SKU: PR.312419090
ISBN 9781491135778. UPC: 680160687848. English, Hebrew.
In Stacy Garrop’s inspired hands, divisi mixed chorus provides a rich palette of texture and color. Her setting intermingles three versions of the Hebrew folk tune, taking artistic advantage of contrasts between solo and tutti, homophony and grand antiphony, divisi men and divisi women, and the gradual braiding and unbraiding of Hebrew and English texts. LO YISA GOY is the explicitly anti-war Scriptural text better-known in its English translation that begins, “And they shall beat their swords into plowshares... nation shall not lift up a sword against nation.â€.When Jonathan Miller asked me to write two pieces for Chicago a cappella, I knew right away that I wanted to choose two songs from my own past.The first piece, Hava Nagila, is a celebratory song full of joy. I wanted the second work to contrast the first, and to this end, I chose the somber text of Lo Yisa Goy, a prayer for peace. I remember singing this song as a young child in Hebrew school and synagogue, always in context (at least in my congregation) of praying for the state of Israel. I think we’re at a particular point in which people in a lot of different nations could use such a prayer. For this reason, you’ll hear the words in both Hebrew and English.In my research of previous versions of the melody, I discovered three variants for the tune, all of which I have incorporated into my piece.
SKU: OU.9780193391703
ISBN 9780193391703. 12 x 8 inches.
For SSAATTBB unaccompanied I sing of a Maiden combines flowing lines with rhythmic irregularity, and ends with an airy weightlessness which, in the words of the composer, echoes the vernal flavour of the words. Although rhythmically challenging, this beautiful carol is hugely rewarding and perfect for any experienced choir.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: JK.01891
UPC: 093285018914. Matt. 5:1-12, D&C 76:114.
Standing on the Promises, as performed by The Tabernacle Choir and arranged by the talented Ryan Murphy for SSAATTBB and piano, is sure to be a powerful addition to any setting.This product includes access to rehearsal tracks in the Jackman Music app. Click here to see how it works.Click here if you have copies of this piece purchased previous to the release of the Jackman Music Rehearsal Tracks. You can upgrade your sheet music.Piano accompaniment part available: #01891ap (the accompaniment part does not include access to rehearsal tracks).Orchestration Parts available: #01892Words and Music: Russell K. Carter Arranger: Ryan Murphy Difficulty: Medium Performance Time: 3:30References: Matt. 5:1-12, D&C 76:114
SKU: GI.WW1830
UPC: 785147031468. Latin. Text by Titus Lucretius.
Lucretius' ancient words describe strickingly modern notions about nature, humanity, and creation. Contemporary harmonies are interwoven with passages evoking Renaissance motents, chant, and madrigals. A challenging and artistic work from Jason Saunders.
SKU: HL.50601099
ISBN 9790080150498. 7.5x10.5 inches. English. Rezso Ott; William Shakespeare.
English text. Words by William Shakespeare.
SKU: PE.EP68578
ISBN 9790300759630. English.
Of Time and Passing (2016) is a cycle of three choral songs written specifically for the London-based ensemble, VOCES8, taking into consideration their versatilityand ability to beautifully intone a range of vocal colors with precision and grace.
The first song, I. Life, sets my translation of the poem A Vida by Brazilian poet Olavo Bilac (1865-1918), a poet I discovered while studying Brazilian Portuguese at the University of Michigan. I was drawn both to the simplicity of the text and to the possibilities of teasing out dual contrasting moods. In the beginning and end, this song explores a texture that is very much alive: wave-like contours, throbbing sounds, and plenty of flowing movement. Rising eighth-note motives in particular emphasize the fleetingness of life. But in the middle of the song, the listener is given a slowed-down atmosphere to savor life's beauty.
II. To Everything a Season capitalizes on VOCES8's ability to effectively interpret popular genres a cappella. This ancient text is taken from Ecclesiastes (dated around 300 B.C.) but I set it to a modern, rhythmically-regular and percussive pop-style idiom. Since popular music in whatever era is designedto appeal to a specific ?present time?, it is by its very nature ephemeral, and therefore seemed an apt metaphor to evoke the transitory nature of seasons.
III. Into Your Hands, confines the writing into no more than four parts, often with octave unisons.This creates a more direct and word-focused setting in which the Psalmist?s urgent words are placed at the forefront. Largely homophonic, this song is at times chorale-like, at times madrigal-like,finally relinquishing it?s tension into peaceful rest, proclaiming ?You have redeemed me, O Lord, faithful God??
