SKU: GI.G-7756

UPC: 785147775607. English. Text source: Based on Revelation. Text by Glenn Burleigh. Scripture: Psalm 46:10, Isaiah 9:6, Romans 14:11, Philippians 4:7, Revelation 5:5, Revelation 11:15, Revelation 17:14, Revelation 19:16.

Glenn Burleigh offers this majestic SATB divisi setting for Christ the King. Based on scripture from Revelation the piece begins with an impassioned proclamation, “And the government shall be upon his shoulders and his name shall be called Jesus.” It then steadily builds throughout, leading to an exciting and dramatic conclusion.

SKU: PR.312419090

ISBN 9781491135778. UPC: 680160687848. English, Hebrew.

In Stacy Garrop’s inspired hands, divisi mixed chorus provides a rich palette of texture and color. Her setting intermingles three versions of the Hebrew folk tune, taking artistic advantage of contrasts between solo and tutti, homophony and grand antiphony, divisi men and divisi women, and the gradual braiding and unbraiding of Hebrew and English texts. LO YISA GOY is the explicitly anti-war Scriptural text better-known in its English translation that begins, “And they shall beat their swords into plowshares... nation shall not lift up a sword against nation.”.
When Jonathan Miller asked me to write two pieces for Chicago a cappella, I knew right away that I wanted to choose two songs from my own past.The first piece, Hava Nagila, is a celebratory song full of joy. I wanted the second work to contrast the first, and to this end, I chose the somber text of Lo Yisa Goy, a prayer for peace. I remember singing this song as a young child in Hebrew school and synagogue, always in context (at least in my congregation) of praying for the state of Israel. I think we’re at a particular point in which people in a lot of different nations could use such a prayer. For this reason, you’ll hear the words in both Hebrew and English.In my research of previous versions of the melody, I discovered three variants for the tune, all of which I have incorporated into my piece.

SKU: EC.9238

UPC: 600313492389. English.

Another movement from Titration, this piece explores the connection that we all have to one another. Although there is significant divisi, the piece is rewarding to advanced choirs.

SKU: OU.9780193404847

ISBN 9780193404847. 12 x 8 inches.

For SSAATTBB unaccompanied A challenging yet delicate anthem, with subtle key-signature changes, vocal divisions in up to eight parts, and alternating homophonic and polyphonic passages, the piece combines excerpts from the synonymous medieval hymn and Wordsworth's poem The Virgin, making it especially suitable for celebrations of the Blessed Virgin Mary.

About Oxford New Horizons

New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

SKU: CA.7070100

ISBN 9790007252267. German/English. Text: Meyer, Conrad Ferdinand.

Friede auf Erden op. 13 is regarded as Arnold Schoenberg's last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated Friede auf Erden, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a reine Harmonie unter Menschen (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth - a real showpiece for ambitious choirs!