SKU: CA.966200
ISBN 9790007167677. Language: Latin.
Matsushita's setting of a hymn for Pentecost is a dialog between women's choir and piano: while the choir develops its melodies from the Gregorian hymn, the piano provides a counterpoint with the minimalistic sounds of fourth and fifths, together with short independent motives related to the text of the hymn. Corresponding to the chorale, the meter changes continually, as if floating. The choir is treated homophonically throughout and, in preparation for the climax of the piece it is briefly divided into six parts at the words pacemque dones protinus (true peace bring unto us). One again Matsushita proves himself a master of economy in his use of compositional means; thus his works of new church music are appealing, effective, and they express humility.
SKU: HL.49018916
ISBN 9790001174718. 7.5x11.0x0.048 inches. English.
The Belgian composer and conductor Kurt Bikkembergs (*1963) has added to the repertoire for women's choir again: With 'The Maiden and the Sea' based on a text by Rene Geldof, he presents a revised and translated English version of his work 'Het meisje en de zee' written in 1994. It is a choral setting in which Bikkembergs has onomatopoeic and spoken elements alternate with mysterious chordal sounds and combines them in a skilful manner - a fascinating composition for performers and audience alike.
SKU: GI.WW1710
UPC: 785147013365. Estonian. Text by Doris Kareva.
Pärt Uusberg's beautiful asthetic shines once again in his work Mis on inimene?. Lush harmonies build to a rich soundscape as the Estonian poem explores what it means to be human. Meaningful in today's climate: Take care, then you are cared for. Music of Estonia Choral Series. Mis on inimene? IPA Guide Recording is TTBB version.
SKU: GI.G-9992
UPC: 785147999201. Latin. Text Source: from the Requiem Mass.
 This French impressionistic and contemplative work, “In paradisum†(May the angels lead you into paradise ), was added to the original Requiem by Fauré in 1893. The original 1888 version was heard in Paris in a funeral Mass at La Madeleine with Fauré playing the organ. The text refers to the miracle of eternal rest (“aeternam habeas requiemâ€). In this edition for treble voices, listeners can hear the continuous fluttering of angel’s wings in the keyboard against the beautifully melodic, mostly unison vocal lines sung by the choir. The rich D major harmonies are developed toward the end of both verses and, finally, in the ending invitation to have eternal rest. About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.
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