SKU: BA.BA25009
ISBN 9790006568031. 29.7 x 21 cm inches. Language: German.
Separate edition from BA 5902, â??Geistliche Chor-Musicâ?? SWV 369-380, The six and seven-part motets, nos. 13-29:In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled â??Geistliche Chor-Musicâ? (Sacred Choir Music). Here, the term â??Chorâ? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: SU.80101438
Veni Sancte Spiritus (2011) is a motet setting of the familiar Golden Sequence text. Commissioned by two Renaissance choirs, the piece explores a dialogue between elements of Renaissance and Medieval. Instrumentation: SATTB Voices Duration: 2011 Composed: 7' Published by: Zimbel Press.
SKU: BA.BA00985
ISBN 9790006407170.
Print on demand (POD).
SKU: BA.BA08957
ISBN 9790006525515. 29 x 21 cm inches. Text Language: German, English, Latin. Preface: Münden, Gerd-Peter.
Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adultsâ?? or childrenâ??s choir.The EditorGerd-Peter Münden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.
SKU: JK.01071
2 Timothy 2:3, 2 Timothy 4:7-8, Ephesians 6:10-18.
Triumphant choral anthem for double mixed chorus (SSAATTBB) and piano, sung with a marching spirit as if by the Battalion, as recorded by the Wasatch Choral (www.uvcs.org). Composer: Robert Millett Lyricist: Robert Millett Difficulty: Medium-difficult / difficult acc. Performance time: 2:40References: 2 Timothy 2:3, 2 Timothy 4:7-8, Ephesians 6:10-18.
SKU: JK.01062
Moses 4:1-2, Alma 42:14-15.
Hymn arrangement combining original melody by Jon Holloman with the beloved lyrics of Eliza R. Snow--arranged for mixed chorus (SSATTBB) and piano accompaniment. Highest soprano note: F. Composer: Jon G. Holloman Lyricist: Eliza R. Snow Difficulty: Medium Performance time: 3:20Reference: Moses 4:1-2, Alma 42:14-15.
SKU: JK.00741
Doctrine and Covenants 39:17-24, Doctrine and Covenants 133:7-10.
Joyful anthem arranged for mixed chorus (SSATTBB) and piano, on the Savior's Second Coming.Composer: Lyndell Leatherman Lyricist: Henry Alford Difficulty: Medium-difficult / medium-difficult acc. Performance time: 3:15Reference: Doctrine and Covenants 39:17-24, Doctrine and Covenants 133:7-10.
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