| They are all waiting on thee (Es wartet alles auf dich) Choral SATB [Score and Parts] Carus Verlag
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118709 Cantata for t...(+)
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118709 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. 1x 31.187/21 oboe 1, 1x 31.187/22 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Cantatas, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Composed 1726. BWV 187. Duration 25 minutes. Carus Verlag #CV 31.187/09. Published by Carus Verlag (CA.3118709). ISBN 9790007209957. Language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and parts available separately - see item CA.3118700. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118705 Cantata for t...(+)
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118705 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Cantatas, Easter and Eastertide, Whitsun. Choral Score. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/05. Published by Carus Verlag (CA.3118705). ISBN 9790007182984. Language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score available separately - see item CA.3118700. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118714 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Cantatas, Easter and Eastertide, Whitsun. Single Part, basso continuo. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/14. Published by Carus Verlag (CA.3118714). ISBN 9790007209995. Text language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118703 Cantata for t...(+)
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118703 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Cantatas, Easter and Eastertide, Whitsun. Vocal score. Composed 1726. BWV 187. 36 pages. Duration 25 minutes. Carus Verlag #CV 31.187/03. Published by Carus Verlag (CA.3118703). ISBN 9790007182946. Language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score available separately - see item CA.3118700. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118713 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Cantatas, Easter and Eastertide, Whitsun. Single Part, Viola. Composed 1726. BWV 187. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.187/13. Published by Carus Verlag (CA.3118713). ISBN 9790007209988. Text language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118749 Cantata for t...(+)
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118749 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Organ. Cantatas, Easter and Eastertide, Whitsun. Single Part, Organ. Composed 1726. BWV 187. 20 pages. Duration 25 minutes. Carus Verlag #CV 31.187/49. Published by Carus Verlag (CA.3118749). ISBN 9790007210007. Language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB [Score and Parts] Carus Verlag
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118719 Cantata for t...(+)
Soli SAB, SATB Choir, 2 Ob, 2 Vl, Va, Bc SKU: CA.3118719 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Cantatas, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Composed 1726. BWV 187. Duration 25 minutes. Carus Verlag #CV 31.187/19. Published by Carus Verlag (CA.3118719). ISBN 9790007183318. Language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and parts available separately - see item CA.3118700. $129.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118712 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Cantatas, Easter and Eastertide, Whitsun. Single Part, Violin 2. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/12. Published by Carus Verlag (CA.3118712). ISBN 9790007209971. Text language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118711 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Cantatas, Easter and Eastertide, Whitsun. Single Part, Violin 1. Composed 1726. BWV 187. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.187/11. Published by Carus Verlag (CA.3118711). ISBN 9790007209964. Text language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| They are all waiting on thee (Es wartet alles auf dich) Choral SATB [Score] Carus Verlag
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA...(+)
SAB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3118700 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Cantatas, Easter and Eastertide, Whitsun. Full score. Composed 1726. BWV 187. 48 pages. Duration 25 minutes. Carus Verlag #CV 31.187/00. Published by Carus Verlag (CA.3118700). ISBN 9790007171650. Language: German/English. The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The highest good be praise and glory (Sei Lob und Ehr dem hochsten Gut) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, ...(+)
ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3111703 Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: Paperbound. Sacred vocal music, Cantatas, Praise and thanks. Vocal score. Composed 1728/1731. BWV 117. 28 pages. Duration 26 minutes. Carus Verlag #CV 31.117/03. Published by Carus Verlag (CA.3111703). ISBN 9790007048648. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz. The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score available separately - see item CA.3111700. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O God, from heaven look on us (Ach Gott, vom Himmel sieh darein) Choral SATB [Score and Parts] - Easy Carus Verlag
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 vio...(+)
Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3 SKU: CA.3100219 2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 2. Duration 20 minutes. Carus Verlag #CV 31.002/19. Published by Carus Verlag (CA.3100219). ISBN 9790007135904. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200. $114.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB [Score] - Easy Carus Verlag
SATB choir - Level 2 SKU: CA.301730 Composed by Johann Sebastian Bach. Sa...(+)
