SKU: HL.48022722
ISBN 9780851628257. 7.25x10.0x0.091 inches.
A setting of a nativity poem from Her Maker's Maker by Michael Symmons Roberts, New-made for a king was commissioned by Andreas Klatt for Farnham Youth Choir. Scored mainly in four parts, the choral texture is homophonic, the harmony rich yet approachable by young performers, with a decorative piano accompaniment. In the mould of a lullaby, the piece's over-riding calm is troubled towards the close by indistinct pp lontano interjections from the piano, in response to the poem's portentous closing words.
SKU: XC.HRMG1737
UPC: 785147101451. English.
This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices, at the discretion of the director. Â .
SKU: JK.01893
UPC: 093285018938. Luke 2:19This song is from the musical Son of Man by Kenneth Cope. You may purchase the CD here.
From the new musical about the life of Christ, Son of Man, we bring you Hidden in My Heart for SSAA and piano. This song, written by the award-winning composer, Kenneth Cope, is sung from Mary's perspective and gives us a look into the heart of the expecting mother of the Son of God. Highly recommended!But Mary kept all these things, and pondered them in her heart. Luke 2:19Music and Lyrics: Kenneth CopeArranger: Kenneth Cope, Grant and Michael Gibbons Difficulty: Medium Performance time: approx. 2:47Reference: Luke 2:19This song is from the musical Son of Man by Kenneth Cope. You may purchase the CD here.
SKU: HL.49046248
ISBN 9790001207218. UPC: 842819105169. 0.031 inches. English.
Composing soulful and expressive choral music has been the trademark of Alwin Michael Schronen for many years. A hauntingly beautiful testimony to that is his arrangement of Sally Gardens for upper voices (SSAA) and piano. This traditional Irish folk song is based on one of the first love poems by William Butler Yeats. Its melody is characterized by simplicity and catchiness which are maintained by Schronen in a clean and natural manner in an easy-to-play choral setting for four female or childrens voices singing in unison over long passages and are only seldom divided into four voices. The warm sounds of the easily playable piano accompaniment emphasize the melancholy and touching air of this wonderful Irish folk tune. A catchy tune - guaranteed!
SKU: HL.14042861
ISBN 9788774841241. UPC: 888680931704. 7.0x10.0x0.08 inches.
Michael Bojesen 's is a fine melodist whose primary field of work is choral music. Bojesen is a versatile artist whose activities in the musical sphere include composing, conducting and teaching. This piece, Gloria , has been composed for two Soprano and two Alto voices.
Michael Bojesen's is a fine melodist whose primary field of work is choral music.
Bojesen is a versatile artist whose activities in the musical sphere include composing, conducting and teaching.
This piece, Gloria, has been composed for two Soprano and two Alto voices.
SKU: MN.50-1132
UPC: 688670511325. English.
Michael Cox has arranged his madrigal-like carol for SSAA voices. Lilting Alleluia refrains contrast with introspective verses that are a perfect vehicle for the thought-provoking imagery of poet Paulann Canty. Repeated musical material makes the piece easy to learn, so that rehearsal time can be spent on a flexible and sensitive performance. SATB and TTBB voicings also available. Duration 2:30.
SKU: HL.14043662
ISBN 9788759836552. Author: Halfdan Rasmussen.
Ung Mor was composed for SSAA Choir A Cappella by Michael Bojesen , with lyrics by Halfdan Rasmussen.
SKU: SU.80300163
This frankly sentimental Irish ballad of long-lost love has appealing double descants, independent four-part writing for a full soprano and alto range, yummy harmonies and voicing, and an irresistible choral cadenza which imitates the easy movement of the waving grass. Regretful but never self-pitying, the Yeats poem concludes, But I was young and foolish, and now am full of tears. SSAA and piano; 8 pages; duration: 4:00 min.; range: f# to g; difficulty: medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300216
The ambiguous tonality of the opening section reflects the poet’s restlessness, in this cry of longing for a dead lover in the silence of the night. A richly romantic setting which showcases beautiful choral sound. SSAA & piano; English. Medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300148
This mellifluous setting is achingly sweet but never sappy, with distinctive writing for all parts and an independent keyboard accompaniment. An unusually good match of a 12th century hymn text (known in English as Jesus, the very thought of thee) and its musical setting. Latin, with full translation. SSAA and keyboard. Medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: SU.80300177
I would spread the cloths under your feet, sings the lover to the beloved in this warm, rich setting of a Yeats poem. SSAA and piano; duration: 3’ 00; range: f-g; difficulty: medium. SSAA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.
SKU: GI.WW1843
UPC: 785147029069. IsiZulu. Text Source: Traditional isiZulu.
Bonk'apaphable is a tremendously fun arrangement by South African musicicians Michael Barrett and Mbuso Ndlovu. This celebratory isiZulu song is a quick learn that will pay dividends for audiences and choirs! Add percussion, clapping, and ululations to make the most of this work. Recording is SATB version.
SKU: XC.HRMG2140
UPC: 785147106456.
Now available for SSAA voices, the beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the optional solo chant line.
SKU: C4.9790902257145
ISBN 9790902257145. 8.27 x 11.7 inches.
Written for Chis Watson and the Choir of Trinity College, Melbourne, these fine settings augment the familiar tunes with changes in form. They have been recorded by the Choir of Trinity College under the direction of Christopher Watson on Walking on Waves (ACIS; 194-660-710-178).
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