SKU: HL.48022635

This comical version of the famous 12 days of Christmas song is a re-working of an arrangement made for Fritz Spiegl and the Spieglers by their former Musical Director, Robert Ordledge. The swing style and jazz harmonies make this the perfect encore of a Christmas concert or a great piece for a Christmas party. Text by Nick Shrimpton.

SKU: GI.G-8387

UPC: 785147838708. Latin. Text Source: Antiphon for Christmas Day Vespers.

SKU: JK.00600

Psalm 92:1-5, Enos 1:27.

Stirring hymn arrangement for double mixed chorus (SSAATTBB) and piano. Highest soprano note: A.
Composer: John J. McClellan
Arranger: Ralph Laycock
Lyricist: Isaac Watts
Difficulty: Difficult / difficult acc.
Performance time: 4:00
References: Psalm 92:1-5, Enos 1:27.

SKU: CA.7070110

ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.

“Friede auf Erden” op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erden”, he intended the piece to be performed unaccompanied.
To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen” (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.

SKU: HL.49045938

Magnificat by Magdalena Zimmermann for mixed choir (SSAATTBB) plays with harmony, rhythm and dynamics. The unexpected continuation of melodies by the voices, combined with shifted rhythms, engages the audience's attention until the last bar and results in a rich sound. With its soft and gentle ending, Magnificat as a prayer of Mary exudes, at the same time, a sense of calmness and gentleness.The work is rhythmically and harmonically demanding, which is why the singers need to be steady keeping beat and intonation. Once Magnificat has been rehearsed, it is suitable for concerts as well as Sunday services.

SKU: HL.49018397

ISBN 9790001174220. UPC: 884088648763. 7.5x11.5x0.051 inches. Russian.

In the days of Roslawez, the use of lyrical texts in Russian choral music was an exception. Traditionally, sacred liturgical texts were preferred in choral singing. Roslawez composed only a few choral works anyway, so this excellent cantabile piece is a real treasure. The poem 'Na poljach' (In the Fields) was written by the Russian poet Pyotr Oreshin. Little solo parts answered by the tutti, charming harmonies and a floating rhythm result in an Impressionist tonal image. The piece is quite easy to sing and will bring pleasure to both performers and listeners.Roslawez studied composition and violin in Moscow. He was among the leading figures of the musical scene in the 1920s. Treated more and more with hostility for political reasons and eventually barred from pursuing his career, he spent the last years of his life in poverty.