SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: GI.G-9610
UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.
Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.†I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora†is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.†Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,†which it then does, leaving the sopranos alone on a high G.
SKU: HL.49044367
ISBN 9790001199629. UPC: 841886024755. Latin.
Meine Seele durstet nach Gott, nach dem lebendigen Gott - diese Psalmvertonung wird von einem kleinen und einem grosseren Chor antiphonisch vorgetragen. Mit zarten Harmonien, ruhigem Gestus und spannungsgeladenen Zwischenteilen wirkt das Stuck besonders in Raumen mit unterstutzender Akustik.
SKU: OU.9780193356016
ISBN 9780193356016. 12 x 8 inches.
For SSATB choir or soloists, unaccompanied In this setting, which includes salient fragments for St Luke's gospel (in Greek), alongside the customary text from the Book of Common Prayer, Finnissy renders this excitement, joy, awe, and trepidation in music.
SKU: CA.925700
ISBN 9790007249199. Key: A flat major. Language: German. Text: Ruckert, Friedrich.
SKU: CA.5292500
ISBN 9790007296032. Key: A major. German. Text: Geibel, Emanuel.
Reger composed Palmsonntagmorgen (WoO VI/18) at the beginning of 1902 at the request of the Chemnitz organist and choral director Georg Stolz. Stolz may also have suggested the text by Emanuel Geibel. The division of the text into sections, and the imitative and chordal passages in the five-part unaccompanied setting already point towards Reger's later motets.
SKU: GI.WW1946
UPC: 785147042167. Sesotho and IsiZulu. Text Source: Traditional SeSotho and IsiZulu.
This traditional South African song is typically sung by a choir or a group of winners in a competition. It is a bragging song that says when we sing like this we have no mercy and no grace! Add percussion and ululations for an authentic South African sound.
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