SKU: SU.80300116
Choral phrases end on sustained sixth chords, forming a background for soprano and alto solos in octaves. Subtle rhythmic groupings of quarter and eighth notes declaim the text beautifully. Chosen for the 1997 ACDA National Convention women's chorus reading session. SSAA, soprano and alto solo a cappella. Latin. Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300215
The fruit of silence is prayer... Thus begins Mother Teresa's statement of faith and purpose, a poem which she entitled, A Simple Path. This gentle setting with long note values is given in both a short version, and a longer version with a soloists' counter-melody. It is particularly suitable for use as a benediction, or for repeated singing during the administration of communion, whenever a mantra-like effect of sung prayer is desired. SSAA & and optional SA solos a cappella; English. Easy-Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300218
This sweet--but never drippy--setting of a familiar English folk moves into gentle swing rhythm ostinato patterns, supporting soprano and alto solos. SSAA a cappella; English. Easy-Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300266
This setting of the Witches' Song from Macbeth boils and bubbles with shrieks, cackles, and short spoken solos. The piano part sets a thundery stage for Double, double toil and trouble choral ostinatos and six minutes of general musical mayhem. Some choralography (flickering lizard tongues, panting dog sounds) is provided for, with scope for much, much more. The Oakville Children's Choir, directed by Glenda Crawford, made this piece a big hit at the 2005 ACDA National Convention. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: AP.47521
UPC: 038081542140. English.
A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Expressive singing and vocal artistry are encouraged by the gentle ebb and flow of tempo.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: SU.80300127
Strong rhythms, a wide range, unusual voicing, and the use of open fifths and medieval cantus firmus and tone painting techniques give this piece its unique excitement. A major contribution to the literature for women's voices. SSSAA and two soprano solos a cappella. Medium/Difficult. SSSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: ST.CN23P
ISBN 9790220225147.
Commissioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'.
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