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| Without Form and Void
Choral SATB
SATB, Piano
Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION by Franz Joseph Haydn. Composed by Dan Welcher. Sws. Premiered at the Northwest Hills United Methodist Church, Austin, TX. Choral. Performance Score. With Standard notation. Composed July 5 2014. 16 pages. Duration 5:15. Theodore Presser Company #362-03423. Published by Theodore Presser Company (PR.362034230). ISBN 9781598069556. UPC: 680160624225. Letter inches. English. When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental.
When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear. $3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| My God alone this heart possesses (Gott soll allein mein Herze haben)
Choral SATB
Carus Verlag
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, ...(+)
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato SKU: CA.3116905 Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Whitsun. Choral Score. Composed 1726. BWV 169. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.169/05. Published by Carus Verlag (CA.3116905). ISBN 9790007170752. Text language: German/English. Text: Birkmann, Christoph. Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score available separately - see item CA.3116900. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir SKU: CA.3113605 Cantata for the 8th Sunday ...(+)
ATB vocal soli, SATB choir SKU: CA.3113605 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Choral Score. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/05. Published by Carus Verlag (CA.3113605). ISBN 9790007171612. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score available separately - see item CA.3113600. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| My God alone this heart possesses (Gott soll allein mein Herze haben)
Choral SATB
Carus Verlag
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, ...(+)
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato SKU: CA.3116913 Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Whitsun. Single Part, Viola. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/13. Published by Carus Verlag (CA.3116913). ISBN 9790007209346. Text language: German/English. Text: Birkmann, Christoph. Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| My God alone this heart possesses (Gott soll allein mein Herze haben)
Choral SATB [Score and Parts]
Carus Verlag
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, ...(+)
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato SKU: CA.3116909 Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. 1x 31.169/21 oboe d'amore 1, 1x 31.169/22 oboe d'amore 2, 1x 31.169/23 English horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Whitsun. Set of Orchestra Parts. Composed 1726. BWV 169. Duration 17 minutes. Carus Verlag #CV 31.169/09. Published by Carus Verlag (CA.3116909). ISBN 9790007209315. Text language: German/English. Text: Birkmann, Christoph. Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and parts available separately - see item CA.3116900. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| My God alone this heart possesses (Gott soll allein mein Herze haben)
Choral SATB
Carus Verlag
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, ...(+)
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato SKU: CA.3116912 Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Whitsun. Single Part, Violin 2. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/12. Published by Carus Verlag (CA.3116912). ISBN 9790007209339. Text language: German/English. Text: Birkmann, Christoph. Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| My God alone this heart possesses (Gott soll allein mein Herze haben)
Choral SATB
Carus Verlag
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, ...(+)
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato SKU: CA.3116911 Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Whitsun. Single Part, Violin 1. Composed 1726. BWV 169. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.169/11. Published by Carus Verlag (CA.3116911). ISBN 9790007209322. Text language: German/English. Text: Birkmann, Christoph. Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| My God alone this heart possesses (Gott soll allein mein Herze haben)
Choral SATB
Carus Verlag
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, ...(+)
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato SKU: CA.3116914 Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Whitsun. Single Part, basso continuo. Composed 1726. BWV 169. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.169/14. Published by Carus Verlag (CA.3116914). ISBN 9790007209353. Text language: German/English. Text: Birkmann, Christoph. Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| My God alone this heart possesses (Gott soll allein mein Herze haben)
Choral SATB
Carus Verlag
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, ...(+)
