SKU: CA.7000110
ISBN 9790007082048. Key: E major. Language: German.
SKU: HL.48022635
This comical version of the famous 12 days of Christmas song is a re-working of an arrangement made for Fritz Spiegl and the Spieglers by their former Musical Director, Robert Ordledge. The swing style and jazz harmonies make this the perfect encore of a Christmas concert or a great piece for a Christmas party. Text by Nick Shrimpton.
SKU: HL.427582
ISBN 9781705162620. UPC: 196288062790. 6.75x10.5x0.019 inches.
This setting of Christina Rossetti's poem “Then Shall Ye Shout†for unaccompanied double choir was commissioned by Help Musicians UK for its annual St Cecilia's Festival service and first performed by the Choirs of St Paul's Cathedral, Westminster Abbey, and Westminster Cathedral on 17 November 2021. Rossetti's text describes singers biding their time and staying silent until the moment they are able to come together again and sing, loudly and with passion. The piece commemorates the period in 2020 during which musicians were unable to perform due to lockdowns caused by the global pandemic.
SKU: SU.80401150
SSAATTBB Chorus, a cappella Duration: 5' Composed: 2000 Published by: Paulus Publications (SP157) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: GI.G-9620
UPC: 785147962007. Latin. Text Source: Fourth Responsory at Matins, Christmas Day.
SKU: GI.G-8387
UPC: 785147838708. Latin. Text Source: Antiphon for Christmas Day Vespers.
SKU: GI.G-9563
UPC: 785147956303. German. Text Source: Psalm 90:1–2, alt. Scripture: Psalm 90:1–2.
SKU: JK.01299
Mark 16:6-7, Mosiah 16:7-9.
Arranged for mixed chorus (SSAATTBB) and piano, from Richard Smith's Women of the Bible.This setting begins with the women visiting the tomb to anoint the Savior with oil and spices. They find the tomb empty and an angel there. Later, Mary sees the Christ and realizes He has risen.Composer: Richard W. Smith Lyricist: Barbara Tanner Difficulty: Medium-difficult / medium acc. Performance time: 5:00Reference: Mark 16:6-7, Mosiah 16:7-9.
SKU: JK.00600
Psalm 92:1-5, Enos 1:27.
Stirring hymn arrangement for double mixed chorus (SSAATTBB) and piano. Highest soprano note: A.Composer: John J. McClellan Arranger: Ralph Laycock Lyricist: Isaac Watts Difficulty: Difficult / difficult acc. Performance time: 4:00References: Psalm 92:1-5, Enos 1:27.
SKU: CA.7070100
ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.
Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!
SKU: CA.7070110
ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.
“Friede auf Erden†op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erdenâ€, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen†(pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.
SKU: GI.G-8211
UPC: 785147821106. Latin. Text Source: Anonymous, 13th c.
SKU: HL.49045938
Magnificat by Magdalena Zimmermann for mixed choir (SSAATTBB) plays with harmony, rhythm and dynamics. The unexpected continuation of melodies by the voices, combined with shifted rhythms, engages the audience's attention until the last bar and results in a rich sound. With its soft and gentle ending, Magnificat as a prayer of Mary exudes, at the same time, a sense of calmness and gentleness.The work is rhythmically and harmonically demanding, which is why the singers need to be steady keeping beat and intonation. Once Magnificat has been rehearsed, it is suitable for concerts as well as Sunday services.
SKU: GI.G-7204
Latin. Text source: From the Eucharistic Liturgy of the Roman Rite. Scripture: Isaiah 6:3, Psalm 118:26, Matthew 21:9, Revelation 4:8.
An a cappella polyphonic setting based on the Sanctus chant of Mass XVIII. Though not particularly complex, the extensive divisi requires fairly sizeable forces, and the harmonic texture requires careful attention to intonation. The end result creates a powerfully rich sonority.
SKU: HL.49018397
ISBN 9790001174220. UPC: 884088648763. 7.5x11.5x0.051 inches. Russian.
In the days of Roslawez, the use of lyrical texts in Russian choral music was an exception. Traditionally, sacred liturgical texts were preferred in choral singing. Roslawez composed only a few choral works anyway, so this excellent cantabile piece is a real treasure. The poem 'Na poljach' (In the Fields) was written by the Russian poet Pyotr Oreshin. Little solo parts answered by the tutti, charming harmonies and a floating rhythm result in an Impressionist tonal image. The piece is quite easy to sing and will bring pleasure to both performers and listeners.Roslawez studied composition and violin in Moscow. He was among the leading figures of the musical scene in the 1920s. Treated more and more with hostility for political reasons and eventually barred from pursuing his career, he spent the last years of his life in poverty.
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