SKU: GI.G-2402
Scripture: Psalm 95:1–2, 6–7, 8–9.
SKU: GI.G-5647
Text Source: ICEL, excerpts.
Flute or oboe. Percussion is for suspended cymbal. Instruments are optional. 13-17 handbells.
SKU: AU.9780800664237
ISBN 9780800664237.
Here is a finely crafted anthem on the hymn tune Nelson. Composer Kristina Langlois makes full use of contrasts of voice and instrumentation, with option for brass and C instrument. This writing is expressive, luxurious, and the anthem will be useful throughout the year.
SKU: SU.90880130
SATB Chorus, Flute, Percussion, Organ, Hand Bells Duration: 30' Text: compiled by composer I. The Light of Christ; II. Psalm 98; III. O Born Light; IV. The Good Zeal; V. Holy, Holy, Holy; VI. Bread of Angels; VII. Lord Now Let Full Score & Parts: available on rental Composed: 2010 Published by: Subito Music Publishing Commissioned by and Dedicated to the Benedictine Monks of St. Procopius Abbey, Lisle, Illinois on the occasion of the 125th anniversary of their founding.
SKU: PL.0436FL
This prayer to the blessed Mother is absolutely exquisite. Incorporating handbells and flute to complement the choir and organ, this anthem carries the heart of its message with depth and beauty. Bedford's Ave Maria is a perfect anthem for Marian holy days as well as being a gem for any choir and handbell concert program. Scripture Reference: Luke 1: 26-35Also available: 0436FS Ave Maria (full score), 0436FL Ave Maria (flute), 0436HB Ave Maria (handbells).
SKU: GI.G-7262
UPC: 785147726203. English, Spanish. Text Source: Based on John 3:16. Text by Ronald Krisman. Scripture: John 3:16.
This is a very memorable Taizé-like piece based on John 3:16 with texts in Spanish and English. In addition to the choral score and accompaniment, the octavo contains optional solo parts for eight different instruments, with a reproduction box on the back page. Instrument parts are optional Cello or Bassoon.
SKU: GI.G-002621
UPC: 641151026213. Text by Alan J. Hommerding.
The familiar tune ST. CATHERINE becomes a worthy vehicle for Alan Hommerding's text as arranged here by Wolfgang Lampert in a baroque-like style. The well-written organ part and counter-melodies (or optional flute line) support the unison choir in verses 1 and 3, verse 2, set for four-part chorus a cappella, is an unexpected delight and features an alternate choral harmonization.
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