SKU: CA.751600
ISBN 9790007166878. Text language: Latin.
Dona nobis pacem and Lux aeterna were both written for concert programs devoted to specific themes. They share the use of the techniques of minimalism in their organ parts, enabling the broad vocal lines in the choral voices to stretch out above this instrument, thus imparting a special aspect to the concerns addressed by the texts: the longing for freedom in the here and now, as expressed in the Dona nobis pacem, as well as the desire for peace and tranquillity in the Lux aeterna.
SKU: SU.80300143
Elizabeth Barrett Browning meets Mae West in this swing setting of the immortal love poem, paraphrased by the composer. Boh-doo and wah-wah scat passages put an original spin on this text, and bring the house down when it is performed with gusto. Winner of the Diva Complex 1996 Composition Contest. SSAA a cappella. Medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300266
This setting of the Witches' Song from Macbeth boils and bubbles with shrieks, cackles, and short spoken solos. The piano part sets a thundery stage for Double, double toil and trouble choral ostinatos and six minutes of general musical mayhem. Some choralography (flickering lizard tongues, panting dog sounds) is provided for, with scope for much, much more. The Oakville Children's Choir, directed by Glenda Crawford, made this piece a big hit at the 2005 ACDA National Convention. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: CA.966200
ISBN 9790007167677. Language: Latin.
Matsushita's setting of a hymn for Pentecost is a dialog between women's choir and piano: while the choir develops its melodies from the Gregorian hymn, the piano provides a counterpoint with the minimalistic sounds of fourth and fifths, together with short independent motives related to the text of the hymn. Corresponding to the chorale, the meter changes continually, as if floating. The choir is treated homophonically throughout and, in preparation for the climax of the piece it is briefly divided into six parts at the words pacemque dones protinus (true peace bring unto us). One again Matsushita proves himself a master of economy in his use of compositional means; thus his works of new church music are appealing, effective, and they express humility.
SKU: SU.80300207-03
This five-movement major addition to the repertoire for women’s chorus has widely differing voicings and textures. All the movements use Emily Dickinson’s domestic images--bees, birds, balls of yarn--to express hopes and fears relating to the future and the past. Commissioned by Bella Voce of Reno, Nevada, Jennifer Tibben-Lembke, Director. 5 movements: SSA & Piano; SSA & Piano; SSAA a cappella; SA & Piano; SA & Piano; English. Medium. SSA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300163
This frankly sentimental Irish ballad of long-lost love has appealing double descants, independent four-part writing for a full soprano and alto range, yummy harmonies and voicing, and an irresistible choral cadenza which imitates the easy movement of the waving grass. Regretful but never self-pitying, the Yeats poem concludes, But I was young and foolish, and now am full of tears. SSAA and piano; 8 pages; duration: 4:00 min.; range: f# to g; difficulty: medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: HL.48025426
ISBN 9781835680032. UPC: 196288207559.
Silent night: This arrangement of the traditional carol by Franz Gruber and Joseph Muhr (translated into English by John Freeman Young) was written by Anna Lapwood and the Pembroke College GirlsÂ? Choir for their end of term party for the families of the choristers. The aim was to produce an arrangement manageable for the youngest choristers whilst stretching the older ones with some slightly jazzy harmonies. It was written in one 75-minute rehearsal, and performed to the parents straight after. The choir has written a new pieceat the end of every term since. Gaudete: This arrangement of the 16th-century carol was written during a full weekend of group composition with Anna Lapwood and the Pembroke College Girls' Choir, a process with which they had experimented previously. The choir decided to create rhythmic impetus and drive, which is delivered from the outset in the introductory material. This figure is repeated under the refrain for the first three verses, while the verses themselves are presented in simple unison. The final verse is harmonised and crescendos towards the uplifting key change for the final refrain, giving a sense of climax, which may be highlighted further with an optional tambourine.
SKU: SU.80300169
This gentle, homophonic setting, with its low tessitura and repeated rhythmic pattern, would definitely comfort the baby. This piece is perfect for setting a quiet mood for a Christmas service or concert. SSAA a cappella; Latin; duration: 2’10; range: b flat-e flat; difficulty: medium. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
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