Choral SATB Choir and Piano

SKU: CF.CM9740

Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740).

ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.

Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to.   The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text.   And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.
Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War” finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.” Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly” in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O” is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.

SATB choir

SKU: WD.080689647178

Composed by Marty Parks. Book. Word Music #080689647178. Published by Word Music (WD.080689647178).

UPC: 080689647178.

Songs have forever been at the heart of God’s Church. They help build our faith, tell of the rich, full, grace of our Savior, and speak of our devotion and allegiance to Him; songs express our thoughts and feelings and needs in a way that mere words never can. Songs allow us to lift our voice to declare that He alone is worthy of our praise, He alone is the one true God and King, and He alone has provided a way to salvation for a lost and dying world. The songs included in this new Word Music & Church Resources Choral Collection are Songs the Church Loves to Sing! Across decades, styles and sounds have changed, but the impact songs have on God’s people is undeniable and unmistakable. Through the 70s, 80s, and 90s, a lexicon of Christian songs took their place beside the time-honored hymns of the church, songs that became the voice of new generations of believers, songs that the church still loves to sing. This Choral Collection, arranged and orchestrated by Marty Parks, is a tribute to those songs. We hope and believe this church music resource will find its place in your church music library and will be used as a tool of outreach and ministry to proclaim your love and adoration for the Lord, giving voice to people everywhere; a voice with which to keep singing these Songs the Church Loves to Sing!

Double SATB choir (Mixed choirs (SATB) (2)) - Level 4

SKU: BA.BA08525

Composed by Marten Jansson. Stapled. Choral score. 31 pages. Baerenreiter Verlag #BA08525_00. Published by Baerenreiter Verlag (BA.BA08525).

ISBN 9790006566037. 27 x 19 cm inches. Text Language: English. Text: Silvestri, Charles Anthony.

â??Tonight I Dance Aloneâ? for double choir a cappella consists of three poignant episodes from the life of an old man. We encounter him before his wedding, before celebrating his wedding anniversary and now as an elderly widower who says to his grandson:

â??Soon we will dance in the God-light,
My love and I.
Soon will the moon be ours again,
And the endless shining stars
In the halls of heaven.
Soon, my love, very soon;
But tonight, one last time,
Tonight I dance alone.�

The libretto and the descriptive music are deeply moving and constitute an ideal partnership. This is MÃ¥rten Jansson's first collaboration with the well-known librettist Charles Anthony Silvestri. The piece provides a well-worth challenge for ambitious choirs.

It was world-premiered by the Saint Louis Chamber Chorus under the baton of Philip Barnes on 1 October 2017 in Saint Louis, MO (USA)

The performance can be viewed on YouTube

SATB chorus and piano

SKU: JK.19990

Composed by Janice Kapp Perry. Choral General Conference, Choral SATB, Difficulty Medium, Piano Choir, Special Events Home and Family, Hope, Jesus Christ - Savior. Christian, Inspirational. Jackman Music Corporation #19990. Published by Jackman Music Corporation (JK.19990).

Hebrews 9:28, John 14:6*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

46 new hymns, inspired by the General Conference addresses of Elder Jeffry R. Holland. (October 1994 - April 2017).
Collection includes:
All Ye Who Watch the Master's Sheep
Are the Heavens Truly Open?
Are We Not All Beggars?
As an Ensign to the Nations
A Sinless, Pure and Holy Man
Be Clean, Oh House of Israel
Be Not Afraid, But Be Believing
Bless Me to Be a Little More Like Thee
Do You Love Me?
Christ Can Heal the Broken Hearted
ever We'll Remember
For God Loves Us With All His Heart
For God So Loved the World
God Has Raised Up Noble Daughters
God will Never Leave the Weary
He Will Bring Rest to Your Soul
His More Excellent Way
Holy Father, King of Heaven
How Fair Upon the Mountain
I Am a Child of Destiny
I Bear My Witness of the Lord
In Heaven There Is a Law
Inviting All to Come to Christ
I Testify
I Would Be Thy True Disciple
let Not Your Heart Be Troubled
Let Thy Word Be In Our Hearts
Lord, Accept My Humble Offering
Lord, I Believe
Lord, I'll Strive to Live Worthy of Thy Love
Lord, We Pray For All the Children
May We Have the Tongues of Angels
My Life is Not My Own
None Were With Him
Oh Come Ye Heavy Laden Come
Our Faith Unites Us With One Heart
The Keys of the Kingdom
The Love of God Is Without End
The Mother of All Living
The Words of God Will Never Cease
The Worth of Souls Is Great Indeed
Through a Thousand Generations
To the Rising Generation
Who Will Now Speak For the Widow?
Wilt Thou, Lord, In Me Abide
You Can Always Come Back Home
Composer: Janice Kapp Perry
Lyricist: David B. Larsen
Reference: Hebrews 9:28, John 14:6
*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!

By C. 1774 Katholisches Gesangbuch. Arranged by Brian Zuar. For Voices: SATB, assembly. Instruments: Brass quartet (2 trumpets in B or C, 2 trombones), timpani, 6 handbells (or orchestral chimes) (instruments required). Organ. Choral Sacred. Level: easy. 10 pages. Published by GIA Publications.

(12 Complete Worship Sets with No Transposition or Transitions Required). Composed by Barny Robertson. For SATB choir, piano (keyboard). Choral collection. Sacred, Choral. Choral octavo. Published by Lillenas Publishing Company

Composed by Ronald Perera. Advanced/Collegiate. Catholic Year A The Nativity of Our Lord. Secular, Christmas, 21st Century. Octavo. Duration 4 minutes, 40 seconds. Published by E.C. Schirmer Publishing (EC.8320).

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112812

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Ascension. Single Part, Violin 2. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/12. Published by Carus Verlag (CA.3112812).

ISBN 9790007207724. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112849

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Ascension. Single Part, Organ. Composed 1725. BWV 128. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.128/49. Published by Carus Verlag (CA.3112849).

ISBN 9790007207755. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112811

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Ascension. Single Part, Violin 1. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/11. Published by Carus Verlag (CA.3112811).

ISBN 9790007207717. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112809

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. 1x 31.128/21 oboe 1, 1x 31.128/22 oboe 2, 1x 31.128/23 oboe d'amore, 1x 31.128/24 oboe da caccia, 1x 31.128/31 horn 1, 1x 31.128/32 horn 2, 1x 31.128/33 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Ascension. Set of Orchestra Parts. Composed 1725. BWV 128. Duration 22 minutes. Carus Verlag #CV 31.128/09. Published by Carus Verlag (CA.3112809).

ISBN 9790007207700. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and parts available separately - see item CA.3112800.

With works by Anonym. Composed by Christian Bateman. Arranged by Allan Robert Petker. Sheet music. Pavane Choral. Service Music, Sacred. Octavo. 1519. 12 pages. Pavane Publishing #P1519. Published by Pavane Publishing

For SATB Choir. Choral, Secular. Sheet Music. 248 pages. Published by Novello and Co Ltd.

By George Frideric Handel. For SATB Choir and Piano. Sacred, Choral. Sheet Music. 254 pages. Published by Novello and Co Ltd.