Alto vocal soli, SATB choir, 2 oboes d'amore, Taille (english horn), 2 violins, viola, basso continuo, organ obligato SKU: CA.3116949 Cantata for the 18th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Whitsun. Single Part, Organ. Composed 1726. BWV 169. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.169/49. Published by Carus Verlag (CA.3116949). ISBN 9790007209377. Text language: German/English. Text: Birkmann, Christoph. Bach's cantata My God alone this heart possesses BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent research has shown, the text was written by the Leipzig student, Christoph Birkmann. With the exception of the final chorale, this is a cantata for solo alto with, of course, a rich orchestral scoring consisting of three oboes, obbligato organ and strings. The first purely instrumental movement can be traced back to an instrumental concerto, which has been lost, after Bach had also composed the Keyboard Concerto in E major BWV 1053. The lyrical-vocal highpoint of the cantata is the fifth movement, which is also based on the concerto and it shows off Bach's arranging artistry to the highest degree. Among the movements are an aria-like recitative vocal movement, as well as another aria with an almost virtuoso organ accompaniment. Score and part available separately - see item CA.3116900. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB [Score]
Carus Verlag
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Full score. Composed 1723. BWV 136. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.136/00. Published by Carus Verlag (CA.3113600). ISBN 9790007171636. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. $33.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso co...(+)
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113613 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1723. BWV 136. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.136/13. Published by Carus Verlag (CA.3113613). ISBN 9790007208134. Text language: German/English. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso co...(+)
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113614 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/14. Published by Carus Verlag (CA.3113614). ISBN 9790007208141. Text language: German/English. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the ...(+)
ATB vocal soli, SATB choir, orchestra SKU: CA.3113649 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Trinity. Single Part, Organ. Composed 1723. BWV 136. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.136/49. Published by Carus Verlag (CA.3113649). ISBN 9790007208158. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB [Score and Parts]
Carus Verlag
ATB vocal soli, SATB choir, orchestra SKU: CA.3113619 Cantata for the ...(+)
ATB vocal soli, SATB choir, orchestra SKU: CA.3113619 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 136. Duration 22 minutes. Carus Verlag #CV 31.136/19. Published by Carus Verlag (CA.3113619). ISBN 9790007172176. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and parts available separately - see item CA.3113600. $142.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso co...(+)
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113612 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/12. Published by Carus Verlag (CA.3113612). ISBN 9790007208127. Text language: German/English. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso co...(+)
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113611 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/11. Published by Carus Verlag (CA.3113611). ISBN 9790007208110. Text language: German/English. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz)
Choral SATB [Score and Parts]
Carus Verlag
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso co...(+)
ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3113609 Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. 1x 31.136/21 oboe 1, 1x 31.136/22 oboe 2, 1x 31.136/31 horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 136. Duration 22 minutes. Carus Verlag #CV 31.136/09. Published by Carus Verlag (CA.3113609). ISBN 9790007208103. Text language: German/English. The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and parts available separately - see item CA.3113600. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115605 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1729. BWV 156. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.156/05. Published by Carus Verlag (CA.3115605). ISBN 9790007186791. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| O Jesus Christ, my life, my light
Choral SATB
Carus Verlag
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir...(+)
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir, 2 horns, 2 violins, viola, basso continuo, [2 oboes, taille (english horn), bassoon] SKU: CA.3111805 Funeral motet. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Jesu Christ, Mein'S Lebens Licht Motette. Sacred, Motets; Stuttgart Urtext editions; Occasions: Mourning, Death. Choral Score. Composed 1736/37 thru the first half of the 1740s. BWV 118. 4 pages. Duration 7 minutes. Carus Verlag #CV 31.118/05. Published by Carus Verlag (CA.3111805). ISBN 9790007108700. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score available separately - see item CA.3111800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I love the almighty with all of my spirit (Ich liebe den Hochsten von ganzem Gemute)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli viol...(+)
ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo SKU: CA.3117405 Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Choral Score. Composed 1729. BWV 174. 2 pages. Duration 23 minutes. Carus Verlag #CV 31.174/05. Published by Carus Verlag (CA.3117405). ISBN 9790007186111. Language: German/English. Text: Henrici (Picander), Christian Friedrich. The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB [Score]
