Composed by Johann Sebastian Bach (1685-1750), edited by Walter Heinz Bernstein. BWV 245. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Bach Edition. With choral notation, piano reduction and introductory text. Text language German/English. 270 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006462230.

STB vocal soli, SATB choir, 2 flutes, 2 oboe d'amore, [corno d'caccia], 2 violins, viola, basso continuo - Level 3

SKU: CA.3110719

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Was willst du dich betruben. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 107. Duration 20 minutes. Carus Verlag #CV 31.107/19. Published by Carus Verlag (CA.3110719).

ISBN 9790007136574. Key: B minor. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.

Score and parts available separately - see item CA.3110700.

STB vocal soli, SATB choir, 2 flutes, 2 oboe d'amore, [corno d'caccia], 2 violins, viola, basso continuo - Level 3

SKU: CA.3110714

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Was willst du dich betruben. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1724. BWV 107. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.107/14. Published by Carus Verlag (CA.3110714).

ISBN 9790007047894. Key: B minor. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.

Score available separately - see item CA.3110700.

Soli STB, SATB Choir, 2 Fl, 2 Obda, Cor, 2 Vl, Va, Bc - Level 3

SKU: CA.3110749

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas. Single Part, Organ. Composed 1724. BWV 107. 20 pages. Duration 20 minutes. Carus Verlag #CV 31.107/49. Published by Carus Verlag (CA.3110749).

ISBN 9790007239886. Key: B minor. Language: German/English. Text: Heermann, Johann.

Score and part available separately - see item CA.3110700.

STB vocal soli, SATB choir, 2 flutes, 2 oboe d'amore, [corno d'caccia], 2 violins, viola, basso continuo - Level 3

SKU: CA.3110712

Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Was willst du dich betruben. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1724. BWV 107. 4 pages. Duration 20 minutes. Carus Verlag #CV 31.107/12. Published by Carus Verlag (CA.3110712).

ISBN 9790007047870. Key: B minor. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.

Score available separately - see item CA.3110700.

(Kantate zum 7. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For STB vocal soli, SATB choir, 2 flutes, 2 oboe d'amore, [corno d'caccia], 2 violins, viola, basso continuo. H-Moll (B minor). Score available separately - see item CA.3110700. Cantatas. Level 3. Part: violin 1. Language: German/English. Composed 1724. BWV 107. 8 pages. Duration 20 min. Published by Carus Verlag

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111714

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Violoncello/double bass. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Cello/Double Bass. Composed 1728/1731. BWV 117. 16 pages. Duration 26 minutes. Carus Verlag #CV 31.117/14. Published by Carus Verlag (CA.3111714).

ISBN 9790007048709. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir, 2 horns, 2 violins, viola, basso continuo, [2 oboes, taille (english horn), bassoon]

SKU: CA.3111809

Funeral motet. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Jesu Christ, Mein'S Lebens Licht Motette. Sacred, Motets; Stuttgart Urtext editions; Occasions: Mourning, Death. Set of Orchestra Parts. Composed 1736/37 thru the first half of the 1740s. BWV 118. 4 pages. Duration 7 minutes. Carus Verlag #CV 31.118/09. Published by Carus Verlag (CA.3111809).

ISBN 9790007207137. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm.

Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score and parts available separately - see item CA.3111800.

SATB choir, piano - Level 2

SKU: CA.326770

Composed by Johann Sebastian Bach. Arranged by Paul Horn. Separate edition with choral collection. Sacred vocal music, Fear and trust, Praise and thanks. Full score. BWV 45,7. 1 pages. Duration 1 minute. Carus Verlag #CV 03.267/70. Published by Carus Verlag (CA.326770).

ISBN 9790007170264. Key: D major. Language: German.

Mixed choir (SATB)

SKU: M2.MOS-64008

Composed by Johann Sebastian Bach. Möseler Verlag #MOS 64008. Published by Möseler Verlag (M2.MOS-64008).

ISBN 9790203761105.

Die Komposition Nun Lob mein Seel den Herren ist der zweite Teil der Kantate Nr. 28 am Sonntag nach Weihnachten Gottlob, nun geht das Jahr zu Ende. Dem Chorsatz voraus geht eine Sopranarie, die dieser Kantate den Namen gegeben hat. (Die Komposition ist auch mit der Strophe Sei Lob und Preis mit Ehre in der Motette Jauchzet dem Herrn alle Welt, BWV 231, uberliefert.) Der Schlusschoral All solch dein Gut wir preisen der Kantate ist dieser Ausgabe fur den Fall beigegeben, dass diese ganz aufgefuhrt wird; dafur bietet sie den vollstandigen Chorteil.

Orchestra Soli SATB, SATB Choir, 2 Oboes ( Ob I auch Obda), Trumpet, Violin solo, 2 Violins, Viola, Viola da gamba, Basso continuo - Grade 3

SKU: CA.3107649

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Psalms, German. Single Part, Organ. Composed 1723. BWV 76. 32 pages. Duration 35 minutes. Carus Verlag #CV 31.076/49. Published by Carus Verlag (CA.3107649).

Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

Orchestra STB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo, organ obligato - Grade 3

SKU: CA.3107307

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Herr, wie du willt POD. Sacred vocal music, Cantatas, Epiphany. Study score. Composed 1724. BWV 73. 48 pages. Duration 17 minutes. Carus Verlag #CV 31.073/07. Published by Carus Verlag (CA.3107307).

ISBN 9790007044640. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score available separately - see item CA.3107300.

Orchestra STB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo, organ obligato - Grade 3

SKU: CA.3107313

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Herr, wie du willt. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1724. BWV 73. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.073/13. Published by Carus Verlag (CA.3107313).

ISBN 9790007044688. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score and part available separately - see item CA.3107300.

Orchestra STB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo, organ obligato - Grade 3

SKU: CA.3107309

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.073/21 oboe 1, 1x 31.073/22 oboe 2, 1x 31.073/31 horn, 1x 31.073/32 trumpet. German title: Herr, wie du willt 4. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1724. BWV 73. 16 pages. Duration 17 minutes. Carus Verlag #CV 31.073/09. Published by Carus Verlag (CA.3107309).

ISBN 9790007044657. Key: G minor / c minor. Language: German/English.

In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score and parts available separately - see item CA.3107300.