SATB choir - Level 2 SKU: CA.301730 Composed by Johann Sebastian Bach. Sacred vocal music. Separate edition with choral collection. Sacred vocal music. Full score. BWV 436. Duration 4 minutes. Carus Verlag #CV 03.017/30. Published by Carus Verlag (CA.301730). ISBN 9790007146627. Key: D major. Language: German. Text: Nicolai, Philipp. Text: Philipp Nicolai. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O shield of Israel, hear us (Du Hirte Israel, hore) Choral SATB - Easy Carus Verlag
Orchestra TB vocal soli, SATB choir, 2 oboes, 2 oboe d'amore, taille (english ho...(+)
Orchestra TB vocal soli, SATB choir, 2 oboes, 2 oboe d'amore, taille (english horn), 2 violins, viola, basso continuo - Grade 3 SKU: CA.3110407 Cantata for the 2nd Sunday after Easter. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Du Hirte Israel, hore. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Study score. Composed 1724. BWV 104. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.104/07. Published by Carus Verlag (CA.3110407). ISBN 9790007047566. Key: G major / a major. Language: German/English. Score available separately - see item CA.3110400. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jerusalem Choral SATB [Score] - Easy Carus Verlag
SATB choir - Level 2 SKU: CA.7010063 Nach dem 2. Menuett aus Bachs Par...(+)
SATB choir - Level 2 SKU: CA.7010063 Nach dem 2. Menuett aus Bachs Partita in B, BWV 825. Composed by Johann Sebastian Bach and Peter Cornelius. Sacred vocal music. German title: HEIL UND FREUDE WARD MIR VERHEIssEN. Full score. Composed 1872. Op. 13, No. 3. Duration 2 minutes. Carus Verlag #CV 70.100/63. Published by Carus Verlag (CA.7010063). ISBN 9790007228675. Key: B flat major. Language: German. Text: Cornelius, Peter. Text: Peter Cornelius. Based on the 2nd Minuet from Bach's Partita in B flat Major, BWV 825. Score available separately - see item CA.7010000. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht) Choral SATB [Score and Parts] Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118669 (+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118669 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1723. BWV 186. Duration 40 minutes. Carus Verlag #CV 31.186/69. Published by Carus Verlag (CA.3118669). ISBN 9790007187262. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and parts available separately - see item CA.3118600. $114.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116405 Cantat...(+)
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116405 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Choral Score. Composed 1725. BWV 164. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.164/05. Published by Carus Verlag (CA.3116405). ISBN 9790007187194. Language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score available separately - see item CA.3116400. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute) Choral SATB [Score and Parts] Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo SKU: CA.3117419 Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/19. Published by Carus Verlag (CA.3117419). ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich. The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400. $169.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| I have placed all my confidence (Ich habe meine Zuversicht) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.311...(+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc SKU: CA.3118803 Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year, Trinity. Vocal score. Composed 1728. BWV 188. 32 pages. Duration 25 minutes. Carus Verlag #CV 31.188/03. Published by Carus Verlag (CA.3118803). ISBN 9790007187293. Language: German/English. The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score available separately - see item CA.3118800. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Choral SATB [Score] Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116400 Cantat...(+)
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116400 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Full score. Composed 1725. BWV 164. 32 pages. Duration 17 minutes. Carus Verlag #CV 31.164/00. Published by Carus Verlag (CA.3116400). ISBN 9790007187170. Language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116403 Cantat...(+)
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116403 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Vocal score. Composed 1725. BWV 164. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.164/03. Published by Carus Verlag (CA.3116403). ISBN 9790007187187. Language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score available separately - see item CA.3116400. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My blessed Jesus, gone forever (Mein liebster Jesus ist verloren) Choral SATB Carus Verlag
Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] SKU: CA.3115405 Can...(+)
Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] SKU: CA.3115405 Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Benedikt Lessmann. Stuttgart Urtext Edition: Bach vocal. Cantatas, Epiphany. Choral Score. Composed before 1724. BWV 154. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.154/05. Published by Carus Verlag (CA.3115405). ISBN 9790007187163. Language: German/English. The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score available separately - see item CA.3115400. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Choral SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo SKU: CA.3105205 Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Choral Score. Composed 1726. BWV 52. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.052/05. Published by Carus Verlag (CA.3105205). ISBN 9790007187385. Language: German/English. Text: Birkmann, Christoph. It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My blessed Jesus, gone forever (Mein liebster Jesus ist verloren) Choral SATB Carus Verlag
Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] SKU: CA.3115449 Can...(+)
Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] SKU: CA.3115449 Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Benedikt Lessmann. Stuttgart Urtext Edition: Bach vocal. Organ. Cantatas, Epiphany. Single Part, Organ. Composed before 1724. BWV 154. 16 pages. Duration 17 minutes. Carus Verlag #CV 31.154/49. Published by Carus Verlag (CA.3115449). ISBN 9790007187392. Language: German/English. The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score and part available separately - see item CA.3115400. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My blessed Jesus, gone forever (Mein liebster Jesus ist verloren) Choral SATB Carus Verlag
Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] SKU: CA.3115403 Can...(+)
Soli ATB, SATB Choir, 2 Obda, 2 Vl, Va, Bc, [Cemb] SKU: CA.3115403 Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Benedikt Lessmann. Stuttgart Urtext Edition: Bach vocal. Cantatas, Epiphany. Vocal score. Composed before 1724. BWV 154. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.154/03. Published by Carus Verlag (CA.3115403). ISBN 9790007187156. Language: German/English. The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score available separately - see item CA.3115400. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Treach'rous world, I do not trust you (Falsche Welt, dir trau ich nicht) Choral SATB Carus Verlag
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Ba...(+)
Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo SKU: CA.3105203 Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Vocal score. Composed 1726. BWV 52. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.052/03. Published by Carus Verlag (CA.3105203). ISBN 9790007187637. Language: German/English. Text: Birkmann, Christoph. It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Christ Jesus praise we ev'ryone (Christum wir sollen loben schon) Choral SATB Carus Verlag
Soli SATB, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc SKU: CA.3112103 (+)
Soli SATB, SATB Choir, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc SKU: CA.3112103 Cantata for the 2nd day of Christmas. Composed by Johann Sebastian Bach and Martin Luther. Edited by Frieder Rempp. Hymns by Martin Luther: Christum wir sollen loben schon; Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Christmas. Vocal score. Composed 1724. BWV 121. 28 pages. Duration 21 minutes. Carus Verlag #CV 31.121/03. Published by Carus Verlag (CA.3112103). ISBN 9790007187002. Language: German/English. This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame two arias for tenor and bass, and two secco recitatives for alto and soprano. The first and sixth movements are in old-fashioned style, with four-part vocal writing and colla parte instruments. In the aria (movement 2) the tenor is accompanied by an obbligato oboe d'amore, and in the 4th and most striking movement, the three string parts accompany the bass. The demands on the singers, instrumentalists, and chorus are typical of a Bach cantata. Score available separately - see item CA.3112100. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Praise the Lord, O my spirit (Lobe den Herrn, meine Seele) Choral SATB Carus Verlag
Orchestra STB vocal soli, SATB choir, bassoon, 3 corno d'caccia, timpani, 2 viol...(+)
Orchestra STB vocal soli, SATB choir, bassoon, 3 corno d'caccia, timpani, 2 violins, viola, basso continuo SKU: CA.3114307 Cantata for New Year. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Lobe den Herrn, meine Seele. Sacred vocal music, Cantatas, New year, Whitsun. Study score. Composed circa 1708. BWV 143. 48 pages. Duration 14 minutes. Carus Verlag #CV 31.143/07. Published by Carus Verlag (CA.3114307). ISBN 9790007103187. Key: B flat major. Language: German/English. A new edition of the Neujahrs-Kantate, which previously appeared in an edition based on manuscript copies from the 19th century. The present edition is based on a manuscript from 1762 which was first discovered in 1971; this source varies considerably from the previously known manu-scripts and it presents a clearer version of the cantata. Score available separately - see item CA.3114300. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O how can I surrender Ephraim (Was soll ich aus dir machen, Ephraim) Choral SATB - Easy Carus Verlag
Orchestra SAB vocal soli, SATB choir, horn, 2 oboes, [horn], 2 violins, viola, b...(+)
Orchestra SAB vocal soli, SATB choir, horn, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3 SKU: CA.3108905 Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Was soll ich aus dir machen. Sacred vocal music, Cantatas. Choral Score. Composed 1723. BWV 89. 2 pages. Duration 14 minutes. Carus Verlag #CV 31.089/05. Published by Carus Verlag (CA.3108905). ISBN 9790007046187. Key: C minor / g minor. Language: German/English. Score available separately - see item CA.3108900. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Our saviour Christ to Jordan came (Christ, unser Herr, zum Jordan kam) Choral SATB - Intermediate Carus Verlag
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violin solo, 2 violins, viola, bas...(+)
ATB vocal soli, SATB choir, 2 oboe d'amore, 2 violin solo, 2 violins, viola, basso continuo - Level 3 SKU: CA.3100713 Cantata for St. John's Day. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Christ, unser Herr, zum Jordan kam. German title: Christ, unser Herr. Sacred vocal music, Cantatas, Special days. Single Part, Viola. Composed 1724. BWV 7. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.007/13. Published by Carus Verlag (CA.3100713). ISBN 9790007041878. Key: E minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther. Score available separately - see item CA.3100700. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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