SKU: CA.178000
ISBN 9790007253950. German.
The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).
SKU: SU.80400710
SSAATTBB Chorus, S solo & Organ (or Piano)Duration: 5:00 Commissioned by: St. Peter's By-The-Sea Episcopal ChurchDedication: Commissioned by St. Peter's-by-the-Sea Episcopal Church, Tom Bailey, Organist and Master of the ChoirsPremiered by: St. Peter's By-The-Sea Episcopal Church, Tom Bailey, directorCopyright 2009Text author: St. Richard of Chichester (1197-1253) Published by: Paulus Publications (SP525) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: HL.49045938
Magnificat by Magdalena Zimmermann for mixed choir (SSAATTBB) plays with harmony, rhythm and dynamics. The unexpected continuation of melodies by the voices, combined with shifted rhythms, engages the audience's attention until the last bar and results in a rich sound. With its soft and gentle ending, Magnificat as a prayer of Mary exudes, at the same time, a sense of calmness and gentleness.The work is rhythmically and harmonically demanding, which is why the singers need to be steady keeping beat and intonation. Once Magnificat has been rehearsed, it is suitable for concerts as well as Sunday services.
SKU: PE.EP71816A
ISBN 9790577020402. 420 x 297mm inches. English. Rumi Rumi; translation by Andrew Harvey.
Love Abide encapsulates the very contemporary ethos of multicultural spiritual devotion in a world populated by a rich diversity of faiths--all feeling, as deeply and as aesthetically, the compelling potency of music with love. A rich offering on a theme of interfaith connectivity. The Japanese lullaby-inspired Zen Love Song and the title work Love Abide are totally absorbing.BBC Music Magazine, 5 starsWith its outspoken positive approach, Love Abide is like a musical bouquet of healing herbs. Roxana Panufnuik's beautifully crafted music is inventive and truly enjoyable. The Colla Voce Singers produce singing of exceptional quality, with impressive control and a very good balance. Remy Franck, www.pizzicato.lu, 5 starsIf I had to choose a 'glass-half-full' contemporary composer, then Roxanna Panufnik would be near the top of my list. Her Music exudes openness and inclusivity, and it is in the choral settings where hope and positivity - two words that lie at the heart of her work - are most keenly felt. ... much of her recent work can be seen to be built on the solid foundations laid down on this impressively varied and diverse collection. A music of hope in dark and troubled times. Pwyll ap Sion, Gramophone Magazine.This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: CA.739600
ISBN M-007-25264-9. Language: English.
The motet Bless the Lord, O My Soul (2013) on verses from Psalm 103 exploits the possibilities of vocal combinations and the resulting sound effects to a high degree: In the opening invocation O my soul, the soprano 1 ascends to float above the fanned out low chord of the other voices; and beginning from For as the heavens are high above the earth, an eight-part fugato masses together into an extensive architecture of sound. The harmony of the work is tonal, but many enriched chords create a tension rich in nuances in the setting. The work has been released on the CD Rejoice. Vocal Music by Kay Johannsen (Carus 83.496/00).
SKU: HL.35006236
UPC: 747510066248. 6.75x10.5 inches.
This new edition of “Exsultate lusti in Domino” was prepared from Denkmaler der Tonkunst in Osterreich. An excellent example of eighteenth-centuray choral writing, this work is a wonderful teaching tool as well as an impressive performance piece. The double choir effect of women and men creates a rich texture, which routinely alternates between major and minor modes. The result is a complex sounding, yet only moderately difficult work, accessible to high school, college, and church choirs.
SKU: HL.49044857
ISBN 9790001154444. UPC: 841886026537. 7.5x10.75 inches. Latin.
Szymon Godziemba-Trytek, born in Poland in 1988, already is one of the acclaimed choral composers of our time and has been awarded numerous prizes at national and international composition competitions, as e.g. in 2014 for his 'Miserere mei Deus, miserere mei', a musical setting of Psalm 56 for eight-part mixed a-cappella choir. It is the effective antiphony between female and male voices, four-part homophonic passages including four bars for two solo sopranos, rich dynamic nuances, staggered entries of the voices in imitation, and sound elements to be performed in an individual loop-like manner that make this sacred choral work special. For this work, the young composer was awarded the 3rd prize at the Composition Competition Musica Sacra.
SKU: GI.G-7204
Latin. Text source: From the Eucharistic Liturgy of the Roman Rite. Scripture: Isaiah 6:3, Psalm 118:26, Matthew 21:9, Revelation 4:8.
An a cappella polyphonic setting based on the Sanctus chant of Mass XVIII. Though not particularly complex, the extensive divisi requires fairly sizeable forces, and the harmonic texture requires careful attention to intonation. The end result creates a powerfully rich sonority.
SKU: JK.01079
Bold, majestic hymn arrangement for full chorus (SSAATTBB), soprano soloist, and piano accompaniment--adding new dimension to the traditional hymn with modern, rich harmonies and interludes. Soprano high note: high B flat.Composer: Traditional Arranger: Rob Millett Lyrics: Traditional Difficulty: Medium-difficult Performance Time: 3:20Romans 5:2, 15, 17, 20-21, Acts 15:11.
SKU: PR.312419090
ISBN 9781491135778. UPC: 680160687848. English, Hebrew.
In Stacy Garrop’s inspired hands, divisi mixed chorus provides a rich palette of texture and color. Her setting intermingles three versions of the Hebrew folk tune, taking artistic advantage of contrasts between solo and tutti, homophony and grand antiphony, divisi men and divisi women, and the gradual braiding and unbraiding of Hebrew and English texts. LO YISA GOY is the explicitly anti-war Scriptural text better-known in its English translation that begins, “And they shall beat their swords into plowshares... nation shall not lift up a sword against nation.â€.When Jonathan Miller asked me to write two pieces for Chicago a cappella, I knew right away that I wanted to choose two songs from my own past.The first piece, Hava Nagila, is a celebratory song full of joy. I wanted the second work to contrast the first, and to this end, I chose the somber text of Lo Yisa Goy, a prayer for peace. I remember singing this song as a young child in Hebrew school and synagogue, always in context (at least in my congregation) of praying for the state of Israel. I think we’re at a particular point in which people in a lot of different nations could use such a prayer. For this reason, you’ll hear the words in both Hebrew and English.In my research of previous versions of the melody, I discovered three variants for the tune, all of which I have incorporated into my piece.
SKU: OU.9780193387263
ISBN 9780193387263. 12 x 8 inches.
For SSAATTBB unaccompanied Setting text recorded in an early fourteenth-century Cambridge manuscript, this work presents evocative solo passages above sustained notes, and rich multi-layered canon-like passages in the upper voices.
SKU: JK.01299
Mark 16:6-7, Mosiah 16:7-9.
Arranged for mixed chorus (SSAATTBB) and piano, from Richard Smith's Women of the Bible.This setting begins with the women visiting the tomb to anoint the Savior with oil and spices. They find the tomb empty and an angel there. Later, Mary sees the Christ and realizes He has risen.Composer: Richard W. Smith Lyricist: Barbara Tanner Difficulty: Medium-difficult / medium acc. Performance time: 5:00Reference: Mark 16:6-7, Mosiah 16:7-9.
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