SKU: LP.765762012233
UPC: 765762012233.
Usher your congregation into God s throne room of grace with this stirring Easter musical created by songwriting dynamos Dave Clark Don Koch and Cliff Duren! The title cut Mercy Came Running made popular by trio Phillips Craig and Dean in the 1990s takes on new significance in the context of Easter as we visualize God running to save us through Christ s death and resurrection. With performance options for a 47-minute full-length musical an abbreviated 30-minute piece and even a 20-minute option Mercy Came Running is adaptable for any Easter service. And each powerful song can also stand alone to impact your congregation throughout the year! Accompaniment DVD available.
SKU: LP.765762171824
UPC: 765762171824.
SKU: LP.765762171923
UPC: 765762171923.
SKU: LP.765762171626
UPC: 765762171626.
SKU: LP.765762172029
UPC: 765762172029.
SKU: LP.765762012134
UPC: 765762012134.
SKU: LP.765762171725
UPC: 765762171725.
SKU: LP.9780834183360
ISBN 9780834183360.
SKU: LP.765762226906
UPC: 765762226906.
SKU: LP.765762172128
UPC: 765762172128.
SKU: LP.765762227002
UPC: 765762227002.
SKU: HL.49018058
ISBN 9790001168724. UPC: 842819110231. German.
Since an invitation to the Emerald Isle, Harald Genzmer (1909-2007) has been fascinated with the local tradition and culture. Therefore, after the songs 'Irische Harfe', he wrote another cycle for mixed choir at a ripe old age: 'Lieder einer Insel'. In three parts with ten choral settings altogether, the composer tells stories from the mythology of the Emerald Isle in the Irish poems, in the texts of old and modern lyricists, describes emotions, desires, laments: from 'Weissagung Cathbads' to 'Lobgesang der Gerechten', from the bright 'Monch und seinem Lieblingskater' to the sad lament 'Das Lied in einem Madchenherzen', from the tender 'Anrufung des Friedens' to the contemplate 'Abendgebet'. The freely tonal settings range from simple, chordal-homophonic via declamatory to expressive. Of intermediate difficulty, these choral miniatures are suitable not only for professional ensembles but also for ambitious amateur choirs.
SKU: PE.EP11425
ISBN 9790014119355. 198 x 272 inches. English.
For choirs who want to bring the music of Latin America to their concerts, the La Voz Latina series is the perfect resource. The second volume in the series, La Voz Latina 2, brings together a collection of 17 vibrant choral pieces from Bolivia, Peru, Chile, Uruguay and Argentina. From traditional styles like Festejo and Candombe, to world-famous hits like Te recuerdo Amanda or Alfonsina y el mar and arrangements of tangos by Piazzolla, this collection captures the unique variety of Latin America.
SKU: BT.MUSM570368679
Isthmus denotes a narrow strip of land with sea on either side, forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus, my birthplace, and in the USA, my recently adopted homeland. Having lived in a small, partitioned island for my formative years and in England for eleven years, water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border, a violent and absolute interruption of a continuum. While in the USA, or indeed in a now connected Europe, it is possible to travel on land for days without having to encounter a border, in the countries where I lived for most of my life, that was not possible. As an artist, this notion of establishing boundaries and consciously trying to break them is very close to me, as my music deals both with modernity but also with tradition and, similarly, with metaphor and reality. As a Cypriot, the sea, the world of antiquity, the mysteries of the oracles, the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus, different layers of history are frequently superimposed on a single building that might still preserve its Roman, Byzantine, Venetian and Ottoman features in its layers of stone and architecture. Similarly, ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus, therefore, can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus, in this short piece, I connect these experiences with the purpose of creating a distinct and unique sonic context, connecting technology and tradition, the pastoral with the urban, the musical with the extra-musical and the abstract with the concrete. For example, the choir does not always sing in the traditional sense, but the singers imitate various natural sounds, such as water, air, crickets or birds, to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York, communicated within clearly defined, singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic, articulating an imaginary language, but also literal, with a setting of the poem, “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery, creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich, without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers is sought with 4 additional soloists (2 Sopranos and 2 Altos). Each singer must have their own wireless speaker, secured either in the music folder or as a strap inside their shirts. All sounds must match in volume the sound from the speakers, creating one unified timbre. The speakers should not be noticeable to the public. The four soloists are placed offstage at the beginning of the work. From 1:35’ onwards they enter the hall and take their positions, ideally at the four corners of the hall. If the hall is too large, the singers can find alternate positions, but these should always be antiphonal. The four soloists sing predominantly in the “kulning” style and the antiphonal aspect is very important to the work. There are two sound files for each section (SATB) that are triggered by each singer’s mobile device. The first occurs at the start of the piece, and the second, about a minute before the end. The sound files are able to be purchased separately, on CD, or are available directly from UYMP.
