SKU: XC.HRMG2140
UPC: 785147106456.
Now available for SSAA voices, the beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the optional solo chant line.
SKU: XC.HRMG1737
UPC: 785147101451. English.
This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices, at the discretion of the director. Â .
SKU: XC.HRMG1932
UPC: 785147103356. English.
A stirring testament to the power of music, Sara Teasdale's text is set to a captivating melody, with careful use of suspensions, and optional parts for violin and cello. A flowing piano accompaniment and optional solo or descant line bring beauty and depth to the gentle setting. For with my singing, I can make a refuge for my spirit's sake. Â .
SKU: XC.HRMG2263
Melodic lines, moments of dissonance, and a memorable setting of the refrain Wherever you go, I will go make this setting of the Song of Ruth a wonderful choice for your ensemble. Moving, poignant, and expressive.
SKU: GI.WW1742
UPC: 785147017066. Malay. Text Source: Traditional Singaporean Folk Music. Indonesian Folk Song.
Dayung Sampan is a Singaporean folk song brought to the country in the nineteenth century from Indonesia. Written for an advanced women's chorus, this exciting uptempo work will be a fun challenge for your singers. Dayung Sampan IPA Pronunciation Guide  .
SKU: SU.YR1C18V3
Traditional Andalucian carol SSAA, a cappella Composed: 2012 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: GI.G-10138
English. Text Source: Sight, Archibal Lampman, 1861–1899, alt. Text by Archibald Lampman.
SKU: OU.9780193413740
ISBN 9780193413740. 10 x 7 inches.
for SSAA (with divisions) unaccompanied Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled 'Three Shakespeare Songs'. In total, six Shakespeare texts are used, and McDowall's response encompasses a fleet-footed impression of Scottish fiddle music, a gorgeously plangent slow movement, and a helter-skelter finale that broadens to a mysteriously pitchless ending. Also available for SSATB.
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