SKU: BA.BA02510
ISBN 9790006422319.
Print on demand (POD).
SKU: BT.HU-2920-250
German.
SKU: GI.WW1935
UPC: 785147038467. Latin. Text Source: Traditional Latin.
This beautiful motet by William Byrd epitomizes Byrd's mature style characterized by warm harmonic language, variation of musical texture, and effortless counterpoint. Transcribed from the 1589 Cantiones Sacrae, minimal but effective editorial work makes this a tremendous edition for more advanced SATB choirs.
SKU: CA.335060
ISBN 9790007240103. Key: D minor. Language: Latin. Text: Tisserand, Jean.
SKU: HL.50405140
6.75x10.5 inches.
SKU: PR.UE036990
ISBN 9783702473723. UPC: 803452070832. German.
SKU: GI.G-8111
UPC: 785147811107. English. Text Source: Trad. spiritual.
SKU: CA.3060600
ISBN 9790007040499. Key: G major. Language: German/English.
SKU: CA.964100
ISBN 9790007143541. Text language: Latin.
The Good Friday Responsory Tenebrae factae sunt for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the World Choir Games in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, Deus meus, ut quid me dereliquisti? [My God, why hast thou forsaken me] and Pater, in manus tuas commendo spiritum meum [Father, into thy hands I commend my spirit] as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the Carus Contemporary series, it is well within the abilities of ambitious chamber choirs.
SKU: GI.G-7459
UPC: 785147745907. English. Text by Robert Burns.
Text Source: Robert Burns, 1759-1796.
SKU: MN.80-854
UPC: 688670808548.
Tu es Petrus (you are Peter, the rock) is based on a Gregorian antiphon for the Feast of Saints Peter and Paul/Feast of the Chair of Peter. The piece was composed specifically to fit the parameters and setting of a Papal audience, with a brief performance time. In six-parts with octave doublings, it makes a big a cappella sound for a big space. A powerful new choice for pilgrim choirs to Rome!
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