SKU: M7.DOHR-94100
ISBN 9790202001004. German.
SKU: BA.BA02940
ISBN 9790006427796. 27.4 x 19.7 cm inches.
7 Buss-Psalmen und 6 Motetten. Urtext der Lechner-Gesamtausgabe.
SKU: HL.1428116
UPC: 196288202226. 6.75x10.5x0.019 inches.
Experience the heartfelt resonance of “Lord, How Come Me Here?” arranged by Evelyn Simpson-Curenton, a poignant lament for flute, soloist, and choir. Originally crafted for the iconic Kathleen Battle and Jessye Norman Negro Spirituals Concert at Carnegie Hall, this piece brings forth slow, profound chordal passages, exquisite solo flute melodies, and an emotionally stirring vocal solo. Offering a historic glimpse into the American spiritual tradition, this arrangement encapsulates a deeply moving and unforgettable musical journey for both performers and audiences alike.
SKU: HL.14048295
8.5x11.75x0.426 inches. English.
Pawel Lukaszewski's Lamentationes for SSAATTBB choir unaccompanied. Commissioned by Wratislavia Cantans Festival, Poland. Duration: 16 minutes.
SKU: ST.EM26
ISBN 9790220212598.
CONTENTS Care for thy soul (SSATB) Chaste Daphne fled (SST (or A) B) Chaste Syrinx fled (SSA (or T) TB) Come shepherds' weeds (SSA (or T) TB) Coy Daphne fled (SST (or A) B) Crowned with flowers (SSAAB) Cruel Pabrilla (SSAT (or A) TB) Dear shepherdess (SSAATB) Drown not with tears (SSATB) Fancy for the Viols (SSAATB and Viol Sextet) Go, you skipping kids and fawns (SSATB) If she neglect me (SSA (or T) B) Maenalas in an evening (SSAB) O gracious God (SSATB) O praise the Lord (SSATTB) O softly-singing lute (SSAATB) Palaemon and his Sylvia (SSTB) Sovereign of my delight (SST) Stay, heart, run not so fast (SST) Surcrease, you faithful shepherdess (SSATB/Viol quintet/Lute) Wake, sleepy Thyrsis (SST) Weep, sad Urania (SS and string accompt.) Ye bubbling springs (SST) Yond hilltops Phoebus kissed (SST) You gentle Nymphs (SSA (or T) B) Your fond preferments (SST).
SKU: CA.230500
ISBN 9790007302108.
Swiss up your choir! The choral collection Swiss Choral Music is a real treasure trove of recent choral music from Switzerland. As diverse as the country itself, this volume of 29 choral settings of varying levels of difficulty includes not only a range of musical styles, but all the Swiss national languages (Romansh, French, Swiss/German and Italian) as well as English and Latin. For pure listening pleasure or as an aid to pronunciation, all works have been sung by the Swiss Youth Choir under the direction of Nicolas Fink. Pronunciation aids for the Rhaeto-Romanic and Swiss-German texts can be accessed via a QR code. In creating their musical excursion through this mountainous country, the editors and renowned choral conductors Johannes Meister and Patrick Secchiari have not only selected familiar names such as Beat Furrer or Heinz Holliger but also up-and-coming young composers such as Sara Bucher or Grégoire May. The collection includes a number of previously unpublished pieces. •,28 choral settings of varying levels of difficulty•,for mixed choir a cappella•,As a cost-effective edition for the choir, the choral collection WITHOUT CD is available at an attractive bulk price•,Exciting compilation of contemporary choral music from Switzerland For orders from Switzerland: Members of the SCV (Swiss Choral Association) or the SFEC (Swiss Federation Europa Cantat) please order via Éditions musicales Henry Labatiaz Sà rl, St-Maurice.https://editions-henry-labatiaz.ch/en/shop.html?id=28698
SKU: CA.230510
ISBN 9790007302115.
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