- Daniel Knaggs
SKU: CA.738661
ISBN 9790007229351. Text language: Latin.
The composition of Verba Ecclesiastes begun in 2002 as a result of a comission from my friend Gary Graden. For many years I've found those words from the Old Testament very fascinating - as everyone knows, I'm not alone. Vanity of vanities! All is vanity! Writers, painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music. The suite, for soloists, choir and violoncello, consists of six movements, each one enlighting a different view of life and afterlife, and also, as Matthew Arnold puts it of human misery. Yet the suite is full of hope and humanity, specially recognizable in the two central parts, Dulce lumen and Omnia tempus habent. The music was completed in 2009. (Michael Waldenby).
SKU: CA.738660
ISBN 9790007166311. Text language: Latin.
SKU: OU.9780193404847
ISBN 9780193404847. 12 x 8 inches.
For SSAATTBB unaccompanied A challenging yet delicate anthem, with subtle key-signature changes, vocal divisions in up to eight parts, and alternating homophonic and polyphonic passages, the piece combines excerpts from the synonymous medieval hymn and Wordsworth's poem The Virgin, making it especially suitable for celebrations of the Blessed Virgin Mary.
SKU: OU.9780193572782
ISBN 9780193572782. Other inches.
For SSAATTBB and organ Mack Wilberg's Hosanna in excelsis is an adaptation of Johann Pachelbel's well-known Canon in D, P 37 that sets the words 'Hosanna in excelsis Deo' in the carefully interwoven choral part. The organ part may be adapted for piano four-hands with the secondo player doubling the organ pedal part in octaves.
SKU: OU.9780193862272
ISBN 9780193862272.
For SSAATTBB unaccompanied The music is based on the tune 'Cranham' by Gustav Holst, words are by Christina Rossetti.
SKU: GI.G-9702
UPC: 785147970200. Greek, Latin. Text Source: Words from Mass for the Dead
SKU: CA.990500
ISBN 9790007087005. Language: Latin.
Kurt Suttner, editor of the carus novus series, has written as follows in the foreword to the printed edition of Schanderl's setting of Psalm 90: The seven verses of Psalm 90 contrast the eternity of God with the transitoriness of man.This contrast is symbolized in the composition by the majestic, slow-moving basic pulse of the music, and by rhythmically taut, concise, polyphonic melodic figures. This contrast exactly matches the words which speak either of the permanence of God (Domine - Lord) or the transitory nature of man (convertimini filii hominum - return ye children of man - mane sicut herba - like the grass).
SKU: PE.EP71816A
ISBN 9790577020402. 420 x 297mm inches. English. Rumi Rumi; translation by Andrew Harvey.
Love Abide encapsulates the very contemporary ethos of multicultural spiritual devotion in a world populated by a rich diversity of faiths--all feeling, as deeply and as aesthetically, the compelling potency of music with love. A rich offering on a theme of interfaith connectivity. The Japanese lullaby-inspired Zen Love Song and the title work Love Abide are totally absorbing.BBC Music Magazine, 5 starsWith its outspoken positive approach, Love Abide is like a musical bouquet of healing herbs. Roxana Panufnuik's beautifully crafted music is inventive and truly enjoyable. The Colla Voce Singers produce singing of exceptional quality, with impressive control and a very good balance. Remy Franck, www.pizzicato.lu, 5 starsIf I had to choose a 'glass-half-full' contemporary composer, then Roxanna Panufnik would be near the top of my list. Her Music exudes openness and inclusivity, and it is in the choral settings where hope and positivity - two words that lie at the heart of her work - are most keenly felt. ... much of her recent work can be seen to be built on the solid foundations laid down on this impressively varied and diverse collection. A music of hope in dark and troubled times. Pwyll ap Sion, Gramophone Magazine.This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: PE.EP73703
ISBN 9790577023649.
Coronation Sanctus by Roxanna Panufnik was commissioned by His Majesty King Charles III for The Coronation at Westminster Abbey on May 6, 2023. It is a 2-minute piece for double choir and organ described by Roxanna Panufnik as festive and glittering. The music quickly builds and finishes ecstatically, with organ fanfares and flamboyantly colorful harmonies.
SKU: GI.G-9289
UPC: 785147928904. English. Text Source: Words extracted from The Red House, Memories of Childhood and Other Poems, 1919. Text by John Frederick Freeman.
The soprano solo is optional.
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