SKU: CF.CM9607
ISBN 9781491154298. UPC: 680160912797. 6.875 x 10.5 inches. Key: Db major. English. Lord George Gordon Byron (1788-1824).
Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subjects outer physical beauty and inner peace. Byron feels that the persons beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byrons best known poem. .Lord George Gordon Byron, described as amad, bad and dangerous to know,a is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subjectas outer physical beauty and inner peace. Byron feels that the personas beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byronas best known poem. .Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject's outer physical beauty and inner peace. Byron feels that the person's beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron's best known poem. .Lord George Gordon Byron, described as mad, bad and dangerous to know, is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades. Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject's outer physical beauty and inner peace. Byron feels that the person's beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron's best known poem. .Lord George Gordon Byron, described as “mad, bad and dangerous to know,†is one of the greatest British poets. He was known for his brilliant use of the English language, as well as his flamboyant lifestyle and romantic escapades.Scholars believe that Byron wrote She Walks in Beauty in 1814 when he met his cousin, Mrs. John Wilmont. It is an innocent poem, with seemingly only admiration of the subject’s outer physical beauty and inner peace. Byron feels that the person’s beauty is a perfect union of dark and light. The cloudless night is filled with soft starlight. She exudes a captivating purity, almost an expression of the divine. This is arguably Lord Byron’s best known poem. .
SKU: HL.14023538
UPC: 884088826178. 6.75x10.5x0.026 inches.
Vincent Novello was a British composer and Organist who gave the Novello publishing company its first embryonic form. Here he arranges Rule, Britannia! for Voice SATB with Piano accompaniment to introduce some contrapuntal interest in the verse.When 18th century British composer Thomas Arne included his song Rule, Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden, the country home of Frederick, Prince of Wales, he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule, Britannia! is widely used in the Royal Navy and British Army and is featuredeach year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing, the Dutch actually 'ruled the waves,' so this song was more an exhortation than a status report. The lyrics were also a statement of civil liberty. Since Cromwell's time, Britain had had a standing army which could be turned against the native population. A standing navy, however, existed solely to protect the nation from invaders, protecting a free populace.
SKU: CF.CM9740
ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.
Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War†finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.†Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly†in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O†is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.
SKU: OU.9780193408210
ISBN 9780193408210. 12 x 8 inches.
For SSATB and cello Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel and won the 2014 British Composer Award in the Choral category. McDowall uses vocal clusters and haunting solo cello lines to set texts by Sheila Bryer on the mysterious powers of the sea, earth, and air.
SKU: OU.9780193402843
ISBN 9780193402843. 12 x 8 inches.
for SATB (with divisions) and organ This setting of Psalm 95, written for Truro Cathedral Choir, was shortlisted for a BASCA British Composer Award 2013. Evocative and subtle in its use of colour and texture, the piece has independent organ passages, an intense musical climax, and a last verse akin to a gentle chorale.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: OU.9780193407640
ISBN 9780193407640. 12 x 8 inches.
for SATB and organ Michael Finnissy's John the Baptist won the 2015 British Composer Award in the Liturgical Category. Commissioned by St John's College, Cambridge, for Advent 2014, the piece recalls the folk music of the Middle East, and alternates between boisterous two-part homophony and slower, reflective polyphony.
SKU: OU.9780193385856
ISBN 9780193385856. 12 x 8 inches.
For SSATB (with divisions) unaccompanied This work was awarded the British Composer Award for Liturgical Music in 2003, but is published for the first time in 2013. The Roman Catholic Liturgy includes an antiphon to the Magnificat at Vespers, O Doctor optime, which Jackson sets incorporating medieval influences such as plainsong.
SKU: HL.277960
6.5x9.75 inches.
Rachel Portman's Magnificat and Nunc Dimittis for SATB choir and organ accompaniment. Born in west Sussex, England, Rachel Portman began composing at age 14 and studied music at Oxford University. She gained experience writing music for drama in BBC and Channel 4 films including Mike Leigh's Four Days in July and Jim Henson's Storyteller series. Her extensive film work includes scores for Never Let Me Go, The Joy Luck Club, Benny and June, and The Manchurian Candidate. She won an Academy award for her score for Emma and Academy nominations for Chocolat and The Cider House Rules. She has written a musical of Little House on the Prairie as well as an opera of Saint Exupery's The Little Prince for Houston Grand Opera and The Water Diviner, a dramatic choral symphony commissioned for the BBC Proms concerts. She was appointed Officer of the Order of the British Empire (OBE) in the 2010 New Year Honours.
SKU: PE.EP73501
ISBN 9790577020471. 272 x 190mm inches. English.
VOCES8 present a dreamlike choral fantasia based on the first movement of Beethoven's famous Moonlight piano sonata. Particularly suitable for mixed ability choirs, this piece has been used by VOCES8 in many of their school workshops.
The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble's ethos, and this is shown in their versatile concert programmes and innovative educational work.
The 'VOCES8 singles' series includes songs for which the group is particularly well known, in choral arrangements produced specifically for VOCES8.
SKU: HL.49044382
ISBN 9790220135286. 8.25x11.75x0.063 inches. English.
This Easter anthem by British composer John Casken is an expert example of contemporary choral writing and would be ideal for amateur choirs looking for exciting new repertoire.
SKU: HL.1197761
UPC: 196288134930. 6.75x10.5x0.019 inches.
