SATB Choir

SKU: OU.9780192311122

Composed by Various. This edition: melody edition. Melody edition. 478 pages. Oxford University Press #9780192311122. Published by Oxford University Press (OU.9780192311122).

ISBN 9780192311122.

The traditional edition of the English Hymnal, this volume includes the very best hymnody from medieval plain chant to the early twentieth-century classics. The hymns are grouped according to theme and contain material suitable for any festival or occasion in the life of a church.

Composed by John Rutter (1945-). Mixed Voices. The Cambridge Singers Hymn Series. Vocal score. 8 pages. Duration 3.5'. Published by Oxford University Press (OU.9780193416529).

Composed by John Rutter (1945-). Mixed Voices. The Cambridge Singers Hymn Series. Vocal score. 8 pages. Duration 4'. Published by Oxford University Press (OU.9780193416451).

Choral (SSATB)

SKU: HL.1197753

Gentry Publications. Octavo. 12 pages. Duration 285 seconds. Gentry Publications #JG2662. Published by Gentry Publications (HL.1197753).

UPC: 196288134831. 6.75x10.5x0.029 inches.

“Death, thou art welcome to my arms attended by a thousand charms...” a text that dates back as far as 1818 speaks to the human desire for a peaceful end to life. This new setting by Richard Burchard provides your tenor-bass choir with an exciting and contemporary approach to this rich traditional hymn melody. In typical Burchard fashion, he has beautifully crafted phrases that combine the hymn text, touches of Latin, and a folk-style solo designed to draw attention to the rhythm, melody, and message of the hymn. Looking for that perfect piece with a special soulful appeal? Look no further; accompanied by cello and percussion, here's the ideal candidate, sure to become a choir and audience favorite.

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 14 pages. Published by Boosey and Hawkes.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112349

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. BWV 123. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.123/49. Published by Carus Verlag (CA.3112349).

ISBN 9790007207519. Language: German/English. Text: Fritsch, Ahasverus. Text by Ahasverus Fritsch.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112319

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. BWV 123. Duration 22 minutes. Carus Verlag #CV 31.123/19. Published by Carus Verlag (CA.3112319).

ISBN 9790007166564. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and parts available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112313

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. BWV 123. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.123/13. Published by Carus Verlag (CA.3112313).

ISBN 9790007207496. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola, basso continuo

SKU: CA.3112314

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Epiphany. Single Part, basso continuo. BWV 123. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.123/14. Published by Carus Verlag (CA.3112314).

ISBN 9790007207502. Text language: German/English. Text: Fritsch, Ahasverus.

This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstadter Liederbuch. This places it amongst those chorale cantatas which use a hymn from the repertoire associated with Pietism. As was customary, the hymn text is retained in the outer movements, whereas the text for the inner movements - two secco recitatives and a tenor and a bass aria - are concerned with the contrast between the hostile world and the certainty of Jesus; the links between the cantata text and the Feast of the Epiphany are correspondingly tenuous. In the first movement the soprano sings the hymn melody complete, accompanied by mainly homophonic vocal parts, whilst the instrumental writing is largely influenced by the melody of the first line of the hymn. Remarkable is the tenor aria, with its contrasting central section and its chromatic twists and turns, in which Bach once again proves himself to be a master of harmony. The demands on the chorus are fairly modest, whereas the instrumentalists are challenged in the first movement and in both the arias. Score and part available separately - see item CA.3112300.

SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7.25x10.25 inches. 12 pages. Published by Boosey and Hawkes.

(SATB)

SKU: HL.1436097

Composed by Larry Visser. Hinshaw Music. Octavo. Hinshaw Music #HMC2741. Published by Hinshaw Music (HL.1436097).

UPC: 196288203957.

Originally a commission from the Grand Rapids Chapter of the American Guild of Organists, this festive concertato setting of the timeless hymn â??Come, Christians, Join to Singâ? includes stately fanfares in the brass quartet parts, while timpani and organ provide a sturdy foundation for the congregation on Stanzas 1 and 3. The choir is featured on Stanza 2 with the hymn melody assigned to the tenor voice while the remaining three choral parts contribute to a fresh new harmonic treatment of the hymn. This regal setting will enrich any worship service based on themes of singing or praise.

(Based On A Southern Folk Hymn) Arranged by Jay Althouse. Octavo for SATB choir and piano accompaniment. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by Alistair Coleman. 21st Century, Justice/Peace/Social Concerns. Octavo. Published by E.C. Schirmer Publishing (EC.8266).

Soli SATB, SATB Choir, 2 Oboe da caccia, 2 Violins, Viola, [cello piccolo], Basso continuo

SKU: CA.3113903

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Vocal score. Composed 1724. BWV 139. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.139/03. Published by Carus Verlag (CA.3113903).

ISBN 9790007181192. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.