By Mack Wilberg. For Mixed Choir and Organ. Published by Oxford University Press.

SATB Chorus and Organ

SKU: SU.80101529

For SATB Chorus and Organ. Composed by Carson Cooman. Vocal/Choral, Sacred Choral. Accompanied by organ. Choral Octavo. Zimbel Press #80101529. Published by Zimbel Press (SU.80101529).

A Christmas choral triptych consisting of settings of three sacred poems by Abner P. Cobb, Fanny Crosby, and Phillips Brooks. The outer two movements are with organ, and the inner is unaccompanied. Written for the 94th Annual Christmas Carol Services at The Memorial Church, Harvard University.SATB Chorus and Organ Duration: 10' Composed: 2003 Published by: Zimbel Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt. Congregation, opt. Children's Choir or Treble Solo with Organ, Piano, Brass Quintet, Percussion, Handbells or Full Orchestra. Choral. Christmas, Advent. Medium to Moderately Difficult. Published by MorningStar Music Publishers

By Robert E. (Buffalo Bob) Smith. For SATB choir, organ (and optional 2 trumpets). Parish. Choral, Christmas, Epiphany. Easy. Choral octavo. Published by Paraclete Press

(A Choral Festival of Traditional Carols). Arranged by Phillip Keveren. For SATB Choir. Christmas. Booklet. Duration 13'00 . Published by Word Music . Booklet. Christmas.

By Dr. George Guest. For SATB choir, treble voice solo, tenor voice solo, organ. Choral, Advent, Christmas. Easy. Choral octavo. Published by Paraclete Press

SATB choir, organ & full orchestra - Easy

SKU: PL.0426FL

Composed by Robert Edward Smith. Parish. Choral, Christmas, Epiphany. Set of parts. Paraclete Press #0426FL. Published by Paraclete Press (PL.0426FL).

This piece was commissioned for Lessons and Carols at Trinity College, Hartford in 2001. Smith recalls, The commission came within a week of the 9/11 terrorist attacks, and this was one of two pieces I began working on at that time, the other being Variations on an American Folksong for symphony orchestra....I found, after composing From East to West that I kept hearing it in my mind as an orchestral piece, and I wrote a version for symphony orchestra and choir so I could focus on other projects.
Three options are available in performing this piece: Choral and organ -- A small Full Score (organ and trumpets)--(0426sm) -- Trumpet parts (0426 Trpt) -- Large full score (0426FS) -- Instrumental parts (0426FP).

SATB choir, organ (optional 2 trumpets) - Easy

SKU: PL.426TR

Composed by Robert Edward Smith. Parish. Choral, Christmas, Epiphany. Trumpet Parts. Paraclete Press #426TR. Published by Paraclete Press (PL.426TR).

This piece was commissioned for Lessons and Carols at Trinity College, Hartford in 2001. Smith recalls, The commission came within a week of the 9/11 terrorist attacks, and this was one of two pieces I began working on at that time, the other being Variations on an American Folksong for symphony orchestra....I found, after composing From East to West that I kept hearing it in my mind as an orchestral piece, and I wrote a version for symphony orchestra and choir so I could focus on other projects.
Three options are available in performing this piece: Choral and organ -- A small Full Score (organ and trumpets)--(0426sm) -- Trumpet parts (0426 Trpt) -- Large full score (0426FS) -- Instrumental parts (0426FP).

SATB choir with divisi, organ, handbells, oboe and brass quartet - Medium

SKU: PL.0529IP

Composed by Brian William Luckner. Cathedral. Choral, Chant, Christmas. Instrumental Parts. Paraclete Press #0529IP. Published by Paraclete Press (PL.0529IP).

* Introit for Christmas Eve or for a service of Advent Lessons and Carols * familiar Latin antiphon interspersed with English verses * seamlessly interwoven vocal and instrumental lines * glorious ending

Brian Luckner's anthem, Dominus dixit ad me (SSATB, handbells, oboe, brass quartet, organ... is plucked straight out of the Gregorain chant repertory, and manages to do it in a somewhat less diaphanous manner than some other chant-based pieces have done. The Introit for Chirstmas Midnight Mass is here qouted in toto, cast in a fluid but rhythmic framework. Starting rather mysteriously at the outset, oboe and handbells are effectively brought into the fabric of the piece. This work carefully submits to the antiphon/psalm verse/antiphon Introit form and is thus entirely liturgical by intent. At the return of the antiphon, the score becomes much more expansive, and only the outline of the chant is suggested. The oboe wisely doubles the first soprano part, as it ascends to two high B-flats. In my mind's ear, I hear a very capable choir singing this piece, preparatory to the opening hymn/carol. While it captures the very quiet side of the mystery of Verbum caro factus est, it nicely prepares us for the joys of festive clangor that are sure to follow. Cue up Hymn 87, please! - Monte Mason AAM Journal October 18, 2005.