SKU: HL.49004849
ISBN 9790001051620. German.
SKU: SU.80400180
SSAATTBB Chorus, Sop, Ten solo & HarpDuration: 3:00Copyright 1976Text author: Robert Davis Published by: Paulus Publications (SP171) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: CA.7070100
ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.
Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!
SKU: CA.2301340
ISBN 9790007144647. Key: D minor. Text language: Russian/German.
Score available separately - see item CA.2301300.
SKU: CA.2301320
ISBN 9790007144616. Key: F major. Text language: Russian/German.
SKU: HL.49045940
Artfully combining the old with the new - that is one of the hallmarks of Alwin M. Schronen. That this versatile balancing actor andbearer of numerous compositional prizes succeeds in mastering this artistic balancing act, he proves once again in his sacred choralcomposition Hodie Christus natus est. This Latin-speaking work for 8-part mixed choir a cappella (SSAATTBB) is based on the antiphonto the Magnificat of the Christmas Vespers. Schronen opens his Christmas song with the literal intonation of the traditional Gregorian melody. After this beginning, alternating between male and female voices, the composer lets the entire choir join in the jubilation of thanks for the birth of Jesus. He manages to lift the listener with his very own musical language in other heavenly realms. A wonderful, but at the same time vocally demanding piece of music, which is equally suitable for the use of church music asit is for concert use.
SKU: CA.178100
ISBN 9790007253967. German.
The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).
SKU: JK.01318
Psalm 23.
Worshipful anthem for mixed chorus (SSAATTBB) in E flat major, based on Psalm 23, proclaiming My Lord, My Shepherd! Soprano high note: E.Composer: Robert Millett Arranger: Robert Millett Lyricist: Robert Millett Difficulty: Medium-difficult Performance time: 2:57Reference: Psalm 23.
SKU: JK.00128
Psalm 150, Psalm 23:6.
Fresh hymn arrangement for mixed chorus (SSAATTBB) and piano/organ. Highest soprano note: A. Composer: From the Stralsund Gesangbuch (1665) Arranger: Roger Hoffman Lyricist: Joachim Neander (1650-1680) Difficulty: Medium Performance time: 3:40Reference: Psalm 150, Psalm 23:6.
SKU: CA.2301380
ISBN 9790007144722. Key: F major. Text language: Russian/German.
SKU: CA.2301355
ISBN 9790007144678. Key: B flat major. Text language: Russian/German.
SKU: CA.2301310
ISBN 9790007144609. Key: B flat major. Text language: Russian/German.
SKU: CA.2301350
ISBN 9790007144661. Key: G major. Text language: Russian/German.
SKU: CA.2301345
ISBN 9790007144654. Text language: Russian/German.
SKU: SU.80400691
SSAATTBB Chorus, Soprano & Baritone, Flute, Oboe, Percussion, ‘Cello & Piano Duration: 12:00Commissioned by: Bach Choir of BethlehemDedication: Dedicated to Greg Funfgeld in honor of his 25th year as artistic director and conductor of The ChoirPremiered by: Bach Choir of BethlehemCopyright 2009Text author: Carl Sandburg (1878-1967) Published by: Paulus Publications (SP523).
SKU: SU.80401230
SSAATTBB Chorus, Flute, Oboe, Percussion & Harp Composed: 1990 Published by: Paulus Publications (SP185) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: SU.80400360
SSAATTBB Chorus, a cappellaDuration: 4:00 Commissioned by: By the Dale Warland Singers, Dale Warland, Conductor and founder Dedication: For The Dale Warland Singers Premiered by: The Dale Warland Singers, Minneapolis, MN, Dale Warland, Conductor and Founder, 2003 Copyright 2003 Text author: Anonymous, 1625 Published by: Paulus Publications (SP423) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: HL.48022632
ISBN 9780851627649. 7.25x10.25x0.037 inches.
Another close harmony arrangement of a traditional Christmas melody, with Latin text. The melody, shared by different voice parts, is accompanied by sustained, stirring harmonies in the remaining parts; perfect for a gentle interlude.
SKU: M2.MOS-81239
ISBN 9790203797395.
Der grossartige Chorsatz des fruhbarocken Meisters ist nicht doppelchorig, sondern real achtstimmig angelegt. Fast 400 Jahre lag das Werk vergessen in den Archiven, bis sich der Melchior-Franck-Experte und Herausgeber Knut Gramss seiner annahm.
SKU: CA.7002490
ISBN 9790007082369. Key: E major. Language: German.
SKU: CA.742900
ISBN M-007-25230-4. Language: Hebrew.
The a cappella motet Alleluja (2018) is a song of longing which resonates existential need as well as the hope of a profound connection to God. In the beginning, which is delicate and motivically very concentrated but metrically deliberately uncoordinated, more and more voices gather to sing together, until suddenly, starting from the bass, a violent and rhythmically exalted incantation breaks out. The following fortissimo unison in a high register is the climax of the entire work piece. In the Abgesang, the beginning is taken up, but now in a polyphonic and harmonically intensified setting. The end in A major seems like a salvation. The work has been released on the CD Rejoice. Vocal Music by Kay Johannsen (Carus 83.496/00).
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