| Whispers of the Passion Choral SATB SATB Harold Flammer Music
By Joseph M. Martin. SATB. Harold Flammer Easter. 68 pages. Published by Harold ...(+)
By Joseph M. Martin. SATB. Harold Flammer Easter. 68 pages. Published by Harold Flammer Music
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| Whisper! Whisper! (Baby Born Today) Choral SATB SATB A Cappella [Octavo] Alfred Publishing
By Jay Althouse. For Choir. (SATB, a cappella). Choral Octavo. Spiritual, Chris...(+)
By Jay Althouse. For Choir. (SATB, a cappella). Choral Octavo. Spiritual, Christmas. Level: Level 4 (grade L4). Choral Octavo. 8 pages. Published by Alfred Publishing.
(2)$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Song of the Sound Choral SATB SATB, Piano Carl Fischer
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pages. Duration 4:01. Carl Fischer Music #CM9713. Published by Carl Fischer Music (CF.CM9713). ISBN 9781491160084. UPC: 680160918683. Key: G major. English. Robert Bode. Original. The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support. Performance Notes This lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs: Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto) Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choir Rehearsal Letter C: Middle Level choir only Rehearsal Letter D: High School choir only Rehearsal Letter E to the end: Everyone! Song of the Sound: Running on the beach, digging in the sand, Seaweed in my toes, bucket in my hand. When I'm at the shore, way above the rest, These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam, Swimming far where the land cannot hold us, where the lighthouse calls us home. Flying free above the marshes, soaring high above the sea, Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore: Where the gentle breezes whisper and the mighty breakers roar. We will look to the shining ocean, to the East, where the new day dawned: We will sing a song of the edge of the world and the waiting sky beyond. -Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019) About the Composer: Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com YouTube & Spotify: @jacobnarverud. The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support.Performance NotesThis lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs:Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto)Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choirRehearsal Letter C: Middle Level choir onlyRehearsal Letter D: High School choir onlyRehearsal Letter E to the end: Everyone!Song of the Sound:Running on the beach, digging in the sand,Seaweed in my toes, bucket in my hand.When I'm at the shore, way above the rest,These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam,Swimming far where the land cannot hold us, where the lighthouse calls us home.Flying free above the marshes, soaring high above the sea,Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore:Where the gentle breezes whisper and the mighty breakers roar.We will look to the shining ocean, to the East, where the new day dawned:We will sing a song of the edge of the world and the waiting sky beyond.-Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019)About the Composer:Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com YouTube & Spotify: @jacobnarverud. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New Songs of Inspiration ? Volume 10 Choral SATB SATB [Sheet music] Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...(+)
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Without Form and Void Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION by Franz Joseph Haydn. Composed by Dan Welcher. Sws. Premiered at the Northwest Hills United Methodist Church, Austin, TX. Choral. Performance Score. With Standard notation. Composed July 5 2014. 16 pages. Duration 5:15. Theodore Presser Company #362-03423. Published by Theodore Presser Company (PR.362034230). ISBN 9781598069556. UPC: 680160624225. Letter inches. English. When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental. When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear. $3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Shalom (SATB) Choral SATB Beckenhorst Press
Composed by Dan Forrest. Octavo. Beckenhorst Press #BP2242. Published by Beck...(+)
Composed by Dan Forrest.
Octavo. Beckenhorst Press
#BP2242. Published by
Beckenhorst Press
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| Still Choral SATB SATB, Piano Heritage Music Press
SATB choir, piano SKU: LO.15-3954H Composed by Robert S. Cohen. Choral. C...(+)
SATB choir, piano SKU: LO.15-3954H Composed by Robert S. Cohen. Choral. Concert. Octavo. Heritage Music Press #15/3954H. Published by Heritage Music Press (LO.15-3954H). ISBN 9780787777494. A dreamy, twinkling piano introduction sets up a lovely melody that leads into ever-expanding and dynamic choral harmonies that emphasize key moments in the text. Melodic moments are passed throughout the ensemble that weave together in an enchanting musical tapestry. Divisi is prevalent throughout that creates rich harmonic textures ending in a soft, whispered Still. Advanced choirs will not want to miss this lovely selection. $2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| El Fiel Enamorado (The Faithful Lover) Choral SATB SATB divisi Gentry Publications
Choral (SATB divisi) SKU: HL.540114 SATB divisi a cappella. Compos...(+)
Choral (SATB divisi) SKU: HL.540114 SATB divisi a cappella. Composed by Miguel Matamoros. Arranged by Miguel Astor. Gentry Publications. Cuban, Folk, Multicultural, Spanish. Octavo. 14 pages. Gentry Publications #JG2608. Published by Gentry Publications (HL.540114). UPC: 196288075639. 6.75x10.5x0.025 inches. This joyful Cuban love song has been around for some time, and this choral arrangement brings it into the concert hall. You cannot resist moving when singing this song. Adding a little percussion enhances it even further. The concluding dynamics take the song down to a whisper and then explode enthusiastically for the final phrase. Great fun! $2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Encore Un Mystere Choral SATB Gentry Publications
Composed by Beatriz Bilbao. Gentry Publications. Concert, Festival. Octavo. 12...(+)
Composed by Beatriz Bilbao.
Gentry Publications. Concert,
Festival. Octavo. 12 pages.
Gentry Publications #JG2509.
Published by Gentry
Publications
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| As a Song Among the Trees Choral SATB Shawnee Press
Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Pentecost, Sacr...(+)
Composed by Joseph M. Martin.
Shawnee Sacred. General
Worship, Pentecost, Sacred.
Octavo. 12 pages. Published
by Shawnee Press
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| Cum Enim Quietum Silentium Contineret Omnia, ... Choral SATB - Advanced Schott
Choral (SATB) - advanced SKU: HL.49045600 Choral Score - (SATB/SATB/SA...(+)
Choral (SATB) - advanced SKU: HL.49045600 Choral Score - (SATB/SATB/SATB/SATB) - Latin. Composed by Janusz Krzysztof Korczak. This edition: Saddle stitching. Sheet music. Choral. General Worship, Latin, Sacred. Octavo. Composed 2016. 16 pages. Duration 4'. Schott Music #C59048. Published by Schott Music (HL.49045600). ISBN 9790001166249. UPC: 841886032675. 7.5x10.75 inches. Latin. Book of Wisdom 18:14-15. The composer, chorus and organist Janusz Krzysztof Korczak, who was born in Krakow in 1994, was awarded the 3rd prize at the International Composition Competition Musica Sacra Nova 2016 for his choral piece Cum enim quietum silentium contineret omnia, .... This sophisticated Latin-language choral work is designed for four four-part ensembles (SATB / SATB / SATB / SATB) a cappella,for which the Polish composer delivers an exact arrangement. The Korczak, which is divided into a number of musical thematic sections, for which Korczak foresees a maximum of four singers per voice within the individual ensembles, has, according to his own statement, musically implemented a kind of programmatic visualization of the underlying words from Liber Sapientiae 18, 14-15b searched. And so there are lecture notes such as delicate or sharp whispering, singing with closed and open mouth, ad libitum to declaiming parts, a general pause with explicit seconds, strong dynamic accents and an abrupt descending Glissando at the end of thestriking features of this 16-voice A -cappella-choral work. Ideal literature for singers with a high degree of experimentation. $6.99 - See more - Buy online | | |
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