Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Randol Bass Music #RBM-110. Published by Randol Bass Music

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111714

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Violoncello/double bass. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Cello/Double Bass. Composed 1728/1731. BWV 117. 16 pages. Duration 26 minutes. Carus Verlag #CV 31.117/14. Published by Carus Verlag (CA.3111714).

ISBN 9790007048709. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111700

Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: Paperbound. German title: Sei Lob und Ehr dem hochsten Gut. Sacred vocal music, Cantatas, Praise and thanks. Full score. Composed 1728/1731. BWV 117. 52 pages. Duration 26 minutes. Carus Verlag #CV 31.117/00. Published by Carus Verlag (CA.3111700).

ISBN 9790007048631. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections.

Composed by Johann Sebastian Bach (1685-1750). Edited by Christine Blanken. Paperback. Sacred vocal music, Cantatas; Praise and thanks. Vocal score. Composed ca 1730. BWV 192. 28 pages. Duration 15 minutes. Published by Carus Verlag (CA.3119203).

ATB vocal soli, SATB choir, 3 recorders, 2 trumpets, 2 violins, viola, basso continuo

SKU: CA.3117514

Cantata for the 3rd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Er rufet seinen Schafen mit Namen. Sacred vocal music, Whitsun. Single Part, Cello/Double Bass. Composed 1725. BWV 175. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.175/14. Published by Carus Verlag (CA.3117514).

ISBN 9790007209773. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score and part available separately - see item CA.3117500.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111709

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. 1x 31.117/21 flute 1, 1x 31.117/22 flute 2, 1x 31.117/23 oboe 1, 1x 31.117/24 oboe 2. Harmony parts. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. Composed 1728/1731. BWV 117. 16 pages. Duration 26 minutes. Carus Verlag #CV 31.117/09. Published by Carus Verlag (CA.3111709).

ISBN 9790007048662. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and parts available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111713

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Viola. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. Composed 1728/1731. BWV 117. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.117/13. Published by Carus Verlag (CA.3111713).

ISBN 9790007048693. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

ATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3111712

Sei Lob und Ehr dem hochsten Gut. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. Violin 2. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. Composed 1728/1731. BWV 117. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.117/12. Published by Carus Verlag (CA.3111712).

ISBN 9790007048686. Key: G major. Language: German/English. Text: Schutz, Johann Jakob. Text: Johann Jakob Schutz.

The cantata Sei Lob und Ehr dem hochsten Gut (All glory to the Lord of Lords) BWV 117 is one of a small group of Bach's chorale cantatas which use exclusively the text of the chorale, including in the three recitatives and three arias. Only the autograph score of the cantata survives; although this enables an approximate dating to be made (c. 1730), it does not give the occasion for which the cantata was written. The choice of chorale may indicate it was composed for a wedding. Recently it has been suggested that the occasion for its composition was the birthday of the Duke of Weissenfels in 1731; but there is no firm evidence to support either theory. The cantata opens with an extended movement for chorus in which Bach contrasts the concertante orchestra with festive, almost homophonic choral writing. This chorus movement is repeated at the end. A simple chorale movement which comes fourth indicates that the nine-movement cantata was performed in two sections. Score and part available separately - see item CA.3111700.

SA vocal soli, SATB choir, 2 trumpet, timpani, 2 violin, viola, basso continuo - Level 3

SKU: CA.9116031

Offertorium pro omni Tempore. Composed by P. Bonifaz Stockl. Edited by Konrad Ruhland. Music from East Bavaria. German title: Cantate Domino 1602101. Sacred vocal music. Single Part, Trumpet/Pauken. 2 pages. Duration 5 minutes. Carus Verlag #CV 91.160/31. Published by Carus Verlag (CA.9116031).

Key: C major. Language: Latin.

Score available separately - see item CA.9116000.

For SATB choir with optional unison choir (or vocal soloist), 3 octave handbells and 4-hand piano. Offering, Christmas. Conductor's Score. Published by Hope Publishing Company

Choral (SATB)

SKU: HL.379624

Arranged by Joseph M. Martin. Shawnee Sacred. Easter, Palm Sunday. Octavo. 12 pages. Duration 250 seconds. Published by Shawnee Press (HL.379624).

UPC: 196288018100. 6.75x10.5x0.029 inches. John 12:13, Luke 19:37-38.

From the cantata Festival of Faith, the glory and majesty of Christ's triumphal entry is on full display in this anthem. Based on the hymn tune LASST UNS ERFREUEN and powerful in its impact, the piece crescendos with purpose and praise The colorful orchestrations are a dramatic option, but the piano accompaniment also captures the grandeur of this anthem for more typical sanctuary scenarios. Score and Parts for Full Orchestra (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and for Consort (fl, cl, tpt 1-2, tbn, bls, perc, syn) both available as a digital download.

SATB choir with optional unison choir (or vocal soloist), 3 octave handbells & 4-hand piano

SKU: HP.C6023C

Arranged by Joel Raney. Piano with Optional Unison Choir (or Soloist), 3 Oct. Handbells & 4-Hand Piano. Christmas, Offering, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C6023C. Published by Hope Publishing Company (HP.C6023C).

UPC: 763628960230. Luke 2.

16th Century French Melody For SATB choir with an optional part for children's choir, this new Christmas offering from Joel Raney provides all of the sparkle and joy of the season with loads of options. It can be performed with a single pianist or a 4-hand piano accompaniment. A further option is a simple 3 octave handbell part to bring out the sounds of the Christmas bells ringing.

ATB vocal soli, SATB choir, oboe, bassoon, trumpet, 2 violins, 2 violas, basso continuo

SKU: CA.3101215

Jubilate. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weinen, Klagen, Sorgen, Zagen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Praise and thanks. Single Part, Cello/Double Bass. Composed 1714. BWV 12. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.012/15. Published by Carus Verlag (CA.3101215).

ISBN 9790007204631. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.