SKU: BA.BA25136
ISBN 9790006575022. 29.7 x 21 cm inches. Text Language: French.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerous gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: PR.362033390
UPC: 680160059355.
Two Shelley Songs were composed in 1981 on a commission from Ithaca College and published by Elkan-Vogel, Inc. in the Ithaca College Choral Series in 1982. The two poems by Shelley used here are To- and The Fugitives. Both of these pieces, published separately, are scored for mixed chorus with piano accompaniment. In order to perform them well, an excellent pianist is essential, for the accompaniment to the second poem The Fugitives is quite difficult, though quite pianistic. The style of the first poem is in a somewhat romantic idiom while the second contrasts it with rather wild harmonic writing utilizing large skips, clusters and other dissonant chordal devices. Great care is taken throughout to make these difficult sounding portions as easy as possible to perform by taking great care of the voice leadings. The two pieces should be done as a pair, but could conceivably be done separately.
SKU: GI.G-10506
UPC: 785147050612. English. Text Source: Matthew 19:14, Mark 4:39, John 13:34, 14:1, 6, 15:9, 21:15-17, adapt. Scripture: John 14:6, John 14:1, John 21:15, Matthew 19:14, John 13:34, John 15:9, Mark 4:39.
This collection of short pieces is based on seven familiar messages of Jesus: I Am the Way, Do Not Let Your Hearts Be Troubled, Feed My Lambs, Tend My Sheep, Let the Children Come to Me, A New Commandment, Live in My Love, Abide in My Love, and Peace, Be Still. The pieces are arranged for SATB choir and meant to be sung a cappella.
SKU: GI.G-017093
WLP’s wedding collection offers music of all styles—contemporary songs, traditional pieces, or a combination of the two! Choose from 27 different songs found on this CD and in the accompanying songbook for vocals, guitar, and piano. Many of the pieces can also be found in the C instrument book for flute and violin. Includes songs from many popular musicians and composers such as Ed Bolduc, John Angotti, Danielle Rose, Michael John Poirier, Paul Tate, bilingual pieces from Pedro Rubalcava, and Peter Kolar, and more Elige entre 27 piezas diferentes que se encuentran en este libro de música (voz, guitarra y piano) y en el CD complementario. La colección incluye canciones en inglés y canciones bilingües de compositores conocidos como Pedro Rubalcava, Ed Bolduc, Danielle Rose, Peter Kolar y muchos otros. Muchas de las canciones también tienen partes para instrumentos en do, como flauta o violÃn, contenidas en una edición separada. .
SKU: JK.01833
Alma 7:9-12.
Original Christmas anthem arranged for mixed chorus (SATB) and piano, with scriptural text from Alma 7:9-12. Sopranos' highest note: E. One of the few pieces published from the Book of Mormon perspective of Christmas.Composer: Robert Peterson Arranger: Robert Peterson Lyricist: Scriptural text from Alma 7:9-12 Difficulty: Medium Performance time: 2:15Reference: Alma 7:9-12.
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