The Out from the Shadows Choral Series brings you “Summer Is Gone,†a new setting of British poet Christina Rosetti's 1862 poem “Bitter for Sweet.†The composer, Samuel Coleridge Taylor, displays superb control of text painting and dynamics, creating vocal lines as natural as speech. In perfect harmony with Rosetti's text, falling chromatic figures tossed back and forth among voice parts create an inescapable sense of decay and sorrow. Taylor's harmonic rhythm conveys the latent impression of time stretching and constricting. A truly masterful work, this piece makes for a great festival or competition performance. A fun challenge for an accomplished chamber or larger choir, and a memorable addition to any concert. Samuel Coleridge-Taylor (1875-1912) was an English-born composer and conductor who hailed from an English and African musical family. After discovering his inherent musical ability, Coleridge-Taylor's family arranged for him to study at the Royal College of Music under composition professor Charles Villiers Stanford. After completing his degree, Coleridge-Taylor was appointed a professor at the Crystal Palace School of Music and became the conductor of the Croydon Conservatoire Orchestra. With his compositions, Samuel Coleridge-Taylor sought to draw from traditional African music and integrate it into the classical tradition, in a similar fashion to Brahms and Dvorak with Hungarian and Bohemian music. He was a prolific composer and a well-respected conductor in England and America, even touring in America and being received at the White House by President Theodore Roosevelt. His most celebrated work was his cantata Hiawatha's Wedding Feast. On his death, close friend and poet Alfred Noyes said, “Too young to die: his great simplicity, his happy courage in an alien world, his gentleness, made all that knew him love him.â€.
SKU: PE.EP73184
ISBN 9790577015453. 190 x 272mm inches. English.
A New World is a musical story across five movements with texts by authors from Cicero and Ovid to George William Russel; from nursery rhymes to war poets.
The music and texts link to form a narrative that questions what sort of âNew Worldsâ have come into existence, or could be created in our future, and considers how we balance human traits of fear, displacement, isolation and conflict with equally human traits of love, hope, forgiveness and unity.
2. The Dream
A standalone work for SATB choir and SATB solo quartet, painting a picture of the different characters of a dream. This movement is both comforting and confusing, and is inspired by the Palestinian poet Mahmoud Darwish.
Series information
The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensembleâs ethos, and this is shown in their versatile concert programmes and innovative educational work. The âVOCES8 singlesâ series includes songs for which the group is particularly well known and which have been composed or arranged specifically for VOCES8.
SKU: BT.HU-4200-250
English.
SKU: GI.G-8618
UPC: 785147861805. English. Text Source: Revelation 19:6, 11:15, 19:16. Scripture: Revelation 11:15, Revelation 19:6, 16.
The “Hallelujah†chorus is the final movement of part two of Handel’s Messiah, the part that comments on Christ’s crucifixion, resurrection, and ascension. The text of the chorus, assembled from Biblical passages by the oratorio’s librettist, Charles Jennens, is from Revelation 19:6, 11:15, and 19:16: “Hallelujah, for the Lord God omnipotent reigneth. The kingdom of this world is become the kingdom of our Lord and of his Christ, and he shall reign for ever and ever. KING OF KINGS, AND LORD OF LORDS.†This edition has been prepared from the first published score in 1767, with comparisons to Handel’s autograph manuscript now housed in the British Museum. The text has been reproduced here without alterations. However, the beamings of the vocal parts have been modernized for ease of reading (the original material has flags instead of beams for every separate syllable). The piano accompaniment is a reduction of the orchestral material: the first and second violin parts are represented in the upper staff, with only occasional inclusion of the viola, trumpet, and timpani parts, the basso continuo, in its original form, is in the bottom staff. The GIA Historical Music Series edited by Dennis Shrock, presents repertoire suitable for performance by public school, college and university, church, and community ensembles, with the purpose of making available to today’s conductors lesser-known and previously difficult-to-procure historical masterpieces. The music, drawn from the Renaissance through the Romantic eras, is in performance editions based on the most current and rigorous scholarly research. The musical scores reflect original intent of notation, with all editorial markings and emendations clearly identified as such. In addition, preface material accompanying the music contains literal translations of foreign language texts and information regarding the lives of the composers, genres, and relevant performance practices. Dennis Shrock is Director of Choral Activities at Texas Christian University. He has been called one of the top choral scholars in the United States and has received a number of awards for his work. He received a bachelor's degree in music education from Westminster Choir College and both master's and doctoral degrees in choral conducting from Indiana University.
SKU: HL.49017674
ISBN 9790001150217. UPC: 841886009929. 7.5x10.75x0.012 inches. English.
Two of the best-known and most popular folk songs from the British Isles, arranged by the English choral expert Malcolm Goldring, the director of the 'Open Singing' event at the festival 'Europa Cantat Mainz 2006'. The English song 'Early One Morning' and the secret national anthem of Wales 'All Through The Night' are available in equally sentimental arrangements for mixed choir.
SKU: SU.80101443
Man Proposes, but God Disposes (2008) was written for Rupert Gough and the Choir of Royal Holloway, University of London for premiere in November 2007 at the British Embassy in Washington, D.C. Royal Holloway is particularly noted for its large collection of excellent Victorian era paintings, the most famous of which is Man Proposes, God Disposes by Edwin Lanseer (1802-1873). Instrumentation: SATB Duration: 2008 Composed: 2'30 Published by: Zimbel Press.
SKU: PE.EP73182
ISBN 9790577017150. 190 x 272mm inches. English.
Winner of the inaugural Voces8/VCM Foundation Composition Competition, 2017, Toby Hession's 'She Walks in Beauty' is a setting for SATB choir of text by Lord Byron.
The internationally-renowned British vocal ensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble's ethos, and this is shown in their versatile concert programmes and innovative educational work. The 'VOCES8 singles'; series includes songs for which the group is particularly well known and which have been composed or arranged specifically for VOCES8.
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