SKU: HL.49045940

Artfully combining the old with the new - that is one of the hallmarks of Alwin M. Schronen. That this versatile balancing actor andbearer of numerous compositional prizes succeeds in mastering this artistic balancing act, he proves once again in his sacred choralcomposition Hodie Christus natus est. This Latin-speaking work for 8-part mixed choir a cappella (SSAATTBB) is based on the antiphonto the Magnificat of the Christmas Vespers. Schronen opens his Christmas song with the literal intonation of the traditional Gregorian melody. After this beginning, alternating between male and female voices, the composer lets the entire choir join in the jubilation of thanks for the birth of Jesus. He manages to lift the listener with his very own musical language in other heavenly realms. A wonderful, but at the same time vocally demanding piece of music, which is equally suitable for the use of church music asit is for concert use.

SKU: CF.CM530

ISBN 9781491144978. UPC: 680160902477. 6.875 x 10.5 inches. Key: G major. English. Edvard Bull.

From his Album for Male Voices, Op. 30, a set of 12 Norwegian folksongs set for chorus with male leads, The Great Angelic Host was arranged for double mixed chorus by Eyvind H. Bull, and has here been edited by Walter Aschenbrenner. We are pleased to make this exquisite choral work available once again. David Monrad Johansen, in his published life of Grieg, was moved to say, In The Great Angelic Host true religious feeling has been given the purest expression. This composition shows what wonderful material we have right at hand on which to base a future church music for Norway..

SKU: CA.7070110

ISBN 9790007252274. German/English. Text: Meyer, Conrad Ferdinand.

“Friede auf Erden” op. 13 is regarded as Arnold Schoenberg’s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated “Friede auf Erden”, he intended the piece to be performed unaccompanied.
To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a “reine Harmonie unter Menschen” (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth – a real showpiece for ambitious choirs!. Score available separately - see item CA.7070100.

SKU: HL.153809

UPC: 888680097554. 6.75x10.5 inches.

K. Lee Scott has taken a Latin setting of Psalm 51, “Create in me a clean heart,” and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or community choirs, appropriate for concert or worship. Medium to difficult.

SKU: GI.WW1835A

UPC: 785147029366. English. Text by Charles Anthony Silvestri.

Full Score and Instrumental Parts for WW1835 Tundra (SATB). *ERRATA NOTE: Soprano 1 starting in measure 50 is a minor third too high. Soprano 1s should sing mm. 50-end a minor third lower, starting on a G (the piece ending on an F). The sample pages here and the digital PDF reflect the corrected version. Ola Gjeilo · Kantorei: TUNDRA.

SKU: OU.9780193571532

ISBN 9780193571532. 10 x 7 inches.

For SSAATTBB unaccompanied Hazzard's enchanting Sanctus, setting text from the Latin Mass, captures the feeling of a rushing current throughout. Suitable for concert use, this piece features imaginative text-setting and driving rhythms that create an engaging experience for singers and listeners alike.

SKU: CA.742900

ISBN M-007-25230-4. Language: Hebrew.

The a cappella motet Alleluja (2018) is a song of longing which resonates existential need as well as the hope of a profound connection to God. In the beginning, which is delicate and motivically very concentrated but metrically deliberately uncoordinated, more and more voices gather to sing together, until suddenly, starting from the bass, a violent and rhythmically exalted incantation breaks out. The following fortissimo unison in a high register is the climax of the entire work piece. In the Abgesang, the beginning is taken up, but now in a polyphonic and harmonically intensified setting. The end in A major seems like a salvation. The work has been released on the CD Rejoice. Vocal Music by Kay Johannsen (Carus 83.496/00).