SKU: AP.47739
UPC: 038081544328. English.
Who can forget this #1 hit by the British duo Wham! Kirby's choral adaptation gets right in the groove of the finger-snapping piece of pop perfection. For even more fun, add the optional SoundPax or SoundTrax CD, 1980s costumes, and some show choir choreography. Jitterbug!
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: SU.96010062
Instrumentation: SATB Chorus, & Piano Duration: 4' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.
SKU: CF.CM9561
ISBN 9781491150931. UPC: 680160908431. 6.875 x 10.5 inches.
In Wake Me a Song for SATB voices with piano, Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuances, text painting, and Johnson's rich harmonic ideas paired with intertwining textures make this a noteworthy addition to any program.
SKU: SU.96010060
Instrumentation: SATB Chorus, & Piano Duration: 3:30' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.
SKU: SU.96010061
Instrumentation: SATB Chorus, & Piano Duration: 5' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.T As a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Massthat I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing. Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi. At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and ... as a matter of practicality, I happily agreed. -- Joe Gianono Note: Taxi, Noise, and Time may be performed separately.
SKU: MN.70-102
UPC: 688670701023. English.
Movement II from the Suite on the NativityBased on 14th and 15th century German carol tunes for SATB chorus, SA voices (children's chorus) and chamber orchestra (Flute, Oboe, Clarinet, Bassoon, Trumpet in C, Harp, Timpani, Chimes, Glockenspiel, Triangle, and Strings) in six movements. Performance time of entire suite approximately 15 minutes.
SKU: BR.CHB-5381-00
ISBN 9790004413821. 7.5 x 10.5 inches. English.
As director of the Bavarian Radio Choir, Howard Arman has been actively engaged with international Christmas carols through various Christmas-related CD productions in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du frohliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du frohliche and classical double choir settings such as Resonet in laudibus. The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It's a Birthday and Wasn't That a Mighty Day to form a medley, Ain't That a Rockin' gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance.
SKU: BR.CHB-5380-00
ISBN 9790004413814. 7.5 x 10.5 inches. German / Latin.
SKU: AP.48826
UPC: 038081561509. English.
One song can spark a moment, one breath can wake the dream. This introspective original is based on an unattributed poem that illustrates the impact a small moment can have in our lives. Traditional homophonic writing soon expands to a bevy of swirling choral textures and a dreamy chorus that floats the central motive over a wave of vocal layers. It's a remarkable contemporary a cappella effect and a fitting treatment for these words of worth.
SKU: HL.2050751
UPC: 797242173394. 6.75x10.5x0.308 inches.
WATCHNIGHT is, in many ways, a traditional Christmas Eve service, with all of the moments that have defined similar services over the years; quiet music, children reading the Christmas Story, candlelight and communion. But this musical worship time is a quiet celebration of waiting, a rekindling of the child's soul in all of us, a reminder that the mystery and magic of God's plan for Christmas Day is still alive...if we will see it again through the eyes of a child. Walk through WATCHNIGHT with an open heart, let your childlike soul be “led home†through the singing of carols, and the hearing of the Christmas Story, enacted by children. Share the Lord's Supper and the lighting of candles to welcome the Child. Know that the Child of Bethlehem wishes to have the child of your soul holding His hand. Tiny Babe of Bethlehem Won't you take my hand again; Wake the child that has my name, So I will never be the same.
SKU: GI.G-5965
UPC: 785147596509. English. Text Source: 1) Billings, William, Bringle, Mary Louise, 2) Bringle, Mary Louise. Text by Mary Louise Bringle.
This early American “fuguing tune†allows singers to let loose with rustic and boisterous joy. If your choir has never sung indigenous shapenote style, this arrangement would make a fun and satisfying introduction. Poet Mary Louise Bringle provides two new hymn texts for this lively music. It’s easy to catch on to the style. Don’t be afraid, try it! “Wake Every Breath†is suitable for a Sunday of Ordinary Time, Eastertide, or celebrations of music in worship. An alternative text, “Let Heavens with Gladness Ring,†is specific to Christmas. Optional keyboard part can double voices.
SKU: HL.1428499
UPC: 196288202653.
Discover “Sing Me Awake” by Dylan Kim, an emotive SATB chorus piece in the Jason Max Ferdinand Choral Series. Born from the composer's personal journey, this work resonates with profound emotional depth, offering solace and connection through tender harmonies and empathetic poetry. Kim's creation serves as a haven, fostering unity and healing amid life's trials. “Sing Me Awake” transcends music - it's an intimate invitation to experience collective understanding and compassion. Your choir will cherish learning and performing this moving piece, and we eagerly anticipate more from this talented composer.
SKU: GI.G-9014
UPC: 785147901402. English. Text Source: 'Wachet auf, ruft uns die Stimme' Translation: Christopher Idle. Text: Phillip Nicolai.
Nearly every classically trained pastoral musician will recognize the tune by Philipp Nicolai and the harmonization of J. S. Bach. Lynn Trapp here offers the assembly a way to join in this venerable Advent hymn by providing them an appropriate (and familiar sounding) refrain to slip in between the major phrases of the hymn. The verses are sung by cantor or choir or both.
SKU: MN.50-8952
UPC: 688670589522.
Commonly associated with Thomas Tallis canon, Bishop Thomas Kens beautiful twilight text is here combined with the composers new tune, creating a hymn-anthem for a restful end to an evening service. A morning text by Ken in the same meter makes the piece suitable for morning worship as well.
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