UPC: 785147822899. English. Text Source: Vidi aquam egredientem, cf. Ezekiel 47:1–2, 9, 1 Peter 2:9, from the Sacramentary, 1973, alt.

SKU: CA.4018719

ISBN 9790007137861. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018700.

SKU: CA.4018712

ISBN 9790007064488. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.

SKU: BA.BA08966-90

ISBN 9790006564002. 27 x 19 cm inches. Text Language: Latin. Preface: Schellevis, Hans.

Sacred works occupy a large part of Charles Gounod's oeuvre. It was the Messe solennelle en l'honneur de Sainte Cecile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera.

This Urtext edition is based not only on the original print of 1856 but also on copyists' manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod's birth.

* Gounod's well-known mass in a new Urtext edition
* Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)
* Idiomatic piano reduction
* In preparation for the Gounod bicentenary year 2018

SKU: CA.2729415

ISBN 9790007201203. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

SKU: CA.9211815

ISBN 9790007236991. Language: Latin.

Score available separately - see item CA.9211800.

SKU: CA.4012414

ISBN 9790007217655. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups (choir, organ, brass and strings). Score and part available separately - see item CA.4012400.

SKU: CA.4007514

ISBN 9790007060961. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Score and part available separately - see item CA.4007500.

SKU: CA.3500813

ISBN 9790007213015. Text language: Latin.

Johann Sebastian Bach was able to appreciate good works by other composers, as is shown by contemporary accounts, and by a glimpse into what remains of his music library. Francesco Durante, maestro di cappella in Naples, was known in his time as an accomplished composer, who in his sacred works sought to achieve accommodation between the strict stile antico and the stile moderno of concert music at that time. This combination distinguishes his Mass in C minor, and it may have been what awakened Johann Sebastian Bach's interest in this work. He copied it about 1730, not merely for study purposes but in order to perform it, as is indicated by various alterations which he made to the composition. Bach replaced the Christe by a composition of his own, and for the Kyrie II he used Durante's music for the Gloria, making the alterations required by the different words. A worthwhile discovery! Score and part available separately - see item CA.3500800.

SKU: CA.5016415

ISBN 9790007080297. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi. Score and part available separately - see item CA.5016400.