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Full score. Composed 1729. BWV 156. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.156/00. Published by Carus Verlag (CA.3115600). ISBN 9790007186777. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB [Score and Parts]
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1729. BWV 156. Duration 17 minutes. Carus Verlag #CV 31.156/19. Published by Carus Verlag (CA.3115619). ISBN 9790007208813. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and parts available separately - see item CA.3115600. $80.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Epiphany. Vocal score. Composed 1729. BWV 156. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.156/03. Published by Carus Verlag (CA.3115603). ISBN 9790007186784. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for th...(+)
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115649 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. Composed 1729. BWV 156. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.156/49. Published by Carus Verlag (CA.3115649). ISBN 9790007208820. Language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| O Jesus Christ, my life, my light
Choral SATB
Carus Verlag
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir...(+)
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir, 2 horns, 2 violins, viola, basso continuo, [2 oboes, taille (english horn), bassoon] SKU: CA.3111813 Funeral motet. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Jesu Christ, Mein'S Lebens Licht Motette. Sacred, Motets; Stuttgart Urtext editions; Occasions: Mourning, Death. Single Part, Viola. Composed 1736/37 thru the first half of the 1740s. BWV 118. 4 pages. Duration 7 minutes. Carus Verlag #CV 31.118/13. Published by Carus Verlag (CA.3111813). ISBN 9790007207168. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score and part available separately - see item CA.3111800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| O Jesus Christ, my life, my light
Choral SATB [Score and Parts]
Carus Verlag
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir...(+)
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir, 2 horns, 2 violins, viola, basso continuo, [2 oboes, taille (english horn), bassoon] SKU: CA.3111809 Funeral motet. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Jesu Christ, Mein'S Lebens Licht Motette. Sacred, Motets; Stuttgart Urtext editions; Occasions: Mourning, Death. Set of Orchestra Parts. Composed 1736/37 thru the first half of the 1740s. BWV 118. 4 pages. Duration 7 minutes. Carus Verlag #CV 31.118/09. Published by Carus Verlag (CA.3111809). ISBN 9790007207137. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score and parts available separately - see item CA.3111800. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| O Jesus Christ, my life, my light
Choral SATB
Carus Verlag
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir...(+)
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir, 2 horns, 2 violins, viola, basso continuo, [2 oboes, taille (english horn), bassoon] SKU: CA.3111812 Funeral motet. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Jesu Christ, Mein'S Lebens Licht Motette. Sacred, Motets; Stuttgart Urtext editions; Occasions: Mourning, Death. Single Part, Violin 2. Composed 1736/37 thru the first half of the 1740s. BWV 118. 4 pages. Duration 7 minutes. Carus Verlag #CV 31.118/12. Published by Carus Verlag (CA.3111812). ISBN 9790007207151. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score and part available separately - see item CA.3111800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| O Jesus Christ, my life, my light
Choral SATB
Carus Verlag
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir...(+)
1st version: SATB choir, 2 horns, cornetto, 3 trombones; 2nd version: SATB choir, 2 horns, 2 violins, viola, basso continuo, [2 oboes, taille (english horn), bassoon] SKU: CA.3111811 Funeral motet. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: O Jesu Christ, Mein'S Lebens Licht Motette. Sacred, Motets; Stuttgart Urtext editions; Occasions: Mourning, Death. Single Part, Violin 1. Composed 1736/37 thru the first half of the 1740s. BWV 118. 2 pages. Duration 7 minutes. Carus Verlag #CV 31.118/11. Published by Carus Verlag (CA.3111811). ISBN 9790007207144. Key: B flat major. Language: German/English. Text: Behm, Martin. Text: Martin Behm. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. Score and part available separately - see item CA.3111800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115611 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 1. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/11. Published by Carus Verlag (CA.3115611). ISBN 9790007208776. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| I stand with my open grave before me (Ich steh mit einem Fuss im Grabe)
Choral SATB
Carus Verlag
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.31...(+)
ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3115614 Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Epiphany. Single Part, basso continuo. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/14. Published by Carus Verlag (CA.3115614). ISBN 9790007208806. Text language: German/English. Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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