SKU: JK.01742
Doctrine and Covenants 43:34, Doctrine and Covenants 110:2-4.
* Arranged for mixed chorus (SSAATTBB) and smooth moving arpeggios in the piano accompaniment.Composer: Christine DavisArranger: Christine DavisLyricist: 12th cent. anonymous with additional text by Britton DavisDifficulty: Medium-difficultPerformance time: 4:25* Best-selling itemReferences: Doctrine and Covenants 43:34, Doctrine and Covenants 110:2-4.
SKU: JK.00600
Psalm 92:1-5, Enos 1:27.
Stirring hymn arrangement for double mixed chorus (SSAATTBB) and piano. Highest soprano note: A.Composer: John J. McClellan Arranger: Ralph Laycock Lyricist: Isaac Watts Difficulty: Difficult / difficult acc. Performance time: 4:00References: Psalm 92:1-5, Enos 1:27.
SKU: JK.00596
Luke 2.
Anthem for mixed chorus (SSAATTBB) and piano, singing alleluia that Christ was born to save us all--arranged in G major. Highest soprano note: G.Orchestral score with parts is available separately (#09002).Composer: Richard W. Smith Lyricist: Susan Evans McCloud Difficulty: Medium-difficult / difficult acc. Performance time: 4:30Reference: Luke 2.
SKU: CA.738660
ISBN 9790007166311. Text language: Latin.
The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).
SKU: JK.01870
Thoughtful Christmas piece for double mixed chorus (SSAATTBB), violin, and piano, written in F major (one flat). Violin part is included.Dear, precious Savior, born that holy night...I've no earthly treasure, what have I for thee?...What I have, I offer, I offer thee my heart. Composer: Kay Hicks Ward Lyricist: L. Melvin Ward Difficulty: Medium Performance time: 4:00Reference: Luke 2.
SKU: CA.738661
ISBN 9790007229351. Text language: Latin.
SKU: GI.G-9673
UPC: 785147967309. English, Latin. Text Source: Matthew 5:7–9, alt. Scripture: Matthew 5:7–9.
The percussion part is for djembe and triangle/finger cymbals. Hear the song and follow along with the score in the video below:.
SKU: CA.178100
ISBN 9790007253967. German.
The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).
SKU: CA.177600
ISBN 9790007253912. German.
SKU: CA.178000
ISBN 9790007253950. German.
SKU: CA.177900
ISBN 9790007253943. German.
SKU: CF.CM9419
ISBN 9780825898174. UPC: 798408098179. 6.875 x 10.5 inches. Text: Christina Rossetti. Christina Rossetti.
Ramsey's setting of this well-known holiday text is one of simplistic beauty. Carol-like at times, In the Bleak Midwinter is replete with opportunities for choirs to experiment with shifts in vocal color in the dramatic moments Ramsey masterfully crafts within the piece.
SKU: CA.177200
ISBN 9790007253875. German.
The renowned conductor Frieder Bernius regards the motets of Hans Fahrmann (1860-1940) as an indispensable and extremely welcome addition to the late Romantic repertoire. Fahrmann was born in Saxony. Although his choral works are generally little known nowadays, during his lifetime he was considered the Richard Strauss of the organ. With their challenging harmonies which stretch tonality to its extremes, they represent an exciting addition to the chamber choir repertoire. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 for the first time on CD with the SWR Vokalensemble Stuttgart (Carus 83.499).
SKU: CA.178300
ISBN 9790007253981. German.
The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness.Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).
SKU: CA.178200
ISBN 9790007253974. German.
SKU: CA.177700
ISBN 9790007253929. German.
SKU: BA.BA07414
ISBN 9790006559183. 27 x 19 cm inches. Text Language: Latin.
Based on the well-known bible text “Sing unto the Lord a new song†(Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.Originally conceived for male choir, women’s voices have now been added so that this version for mixed choir presents a further dimension of colour. This version also makes it possible to divide the choir into two groups, one for women and another for men, and to have them sing either together or as separate units. The version for mixed choir was premiered in Uppsala Cathedral (Sweden) on 26 October 2013, with the Uppsala Cathedral Singers conducted by Ulric Andersson.“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.â€MÃ¥rten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmenâ€, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.Please find a recording of Cantate Domino performed by the Riga Recording Studio Singers (Latvia) by clicking on Multimedia.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
