SKU: HL.114523
UPC: 884088874803. 6.75x10.5 inches.
Cascading bells played by choir members and the recurring phrase “Et in terra pax” between the verses of the familiar melody create a joyful seasonal showcase for treble voices. The final triumphant verse features a majestic descant and transitions into a sonorous conclusion on the final phrase, “good will to all.&rdquo.
SKU: AP.47635
UPC: 038081543284. English.
From Trans-Siberian Orchestra's triple platinum album, Christmas Eve and Other Stories, this respectful treatment of Pachelbel's Canon features patterned vocal parts that can be quickly taught and layered. The four-hand piano accompaniment is for two players at one piano, but is not difficult to play. Combine with Bob Phillips' string orchestra arrangement or the classical sounding SoundTrax CD. A highlight for any holiday concert!
SKU: SU.80400020
SSAA Chorus, Piano & Hand Percussion (Percussion played by singers)Duration: 9:00 Commissioned by: By The Young Singers of Callanwolde, Stephen J. Ortlip, Founder/Director, Atlanta, GA Dedication: In Honor of Doris and Stephen J. Ortip for their twenty years of outstanding leadership with The Young Singers of CallanwoldePremiered by: Roswell United Methodist Church, May 21, 1995, Atlanta, GA, Henry Leck, conductorCopyright 1997Text author: Anonymous (Mudbara-a tribe of Wave Hill, Northern AustraliaI. Day Break (available separately as SP105) II. Sea and Sky III. Wind and Sun Published by: Paulus Publications (SP104) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: HL.14021007
ISBN 9781844492893. 8.5x11.0x0.088 inches.
A Choral Suite for Two Part (Soprano and Alto) Children's Chorus setting the text of George Mackay Brown. This enchanting 12-minute cycle is typical of the subtle and delicate way Maxwell-Davies approaches writing for children: straightforward, tender, affectionate, yet with just a hint of the complexity found in challenging 'adult' works like the cycle Westerlings. George Mackay Brown's poetry with its haiku-like short stanzas and pointilliste allusive imagery leaves you constantly intrigued : who is the boy 'lost on the hill till sundown', and why is time 'a bird with white wings?' Is this perhaps the poet himself playing a bit of holiday truant?
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