SKU: HL.49045601
ISBN 9790001166256. UPC: 841886032682. 7.5x10.75x0.067 inches. Latin. Psalm 89.
About 40 compositions, including half for accompanying and unaccompanied choir, are currently in the catalog of young Polish composer Katarzyna Danel (born 1992). After several national composition competitions, she won the 13th International Composition Competition Musica Sacra Nova with her Misericordias Domini for eight-part mixed choir a cappella. The complex spiritual a cappella choir is based on the Gregorian chant of the same name (Psalm 89,2). Three principal structures are characteristic of this Latin-language choral piece: on the one hand, aleatoric sound clouds in major pentatonic scales, soundally supported by long-held organum-like notes taken from the Gregorian choral melody; As well as a renaissance-like polyphony, which is linked with modern harmony; And finally long static chords that blend into harmony and space. A wonderfully mystical-spherical composition, which also gives the individual performer the possibility of individual design through the ad libitum passages marked in the sheet music.
SKU: JK.01655
1 Corinthians 1:10.
Arranged for mixed chorus (SSAATTBB) and piano, adapted from 1 Corinthians 1:10.Composer: Claudia Bigler Lyricist: Claudia Bigler Difficulty: Medium Performance time: 3:40Reference: 1 Corinthians 1:10.
SKU: OU.9780193525610
ISBN 9780193525610. 10 x 7 inches.
For SSAATTBB unaccompanied This radiant setting of the popular 'O nata lux' text features sumptuous and sophisticated harmonies and accessible vocal lines. The anthem builds to a central climactic moment followed by a reprise of the opening material that leads to a peaceful, reflective ending.
SKU: C4.9790902257183
ISBN 9790902257183. 8.27 x 11.7 inches.
Commissioned by Christopher and Nicola Lock for the St James's Church, King Street Organ Replacement & Restoration Appeal in November 2019, this is a beautifully radiant introit, with text taken from a liturgical book of processions, dating from about 1526.Shelly explains: The format for the plainchant is such that there is a response, a verse, and repetitions of the response. I haven't replicated the format in my work, instead setting it as one 'run-through' of the text in a full choral setting. I've also set it in a way that the ending doesn't sound final. This is deliberate because as an Introit, it is an introduction to the liturgy, and I want the piece to 'lead in' to the rest of the liturgy..
SKU: HL.49019445
ISBN 9790001179188. 8.25x12.0x0.115 inches. German.
Die Motette eignet sich zur konzertanten Auffuhrung in der Passionszeit oder zu Allerheiligen/Allerseelen.Der Komponist verbindet in diesem Werk die von Martin Luther ubersetzte Antiphon Media vita mit Passagen aus Psalm 90 (Lehre uns bedenken, dass wir sterben mussen )Das Werk widmete Hessenberg dem bekannten Chordirigenten Helmuth Rilling und seiner Frankfurter Kantorei.
SKU: BA.BA07414
ISBN 9790006559183. 27 x 19 cm inches. Text Language: Latin.
Based on the well-known bible text “Sing unto the Lord a new song†(Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.Originally conceived for male choir, women’s voices have now been added so that this version for mixed choir presents a further dimension of colour. This version also makes it possible to divide the choir into two groups, one for women and another for men, and to have them sing either together or as separate units. The version for mixed choir was premiered in Uppsala Cathedral (Sweden) on 26 October 2013, with the Uppsala Cathedral Singers conducted by Ulric Andersson.“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.â€MÃ¥rten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmenâ€, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.Please find a recording of Cantate Domino performed by the Riga Recording Studio Singers (Latvia) by clicking on Multimedia.
SKU: CA.338830
ISBN 9790007303686. Key: F lydian. Latin.
This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, without sharps, without flats, without triads on the 7th step, without six-four chords, without the sounds of fourths or fifths.
SKU: CA.4011430
ISBN 9790007062347. Key: F lydian. Language: Latin/English.
This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, without sharps, without flats, without triads on the 7th step, without six-four chords, without the sounds of fourths or fifths..
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